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Reviews tagging 'Homophobia'
Most Ardently: A Pride & Prejudice Remix by Gabe Cole Novoa
155 reviews
raybudbury's review
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Honestly? This is now my Pride and Prejudice. I loved Oliver. I like the author really makes it feel authentic to how some trans people feel w/ gender dysphoria and the emotional turmoil of hearing people use their deadname / wrong pronouns imo. Or my own feelings as a nb person that struggles w mine own identity and how I want ppl to see me. Idk I felt like it was an authentic trans experience being written,, hard to explain KAOAPSM.
It’s sweet, funny, emotional but can be triggering for some (in that Oliver gets deadnamed frequently as he isn’t out to everyone in the book) but the author states that at the top which is great.
Graphic: Deadnaming
Moderate: Classism, Dysphoria, Homophobia, Misogyny, and Transphobia
courtknee__vn's review
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
5.0
Graphic: Transphobia, Deadnaming, and Homophobia
chrisb913's review
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
Graphic: Deadnaming, Homophobia, Misogyny, Transphobia, and Classism
amandalachelle's review
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
4.0
Graphic: Dysphoria, Transphobia, Homophobia, and Deadnaming
emroar's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? N/A
- Flaws of characters a main focus? It's complicated
4.5
Moderate: Transphobia, Deadnaming, Homophobia, and Dysphoria
the_vegan_bookworm's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.75
Graphic: Sexism, Homophobia, Misogyny, Deadnaming, and Transphobia
dalek_caan's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
Graphic: Dysphoria, Homophobia, Sexism, Transphobia, and Misogyny
Moderate: Outing
venusinfauxfur's review against another edition
- Loveable characters? No
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? No
1.75
Everyone around Oliver seemed to, for the most part, immediately accept and understand his identity, which resulted in a general lack of narrative tension while simultaneously feeling unrealistic even from a contemporary trans lens. The language used in his various coming-out scenes felt extremely cookie-cutter (e.g., “I love and support you”) and was delivered with little hesitation; there were no hiccups, no fumbles, no awkwardness, no lapses in understanding. While I could maybe see this as some kind of wish-fulfillment fantasy coming out scenario, it honestly felt kind of alienating to read as a trans person myself. I would have found it far more compelling if we were able to see Oliver truly struggle to understand where he fits (or does not fit) into conventional narratives of gender, familial expectation, and high society (this is, after all, what makes Lizzy Bennet so lovable in the original Pride & Prejudice). It also would have been interesting to see him come to terms with his identity without necessarily having language to easily voice it—as was the case for many queer historical figures.
Oliver does obviously suffer myriad sexist and transphobic remarks, though these often felt painfully on-the-nose (the “beautiful birthing hips” comment comes to mind). Most of his struggle as a trans person seemed to be rooted in heavy-handed sexism, without ever really addressing the more nuanced crossover between his dysphoria as a trans person and his experience living as a “woman” in Edwardian society.
In addition, the short length of the book makes the romance between Oliver and Darcy feel very insta-lovey, again hindering the potential for narrative tension and making the ending much less satisfying than that of Austen’s original novel. Neither of their characters felt very fleshed-out by the end, which left me feeling rather apathetic when it came to their ultimate confessions of love. At the end of the day, I can imagine many people loving this book, but as a trans Pride & Prejudice fan, I came out of it feeling disappointed.
Graphic: Deadnaming
Moderate: Transphobia, Sexism, Homophobia, and Outing
nimeneth's review against another edition
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
3.5
-Lydia and Kitty were essentially left out except as tittering fools in the background. They're both minor characters in the original, true, but Lydia's arc in Pride & Prejudice was important in fleshing out Darcy's character, and leads to an opening towards the end where Kitty can become her own person rather than being an extension of Lydia.
-Wickham is so utterly evil in this retelling. He's no peach in Austen but boiling him down to bring driven by money alone (instead of status and jealousy in addition) feels like a disservice to what he was.
-Mrs. Bennett and Lady Catherine weren't annoying enough lol
Despite my complaints above, this does still feel like a properly modernized retelling, and it's definitely an approachable way to present something that is dense and hard to read, even without factoring in the heteronormative lens it Austen was understandably writing through. The writing was good, the pace was excellent, and Novoa has a way of evoking emotions that had my cis self feeling Oliver's emotions, particularly his panic over the dysphoria and misgendering, in a very gut-wrenching way. The nightmare scene about 2/3 of the way made me deeply uncomfortable, poor Oliver!
Graphic: Misogyny, Homophobia, Deadnaming, Toxic relationship, Transphobia, Sexism, and Dysphoria
Moderate: Outing and Panic attacks/disorders
Minor: Classism and Sexual harassment
barometz's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
5.0
Graphic: Homophobia, Stalking, Deadnaming, Sexism, Suicidal thoughts, Outing, Misogyny, and Transphobia
Moderate: Lesbophobia and Sexual harassment
Minor: Biphobia