Reviews tagging 'Pedophilia'

L'impero del vampiro by Jay Kristoff

12 reviews

atypicalley's review against another edition

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dark sad slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

2.25

I feel like I can tell you exactly what this author reads likes based on the lines I heard repeated — once or twice, almost word for word. Like… sorry bud, you can’t near-quote LOTR without me recognizing where it came from. So, this book is born of:
-Brent Weeks
-Patrick Rothfuss
-Bloodborne
-The Witcher
And that’s not necessarily a bad thing (though it gets a bit repetitive). I think the problem for me is, the author is using pieces of stories he loves without fully understanding why they worked in other instances. 

We have a “novel in a novel” format, right? Straight out of Kingkiller chronicles, but with a less charming storyteller.  But structurally, the time jumps are skipping the most interesting part of the story, and losing the sense of mystery that a time jump should build. I understood everything that’d happened between the 11 year time skip within a single chapter, with no mystery, no tension. But because we’d skipped the part where the love interest *became* the love interest, I also didn’t care. 

We have a dark and gritty world, where all the women are overtly described and all the sex scenes begin or end with violence. Not for any particular *reason.* In fact, I’m of the opinion that the only sex scene that had any impact on the character and led to change happened when the MC was literally a child. It feels very Game of Thrones Season 1– aiming for shock and awe, ‘we can cuss on public television, we’re sooooo tough.” Oh, and also the horse dies. Because. It’s gotta be sad. But like… we never did any adventures with the horse? We’d literally just met the horse? Dark and gritty is all well and good— I knew what I was picking up. But that only works when there is some *opposite* to balance. Dark content is dark because it shows you the light first. Sadness is born of lost love. Pain is born of lost joy. But you only ever get the formers, and not the latters. So… I just didn’t care through most of the book. Probably would’ve DNF’d  if I’d been reading physically. 

The female characters are picked straight out of the Witcher. Hell, so is the main character. But the Maiden/Madonna/Whore complex is in fuuuuull glory over here, and it does get tedious. 

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exteenawreads's review against another edition

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adventurous dark emotional sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.5

(3-4 ⭐? can't decide) I have two wolves within me: one finger-gunning and saying "Niiice, hot slutty vampires" and the other screaming "The Bechdel Test! Misogyny! Fridging!! Gross obsession with sexualizing underage kids!" 

So ya, I dunno. 

I think the writing was excellent, the world was immersive and thrilling, and the story compelling. The battle scenes are expertly written and many moments are truly exhilarating. The prose is beautiful and poetic, the characters are memorable and unique. I really enjoyed what was basically a randomly generated DND party of diverse folks, forced together and fighting against all odds on a quest to save the broken world. It seems to heavily take inspiration from other media I love like The Witcher and The Last of Us, though that meant I wasn't too surprised by the direction. It was just so painfully obviously written by a man the feminist in me couldn't help but cringe often. And don't get me wrong, I get that the point of showing all of this violence and hatred of women is to highlight it as toxic and wrong. But the way it's written also glorifies it, and the story isn't about fighting the patriarchy - it's about a man out for revenge and glory, his enemy just happens to also be thinly veiled patriarchy and religious zealotry. 

Ex: A vampire obsessed with teenage girls and turning them to be his unwilling slaves, literally pulling his carriage all half naked? = Evil, this is a villain, we don't root for him. But the writing itself directs the reader to see these things moreso as acts of great power and strength, and the simple truth of what a man would do if they were infinite and unkillable. This vampire is described very positively as beautiful, strong, something to be respected and feared. Yes he's a villain, but I'm also not convinced the author doesn't sort of revere men like him or at least see this as the average man's ideal. And the many examples of this throughout are hard to ignore. 

Overall I did really like it, I just feel a little icky about it. And I truly could have done without the underage kid sexualizing. And the animal deaths :(

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laraloops's review against another edition

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adventurous dark funny sad medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.75

I am very torn on this book. On one hand I enjoyed some of the vulgarity and unabashed horniness. On the other the sheer brooding masculinity put me off at times - I feel that there were some very very well used tropes in this one and I feel that the fact I have already seen things like The Last of Us and The Witcher made me feel like those aspects of the story I've already seen before. It's when the story diverged from these elements that I enjoyed the book more. Aaron de Costes story-line I especially enjoyed
and the fact that he did not die at various parts of the book was a surprise and probably the only reason I continued to be honest.
The aesthetics were cool, tattoos with powers and blooborne like themes were a plus. The art was also a great addition to read and see a nice depiction of the scenes and characters. 

I think at the end of the day this book was just not my cup of tea and not what I was feeling up to reading. Like an good shonen anime that just didn't click with me. I do think though that the length of the book really dragged, it took me longer than usual to finish it and 700+ pages just felt like too much. The blurb at the end of the book that I mistakenly read without realizing it was the next book did get me interested to see how the second book goes so when it's available at my library I'll probably finish it as well. 

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aladybug19's review against another edition

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adventurous dark emotional mysterious medium-paced
  • Plot- or character-driven? A mix
  • Loveable characters? It's complicated
  • Flaws of characters a main focus? It's complicated

5.0

Empire of the Vampire is masterfully written. I would gush more about this book but I think going into it with as little information as possible is the best course. This book keeps you at the edge of your seat when it’s not making you weep for the characters.

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booksalacarte's review against another edition

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adventurous challenging dark emotional funny hopeful mysterious reflective sad tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.75

Empire of the vampire- 4.75⭐️ 3🌶️

Epic Fantasy
Vampires
Catholic inspired religion
Storytelling style narration
Confinement
Secret society 
War
🏳️‍🌈 side characters

Tw: addiction, homofobia

To break it down to the bare minimal… this was an interview with the vampire styled story with dual timelines and a flawed MC. The story was slow, as journeying can be, but entertaining the whole time.

So often male authors, choose to sanitize the softer emotions in their books, to push the physical. Moving the plot forward for the glory and the heroism of their main character. As a woman, the more sterilized approach to emotion in men’s writing, tends to turn me away… 

This book is anything but emotionally sterile. I found myself enjoying the emotional and spiritual journey of the main character and the friendships and bonds created and broken.

There were so many plot twists. Character flaws were aplenty. 

I must have the humor of a 14 year old boy, because some of the insults and jokes had me chuckling.

The things that I didn’t enjoy include misogyny  standard to European medieval feudalism centered around religious orthodoxy. If you thought a book that was inspired by medieval Catholic Europe was going to be without it being present, I don’t know what to tell you. But it’s there, it’s never fun to have to read in excess. But it’s an adult fantasy, with cursing and I get it.

Bad guys as pedophiles. Yup. Tracks. But the other underage sexualization was not great. A lot of times this is used as a chance to show how disgusting the enemy is. And it’s just gross all around… even when the MC is underage. 

I am so looking forward to reading the next book in the series.

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pacifickat's review against another edition

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adventurous dark hopeful mysterious tense medium-paced
  • Plot- or character-driven? Plot
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.25

"We'd fought side by side [...], and like I said, there's a bond between men who have placed their lives in a brother's hands and asked that brother to do the same. But there's fanaticism, too. There's faith unbridled and minds unquestioning, the soldier at the order of his commander, the faithful at the word of their priest. [...] My brother trusted me not so much as once he had."

Ok, so first off, my big beef with Kristoff as a writer:

He seems to have ripped off major elements of other writers and creators, such as
- The whole holy grail being a decendent of the Christ figure is directly from Dan Brown's DaVinci Code.

- There is a scene with a priest that directly copies Steven King's Salem's Lot, at times nearly verbatim.

- The D&D references, including meeting the party in a tavern and their stereotypical qualities by class made me chuckle and shake my head. It's just silliness.

- The back maybe quarter of this book is straight up The Last of Us, including the supposed safehaven the teenage girl is delivered to wanting to kill her to end the vampire scourge, and our MC busting in and killing everyone to save her.

-Ashdrinker reminds me a lot of Sanderson's crazy talking sword, Nightblood. Obviously talking named swords have been around in fantasy for a while, it's just that this particular sword who is a bit unhinged feels a bit too familiar at times.

-The whole aged and broken chosen one/king killer telling his story to a chronicler over 3 books is very simikar to the structure of Patrick Rothfuss' Kingkiller Chronicles.


Do readers who adore this book simply not recognize all the glaringly obvious borrowed plot elements, or do they enjoy the references and not mind that it makes the storyline easy to anticipate? I felt like this blunted what probably should have been the most surprising plot twists, and saw several big reveals coming a mile away, somewhat gobsmacked the author would so directly pull from other books and media. When I described some of these overlaps with other works to my husband, he asked if I thought the book was partially written by AI. (I don't believe it was, but that would exlpain the number of things pulled from existing sources.)

I also didn't really like how sanguimancy was never really explained other than it fixes a lot of problems in a pinch in the story. Feels very convenient, a very squishy element of the magic system.

Now, on to things I liked:

In the end, I still very much enjoyed the audiobook. The audio narrator did a brilliant job bringing the characters to life with various distinct accents and voice intonations. I honestly probably would have given up on the book otherwise due to all of the seeming copy/paste from works of other creators and the subsequent predictability of the storyline. 

I know the author doesn't like the term, but the story is grimdark through and through, meaning no good and noble deed goes unpunished. I like what this kind of story says about those who do good in a bleak world in spite of great personal cost. Kindness and mercy are only extended at great risk. I think this is one of the most compelling things about EotV. Allowing oneself to love takes the greatest sort of courage.

I liked how Kristoff used this dark and bloody setting to explore ideas about faith, fate, fidelity, fanaticism, family, friendship, and the stubborn endurance of hope. (I know, that last one should have started with F as well.) There are elements of the One Faith, the book's thinly veiled version of Christianity, that are just as dark and frightening as the impending vampire invasion: a torturous inquisition, corporal punishments, acts of violence in the name of blind faith, fidelity to the cruel teachings and practices of church leaders, fanatical interpretations of scriptures and prophecies, and an underlying religious lore that makes sacrificing individuals for the sake of the whole an acceptable and honorable wager (in the pattern of the Christ figure they call the Redeemer). This is a world of characters caught between a rock and a hard place, each deciding what to do in the face of their humanity becoming a liability. What will they hope in? What hill will they die on? Who/what will they sacrifice for redemption? This is where the book is at its best. 

The best action sequence imo was
when Gabriel falls through the ice. To me, it was much more tense and scary than any if the vampire fights, perhaps because it was the most realistic life-threatening event in the story. He can basically bounce back from anything else, but drowning in a fozen river is legitimately terrifying.


I wish that
Liathe had been an embodied form of Ashdrinker.
Yeah, I don't know exactly how that would have worked, but I think it would've been cool and I could see a few ways it could have been achieved. 

Anyways, that's my meandering review on this 27+ hour listen. I will likely listen to book 2 next month. 

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delliomellidom's review against another edition

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Misogyny and strong ephebophilia vibes; read up on spoilers after getting the ick and discovered it only gets worse, especially having smut illustrations of minors. No thank you.

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shadesofdivine's review against another edition

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dark emotional mysterious sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0


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haileyybean's review against another edition

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dark fast-paced
  • Plot- or character-driven? Plot
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

1.5


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thewereraven's review against another edition

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Extreme misogyny that permeated the entire book. It became impossible to overlook after
Dior was revealed to have been binding their chest
It was even transphobic in how it handled that. I no longer had any interest.

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