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Reviews tagging 'Toxic friendship'

Cleópatra e Frankenstein by Coco Mellors

266 reviews

challenging dark emotional sad tense medium-paced
Plot or Character Driven: Character
Strong character development: Yes
Loveable characters: No
Diverse cast of characters: Yes
Flaws of characters a main focus: Yes

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challenging dark emotional sad slow-paced
Plot or Character Driven: Character
Strong character development: Yes
Loveable characters: No
Diverse cast of characters: Yes
Flaws of characters a main focus: Yes

A book written by a woman that felt like the male gaze with a group of dysfunctional pretentious New Yorkers who don’t care to solve their own problems

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emotional medium-paced
Plot or Character Driven: Character
Strong character development: Yes
Loveable characters: Yes
Diverse cast of characters: Yes
Flaws of characters a main focus: Yes

“When the darkest part of you, meets the darkest part of me, it creates light”


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dark emotional hopeful reflective sad tense fast-paced
Plot or Character Driven: Character
Strong character development: Yes
Loveable characters: Complicated
Diverse cast of characters: Yes
Flaws of characters a main focus: Yes

Fuck Frank. Cleo wasn't perfect, but she deserved more. She's definitely better off without him, though.
 

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adventurous challenging dark emotional funny reflective fast-paced
Plot or Character Driven: Character
Strong character development: Complicated
Loveable characters: Complicated
Diverse cast of characters: Yes
Flaws of characters a main focus: Yes

Expand filter menu Content Warnings
challenging dark emotional funny sad tense fast-paced
Plot or Character Driven: Character
Strong character development: Complicated
Loveable characters: Complicated
Diverse cast of characters: Yes
Flaws of characters a main focus: Yes

Expand filter menu Content Warnings
dark emotional funny sad medium-paced
Plot or Character Driven: Character
Strong character development: Yes
Loveable characters: Complicated
Diverse cast of characters: Yes
Flaws of characters a main focus: Yes

I have no quote to start with on this one because almost all the quotes I saved were pithy one-liners that I enjoy more out of the context of this book. I think we need to come up with a name for this genre of book, where kind of nothing happens, all the characters are despicable assholes, and it's wrapped up in about 300 pages. It's very self-indulgent and depressing, and yes, Sally-Rooney-esque. Although at least this one has quotation marks. 

The only character I liked was Santiago. I would read a book about just him.

I would recommend this book to fans of Lana Del Rey, people who enjoy insipid nicknames, and anyone who enjoys wallowing in self pity. 

The death of Jesus the sugar glider actually made me gasp. Cleo should have left him then.

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medium-paced
Plot or Character Driven: Character
Strong character development: No
Loveable characters: No
Diverse cast of characters: No
Flaws of characters a main focus: Yes

I really was stunned when I read the author’s note and saw this took over seven years to write. When you see that in comparison to the quality of the work, you really start to wonder why and how some authors get book deals. Maybe it’s because this author is self-conflated to be another Sally Rooney type of author, which for me doesn’t gain her any brownie points because frankly I don’t care much for Rooney. Maybe it’s because this work is an outlandish self insert (the main female character has long silky blonde hair, is British, and is a manic artist dream girl? Please spare me). Maybe it’s because it’s trendy to have contemporary literature that parrots pseudo feminism and “complex” relationships as a way of justifying being selfish, cruel, immature, emotional toxic, and draining people to others in your life. 

I really struggled with a lot of things in this book, first being the writing quality. I read “Blue Sisters” first before this and I’m glad because had I read this first, I would have never picked up Mellors’ second novel. There are so many hideous little metaphors in this book like “you sound like how biting into an apple sounds,” or “[it] felt like a punch to the vagina.” Dear god, spare me. Also there are syntax and grammatical typos in the copy I read that I am surprised were not picked up sooner by the copy editors for this work. 

Secondly, I struggled with the content of the work when it came to characterization. The last conversation between the two protagonists is the only shred of self reflection we get as to why these two incredibly emotionally immature individuals behave the way they do. The reason why? It’s because (surprise, surprise!) they didn’t have a loving father and mother or a stable home environment so they’re always looking to perform for love. This is such a problematic and shallow explanation for people’s behavior that it just really showcases to me the depth of the maturity of the author herself. 

Thirdly, and perhaps the most grave issue with this book is the way it treats race, sexuality, and gender. The plot synopsis is extremely misleading, claiming we are going to get a discussion of topics such as gender dysphoria. Instead, that topic is mentioned once and relegated to the back, to be left behind while the trope of drug addiction and internalized misogyny are brought forward. It’s weak and uneducated writing, not to mention an absolutely weak marketing strategy to try and get people to be interested in this book. Additionally, there are extremely tiring racist tropes in this book and microaggressions that just painfully demonstrate to everyone but the author how blindingly white and privileged and sheltered and willfully uneducated she is on these topics. For a book that took over seven years to craft, she somehow forgot to include any social nuance or vantage point beyond her comfortable rich white lifestyle in New York or London. 

It’s truly surprising to me sometimes the type of literature that people will call “good,” especially when we’re talking about works like this. Maybe it’s a sign of my age and different interests, but I don’t want to read about two pretentious, selfish, and emotionally immature individuals who desperately need therapy. The writing tropes are overworked and quite frankly lame, the characterization is a joke, and the excessive focus on drug use is just wearisome (and the fact that it’s featured so heavily in “blue sisters” means it’s more of this author’s penchant in her writing). This was very much a massive miss for me and another well deserved lesson on how I am very much not the target audience for this melodramatic and slipshod literature that glorifies emotionally immaturity and self destructive behaviors. 

Expand filter menu Content Warnings
dark emotional funny hopeful medium-paced
Plot or Character Driven: Character
Strong character development: Yes
Loveable characters: Complicated
Diverse cast of characters: Yes
Flaws of characters a main focus: Yes

This book had been on my TBR for a while, but I think I was a little hesitant to pick it up as Coco Mellors has received quite a lot of hype and I was worried the book wouldn’t live up to my expectations. I needn’t had worried though, because I absolutely adored this book! I started reading it whilst I was off work with the flu and spent every moment I could reading. Cleo and Frank are such deeply flawed yet relatable characters; I spent half the book loving Cleo and hating Frank, and the other half hating Frank and loving Cleo. Their relationship was messy and complex, like watching the best drama play out before you. I loved the diverse cast of characters surrounding them and how they each reacted to the shockwaves that radiated out from the epicentre of their marriage. I always struggle to find anything to say about books I truly love and this is no different! What I will say, however, is that the section with the sugar glider absolutely traumatised me and will stay with me forever (iykyk). I’m really looking forward to reading ‘Blue Sisters’ too!

Rating: ★★★★★

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adventurous challenging dark emotional funny hopeful inspiring lighthearted mysterious reflective relaxing sad tense medium-paced
Plot or Character Driven: Character
Strong character development: Yes
Loveable characters: Complicated
Diverse cast of characters: No
Flaws of characters a main focus: Yes

There’s racist tropes of angry POC, a LOT of fatphobia, and a wildy misogynistic fantasy rape and murder scene- literally none of this was necessary at all.

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