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jhdragonfly23's review
3.0
I wasn't as impressed with this final book in Ms. Due's My Soul to Keep trilogy. There was too many unnecessary scenes included in the story. The originality of the storyline was there, but other storyline did not interest me. The end of the second book should have been it. It was just an okay read.
kevinhendricks's review
4.0
The third installment in the African Immortals series. It's fascinating how this series keeps jumping ahead and still keeps things fresh and interesting. Just like before, it took a little while for things to get going, but then it jumped into gear and was a fast-paced thrill ride. Great story. Can't wait to read the next installment and see how things end.
zeeni's review
dark
emotional
mysterious
reflective
tense
slow-paced
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
skeskali's review
2.0
This book suffers because of the amount of time that passed between the last volume in the Life Brother's saga (2001's "The Living Blood") and the publication of this volume. 7 years is a long time to try to carry the threads of a story forward, and Due has aged the central character at least 10 years. A great deal of Fana's development is glossed over and treated as little more than a convenient plot device. I also found the speed with I discovered Fana's true adversary disappointing. Once I solved that mystery, I lost interest in the novel. I knew I would finish it, but I wasn't excited about it any more.
Due is a good novelist; her "Joplin's Ghost" is one of the most imaginative books I've read in recent memory, but Blood Colony falls flat. I hope it doesn't take another 7 years for the next volume, and I hope the next novel rekindles the interest I've had and the relationships I've built with these characters across three novels.
Due is a good novelist; her "Joplin's Ghost" is one of the most imaginative books I've read in recent memory, but Blood Colony falls flat. I hope it doesn't take another 7 years for the next volume, and I hope the next novel rekindles the interest I've had and the relationships I've built with these characters across three novels.
rwheaton's review
adventurous
dark
mysterious
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.5
blackbibliophile's review
4.0
I liked how well this story blended so many different character narratives. I can't want to read the next book in this series. This series keeps getting more interesting as I continue to read.
dorre's review
adventurous
dark
emotional
mysterious
sad
tense
fast-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
mochagirl's review
3.0
Based on the positive reception and number of raving reviews for Tananarive Due's latest novel, Blood Colony, it is quite evident that my commentary will be in the minority based on my "3-star," middle of the road rating for the book. It is the first time I have ever applied an average rating to one of her novels, especially when I am a fan of the Immortal series. Like others, I pre-ordered my copy to ensure I would have it as soon as it dropped. While I LOVED My Soul To Keep and liked The Living Blood, I found Blood Colony to be just "OK" -- a good novel, but not of exceptional caliber.
The novel opens with an alert 17-year-old Fana fully emerged from the seemingly self-induced years-long trance finally participating in the "world" as secluded as it may be. The Wolde clan, along with selected friends and life brother supporters, have sequestered themselves within the Washington forest and secretly share the "living" blood with third world, remote countries under the guise of it being an experimental pharmaceutical drug. However, there is evidence that an underground distribution network exists in North America. With the blood as its catalyst, an illegal drug called Glow, is in demand with a high street value making it the target of governmental crackdowns with harsh penalties and punishments to those involved with its manufacture and distribution. It does not take long to figure out that Fana (without her parent's permission or knowledge) is the primary source of the blood that fuels Glow's production. Without divulging too much of the plot, Fana runs away from the safety of the complex with good guys, bad guys, and the government hot on her tail. The chase is afoot and we follow along and watch the body count increase at nearly every turn.
It is difficult for me to explain what did not quite work for me with this otherwise well-written and well-conceived novel. Perhaps it is the shift to Fana and away from one of my favorite characters, Dawit, who, in this episode, was relegated to a seemingly perfunctory role of neutered husband. It might have been the continued emphasis on Fana. I suppose it was time for her light to shine (no pun intended) and there is no doubt that everyone (including the reader) is supposed to love Fana as the enlightened one with extraordinary skills who holds the future of mankind in her veins. I "got" that this novel showed her as less monster, more human: she is a vulnerable, typical, confused, misguided teenager who throws caution to the wind and lives dangerously with no clue regarding the life-threatening consequences of her actions. In the span of one novel, she zooms through first crush, first kiss, to a ten-year engagement rooted in a questionable, antediluvian prophecy. Unfortunately, I failed to be enamored or empathetic with her in The Living Blood and still did not really connect with her or her friends (do-gooders to a fault) in this novel. Maybe it was the familiarity of themes used in other novels: the telepathic, humanitarian aspects elicited vibes from Octavia Butler's Patternmaster series, the evil Sanctus Cruor seemed akin to the misunderstood Opus Dei of The DaVinci Code fame.
Another annoyance is Jessica's (and now Fana's) overbearing, blinding insistence to share the blood (regardless of the ramifications to their friends and family) comes off as near fanaticism. Following the "like mother, like daughter" mantra, it is now both the Jessica and Fana's decisions that continue to endanger everyone around them while trying to save the innocent masses from disease, suffering, and death. I know that the light and goodness will prevail (or at least I hope so), but in order to pull it off, this hodgepodge family/team really needs to get it together because throughout this novel, it was more than apparent that they could barely save themselves let alone humanity. Last, buried in the pages, there is the banter and discussions from previous novels surrounding the social and philosophical arguments that continue to buoy the plot: Who does the blood really belong to? Who should benefit from it? Who decides who gets it? Should it be rationed? What is the cost of immortality? Is it really worth it? Where did it really come from?
Despite the shortcomings I have with the novel, I am still a fan of the author and will no doubt purchase and read anything she releases, however I am not nearly as anxious for the next installment of the Immortal Series as I was for previous releases - especially if Fana and Michel are at the center of it. YAWN! Here is hoping the trek back to Lalibela will focus more on the Life Brothers and their collective and individual histories, maybe a reappearance of Khaldun, or other supporting characters that seem to have fallen off the pages during this latest episode.
Reviewed by Phyllis
APOOO BookClub
July 26, 2008
The novel opens with an alert 17-year-old Fana fully emerged from the seemingly self-induced years-long trance finally participating in the "world" as secluded as it may be. The Wolde clan, along with selected friends and life brother supporters, have sequestered themselves within the Washington forest and secretly share the "living" blood with third world, remote countries under the guise of it being an experimental pharmaceutical drug. However, there is evidence that an underground distribution network exists in North America. With the blood as its catalyst, an illegal drug called Glow, is in demand with a high street value making it the target of governmental crackdowns with harsh penalties and punishments to those involved with its manufacture and distribution. It does not take long to figure out that Fana (without her parent's permission or knowledge) is the primary source of the blood that fuels Glow's production. Without divulging too much of the plot, Fana runs away from the safety of the complex with good guys, bad guys, and the government hot on her tail. The chase is afoot and we follow along and watch the body count increase at nearly every turn.
It is difficult for me to explain what did not quite work for me with this otherwise well-written and well-conceived novel. Perhaps it is the shift to Fana and away from one of my favorite characters, Dawit, who, in this episode, was relegated to a seemingly perfunctory role of neutered husband. It might have been the continued emphasis on Fana. I suppose it was time for her light to shine (no pun intended) and there is no doubt that everyone (including the reader) is supposed to love Fana as the enlightened one with extraordinary skills who holds the future of mankind in her veins. I "got" that this novel showed her as less monster, more human: she is a vulnerable, typical, confused, misguided teenager who throws caution to the wind and lives dangerously with no clue regarding the life-threatening consequences of her actions. In the span of one novel, she zooms through first crush, first kiss, to a ten-year engagement rooted in a questionable, antediluvian prophecy. Unfortunately, I failed to be enamored or empathetic with her in The Living Blood and still did not really connect with her or her friends (do-gooders to a fault) in this novel. Maybe it was the familiarity of themes used in other novels: the telepathic, humanitarian aspects elicited vibes from Octavia Butler's Patternmaster series, the evil Sanctus Cruor seemed akin to the misunderstood Opus Dei of The DaVinci Code fame.
Another annoyance is Jessica's (and now Fana's) overbearing, blinding insistence to share the blood (regardless of the ramifications to their friends and family) comes off as near fanaticism. Following the "like mother, like daughter" mantra, it is now both the Jessica and Fana's decisions that continue to endanger everyone around them while trying to save the innocent masses from disease, suffering, and death. I know that the light and goodness will prevail (or at least I hope so), but in order to pull it off, this hodgepodge family/team really needs to get it together because throughout this novel, it was more than apparent that they could barely save themselves let alone humanity. Last, buried in the pages, there is the banter and discussions from previous novels surrounding the social and philosophical arguments that continue to buoy the plot: Who does the blood really belong to? Who should benefit from it? Who decides who gets it? Should it be rationed? What is the cost of immortality? Is it really worth it? Where did it really come from?
Despite the shortcomings I have with the novel, I am still a fan of the author and will no doubt purchase and read anything she releases, however I am not nearly as anxious for the next installment of the Immortal Series as I was for previous releases - especially if Fana and Michel are at the center of it. YAWN! Here is hoping the trek back to Lalibela will focus more on the Life Brothers and their collective and individual histories, maybe a reappearance of Khaldun, or other supporting characters that seem to have fallen off the pages during this latest episode.
Reviewed by Phyllis
APOOO BookClub
July 26, 2008
raeraethelibrarian's review
4.0
I'd give it a 4.5. I picked up this book, the third book in a series of four, because it was the only one my library owned. I thought I was reading the second in the series until I googled it. (Note to publishers of series books: Please just put the number on the spine or something. This is ridiculous.)
I really enjoyed this book. I wasn't lost, which was my fear when I realized I was picking up a series in the middle. The characters are compelling and this take on the vampire mythos is so different as to be something essentially new. Good stuff. I highly recommend it.
I really enjoyed this book. I wasn't lost, which was my fear when I realized I was picking up a series in the middle. The characters are compelling and this take on the vampire mythos is so different as to be something essentially new. Good stuff. I highly recommend it.
readermonica's review
3.0
I didn't enjoy this one as much because of Fana. She is young (around 17 I think) in this one and she has the attitude and maturity of a young person. Understandable, perfectly reasonable, but annoying as hell. I have to admit that I don't have patience for teen angst and Fana's is on steroids because of her gifts and the limitations that were necessarily imposed upon her. Because of her powers her mistakes can be devastating.
This is another well written installment of the African Immortals series and I'm looking forward to moving on to My Soul to Take soon.
You can find me at:
•(♥).•*Monlatable Book Reviews*•.(♥)•
Twitter: @MonlatReader
Instagram: @readermonica
Facebook: Monica Reeds
Goodreads Group: The Black Bookcase
This is another well written installment of the African Immortals series and I'm looking forward to moving on to My Soul to Take soon.
You can find me at:
•(♥).•*Monlatable Book Reviews*•.(♥)•
Twitter: @MonlatReader
Instagram: @readermonica
Facebook: Monica Reeds
Goodreads Group: The Black Bookcase