Reviews tagging 'Sexual harassment'

Pachinko by Min Jin Lee

72 reviews

lanid's review against another edition

Go to review page

emotional informative reflective sad slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

3.75


Expand filter menu Content Warnings

jkunke's review against another edition

Go to review page

adventurous challenging dark emotional sad tense medium-paced

3.0

This book is beautifully written but it’s trauma porn. The author clearly did a lot of historical research but doesn’t write as if she has experience working with people who have experienced trauma. Instead many of her characters come off as two-dimensional stereotypes. And many people describe one of the main characters as a love interest but there is nothing romantic about him or about their relationship; he and their relationship are terrible, manipulative and abusive.

Expand filter menu Content Warnings

accidentalfolklore's review against another edition

Go to review page

emotional hopeful inspiring lighthearted sad slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.5


Expand filter menu Content Warnings

emmaopaline's review against another edition

Go to review page

challenging dark emotional hopeful reflective sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

4.5


Expand filter menu Content Warnings

scrapeen's review against another edition

Go to review page

emotional sad slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes

5.0


Expand filter menu Content Warnings

kenzieburns's review

Go to review page

emotional reflective slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0

A truly touching story spanning 4 generations of love, loss, and everything in between. I'll start by saying: this book is definitely a slow build kinda read, but I was so entranced with the story and the characters that I hardly noticed the lack of action until reflecting on each part. I think the author did a good job of balancing storytelling/immersion in the characters with small tidbits of revelation of deeper meaning/symbolism behind somethings. There were times in the book where I wanted to throw one (or more!!) of the characters against the wall, or shake them and say "why are you being so stupid???" but I think that's a sign of really well-written characters. I also appreciated learning more about the Korean immigrants' experience and struggle in living in Japan during the 20th century. Noa's story is particularly heartbreaking, and I stared at the page where
he shot himself for a bit too long, thinking "wait, what? no! what? for real? no!!" and the way that it wasn't really talked about anymore after the fact?? Like, he really truly died. Heartbreaking.
The author also balanced transitions really well, as in switching from focus on one generation/characters to the next. I felt like I was growing with the characters, and by the time narrative focus shifted to the next generation, I was ready to move on to their perspective. I also have to take a moment to reflect on the title and how it played into the story:
"Pachinko" didn't really come up until midway through the book, and even then it was just a job for Mozasu at first. And, Mozasu was written to be a bit unlikable, in my opinion, until Noa rejected his heritage and you really only had Mozasu to support. The symbolism of Noa's suicide, even when he was the "good" child, but Mozasu's prosperity thanks to embracing his heritage as Korean is particularly striking. Also, Soloman's eventual rejection of Western life to instead run the pachinko business really speaks to the whole idea that you can't escape your heritage, and maybe you shouldn't try to. And that sometimes, the only choices life gives you are "bad" ones.
One thing I'm left thinking about is how the characters in this novel were constantly delt hard hands, from Sunja's struggles bearing a bastard child to a minister to <spolier> Solomon's termination because of "bad looks" , and it was so, so hard for them to get by, let alone get a leg up. Like, they had to make some of the "bad" decisions they did, because there was no way for them to survive otherwise. It really put some perspective on the immigrants struggle for me, in a light I hadn't really seen it before. Like, the playing field is never level, and everyone's choices need to be taken in context of the rest of their lives, because they truly might not have had any other options.

Expand filter menu Content Warnings

jkull_10's review against another edition

Go to review page

challenging dark emotional hopeful informative sad tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

5.0


Expand filter menu Content Warnings

dee_dreams's review

Go to review page

informative reflective sad slow-paced
  • Strong character development? No
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

1.5

Pachinko started out with an interesting premise. I felt invested in this family drama. But about halfway in, I felt like I was tricked into reading a cheap, emotionally-manipulative soap opera.

Instead of whining about what I disliked, which is a lot, I wanted to be constructive and offer some lessons I took away instead.

When characters die or disappear, it should matter. The characters who knew the dead person should care on some level (even if it's shallow or self-serving.)

The more characters you kill off, the less empathy the reader will feel for random new characters that are introduced.

Misery is not the same as depth. Trauma is not the end of the story. Focus on the characters' humanity rather than their victimization.

Use writing for good. We already know that evils like misogyny, racism, ableism, and grooming exist. Don't simply portray them for trauma porn. Use your writing to challenge them and provide a different perspective. Nudge the reader towards empathy and a belief that change is possible. Nobody needs more despair.

Stop introducing random, dehumanized sex workers and then portraying graphic violence against them. It's been done to death.

If you've already described a character as "plain, unattractive, never lovely," you don't have to do it three more times. You especially don't have to make the sexist, male-gazey descriptions more disparaging as she ages.

Don't try to take on a huge amount of unrelated themes. Or, do - just decide to make it a collection of short stories, rather than a novel. And follow up on those themes.

Last but not least, think about whether or not a "family saga" spanning 4 generations really needs a chapter about a minor character, unrelated to any members of said family, discovering pansexual orgies in the forest during the Summer of Love. And if you decide, yes, it does, make it hot. Please.

Expand filter menu Content Warnings

sakisreads's review against another edition

Go to review page

challenging emotional tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

3.0

I wanted to LOVE this book so so much, but unfortunately it didn’t quite hit the mark for me 🥲

Although the trauma for Koreans living in Japan is evident, and what many of the characters went through was undeniably terrible, there were a lot of words for not much being said. I felt like I would be getting excited about one character’s journey then we’d go back to the same old pattern their parent felt about something going on in their life (e.g. I got more intrigued when Mozasu’s character was being shown to us, but we’d often go back to Sunja’s feelings towards Hansu time and time again). I felt myself having to put the book down quite often because I felt a bit bored 🙈

I’ll include the content warnings below because there are quite a few needed.

All in all I gave this book 3 out of 5 stars. I thought some of the imagery and the love portrayed between Sunja and Isak, or even Sunja and Kyunghee, were stunning 🥰 But I felt that the storylines dragged on for so long and it could get tricky to keep up.
Thank you ✨

Expand filter menu Content Warnings

reading_for_pluto's review against another edition

Go to review page

emotional informative reflective tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

2.25


Expand filter menu Content Warnings