Reviews tagging 'Misogyny'

Crime and Punishment by Fyodor Dostoevsky

33 reviews

sunny_not's review against another edition

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challenging dark emotional reflective tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.5

Although it was quite complex and multilayered I felt that it could've been shorter. Since it was incredibly long it was not as impactful as I hoped. Also I thought that the ending was just weird. After so much darkness and hopelessness
all is resolved with the power of love? What was that? Also the misogyny was quite awful especially during the part before the confession scene
 

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ky0nai's review against another edition

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dark hopeful reflective medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

4.5


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theclassiclibrarian's review against another edition

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dark emotional mysterious sad tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0


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laurenvoice's review against another edition

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challenging dark reflective sad tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? N/A
  • Flaws of characters a main focus? Yes

3.0

It was hard to decide which star rating to give this book. Crime and Punishment is a fascinating read, yet, at the same time can be quite dull!

I read this edition of Crime and Punishment alongside listening to the Audible edition read by Will Poulter. First and foremost, it has to be said that Poulter gave a marvellous performance of Crime and Punishment. Poulter played each character well and can keep the reader engrossed throughout this Russian classic.

However, it did not occur to me that this Penguin Vintage Classic edition would be translated differently to the Audible edition. This was rather silly of me to think they would be translated the same. Anyway, it is quite easy to get two different interpretations of the book but it is easy, however, to know that this book was about a crime and indeed a punishment.

Crime and Punishment to my surprise was much more graphic than I expected it to be, and of course, the crime was not as I would have expected. Raskolnikov drove himself insane, but, it seemed he never felt guilt for the crime he committed. It was a rather odd read, but, it was an important read, nevertheless.

Dostoevsky talked a lot about psychology in this story, and for someone who has studied Forensic Psychology and Criminal Psychology, I am shocked that this book was never recommended. This book would be a good read for those that study or are interested in psychology, especially in the fields of forensics, criminal psychology, and criminology. As Crime and Punishment discusses many philosophical debates concerning crime, justice and society.

Furthermore, it was also interesting from a feminist point of view, how Dostoevsky talked about women. Although this book does have a patriarchal air about it, there were scenes that showed the reader that demonising and abusing women and children was in itself a criminal act. In one scene, for example, Raskolnikov tried and gave money to protect a young girl that had clearly been assaulted by some men. We also saw how Marfa Petrovna had cleared Dunya's name after accusing her of seducing a married man, when it was in actual fact, a man trying to take advantage of Dunya. Finally, we also saw the disgust that Raskolnikov had about Svidrigailov, a middle-aged man, taking a girl barely 16-years-old as a fiancée.

Overall, Crime and Punishment left me feeling indifferent. Yes, Crime and Punishment is both an important and engrossing read, it also goes off on tangents and lengthy descriptions that seemed rather unnecessary, making the book quite dull at times.

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slutforalbertcamus's review against another edition

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challenging dark mysterious reflective tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.0

C'est ma critique sans analyse poussée, direct après avoir refermé le livre et sans temps de réflexion. 

Mon premier réflexe est de parler de la fin. Les deux derniers chapitres de ce livre continuent cette longue tradition que j'ai de lire des livres avec des fins magnifiques, que ce soit L'Etranger, Les Fleurs du Mal, Du Côté de Chez Swann ou même l'Ingénu (un livre que je hais à part pour cette fin), les fins sont souvent les meilleurs parties du roman. Cette fin adresse enfin la résurrection qui a été présentée à travers tout ce long récit, à travers le personnage de Sonia, Porphiri, et simplement le mythe de Lazare. Cette fin acte la résurrection par l'amour, ce qui en tant que tel pourrait paraître un peu... déjà vu, mais qui semble dans ce roman prendre une forme toute nouvelle et incroyablement touchante.

Du reste je dirais que ce livre est un chef-d'oeuvre thématique, dans le sens où tous les concepts ici explorés sont parfaitement reliés et atteignent tous des conclusions satisfaisantes. Le livre a des défauts certains, avec l'antisémitisme au premier plan et peut-être le traitement des personnages féminins, et Dostoïevski n'est certainement pas un ange. Mais malgré tout cela, c'est une lecture intense et immensément immersive que propose ce livre.

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lilcoppertop's review against another edition

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challenging dark emotional mysterious reflective sad slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.75


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k_kris's review against another edition

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dark sad tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.75


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lordofdisorder's review against another edition

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challenging dark emotional reflective sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.0


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tshepiso's review against another edition

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dark mysterious reflective tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.5

Is Crime and Punishment a dense, absurdly long, piece of 19th-century Russian literature? Yes. Did I enjoy almost every single page of it despite myself? Also, yes.

I don't think I have the words to describe how much I enjoyed reading Crime and Punishment. This brick of a book is insular, miserable, and bleak, but so compelling. What makes it shine is the sprawling character drama at its core. Crime and Punishment read like a soap opera more so than pretentious high-brow literature and the intensity of emotion spewing from the trail of misery in every chapter was enrapturing.

Our protagonist Raskolnikov is the definition of a hot mess. The man truly has never met a bad decision he didn't want to ride to its very end and that lead the story down fascinating paths. He's arrogant and erratic, but also sardonic and witty in a way that made seeing him interact with people he saw as inferior to him so fun. Honestly, there was a kind of catharsis in seeing the chickenheads of his terrible decision-making come home to roost too.

The female characters on display in the story were just to die for. Dostoyevsky manages to write female characters who exist as saintly figures within his narrative without removing their agency or intrigue. Sofya Semyonovna is a fantastic example of how to write a "pure-hearted" woman without patronizing or reducing her. The fibre and backbone she had constantly made her more than just a prop for Raskolnikov's character growth and she felt so genuine and fully fleshed out under Dostoyevsky's careful handling. Tess Durbeyfield wishes she had what she had. Also, a brief shout out to Avdotya Romanovna for being an equally engaging female character who took absolutely no shit from the men around her who tried to manipulate her.

Crime and Punishment is a story about people barely surviving in a world hell-bent on eviscerating them. It's as morose and grimy as the sweltering St. Petersburg streets of its setting, but despite the dramatics of it all Dostoyevsky still managed to capture an honesty to all his characters, even the most despicable, and that made it well worth the read.

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kuljikejevur's review against another edition

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slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

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