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adventurous
dark
emotional
fast-paced
Plot or Character Driven:
Plot
Strong character development:
Complicated
Loveable characters:
Complicated
Diverse cast of characters:
Complicated
Flaws of characters a main focus:
Yes
dark
fast-paced
Plot or Character Driven:
Plot
Strong character development:
No
Loveable characters:
Yes
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes
incredible art
dark
fast-paced
Plot or Character Driven:
Character
Strong character development:
No
Loveable characters:
Yes
Diverse cast of characters:
No
Flaws of characters a main focus:
No
dark
tense
fast-paced
Plot or Character Driven:
Character
Strong character development:
Complicated
Loveable characters:
Complicated
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes
Como é que nunca li isto mais cedo? Pois. Mas aqui estou eu para me redimir dos meus pecados. É uma BD pequeníssima e cheia de profundidade. Adorei o desenho e as cores, todas as personagens sem excepção, e o enredo dramático e algo sádico.
challenging
dark
mysterious
tense
fast-paced
Strong character development:
Yes
Loveable characters:
No
Flaws of characters a main focus:
Yes
Simply put: The greatest Joker story ever told. Shocking, disturbing, truly horrific at some points, the events in this story leave the Gordon family (Commissioner Jim and his daughter Barbara "Batgirl" Gordon for those of you keeping track) completely changed, and the reader as well. I first read this when it was new, something like twenty years ago now, and I still remember the gripping emotions that arose as I read this masterpiece, and then re-read it again immediately after. The incredible pencils of Brian Bolland are a sweet bonus to an already incredible story.
So, mostly, I picked this one up because I had heard that they were going to be making an animated movie of this story, and because it is almost required reading for any fan of the Batman comics, and after reading it, I completely understand why. This short work has left a huge effect on the Batman Mythos, and it gives a human side to a villain who has come to be larger than life. Alan Moore does an incredible job of giving us a side of Joker we have never seen before and Brian Bolland does a great job with the illustration. This is a very disturbing back story to the Clown Prince of Crime, showing how truly similar he and Batman really are, and showing how one bad day can have lasting consequences. As stated earlier, this is a must read for anyone who is a fan of Batman.
challenging
dark
emotional
mysterious
sad
tense
fast-paced
Plot or Character Driven:
A mix
Strong character development:
No
Loveable characters:
Complicated
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Complicated
Alan Moore's seminal 1988 graphic novel, Batman: The Killing Joke, has gone down in history as being one of the greatest comic books of all time. Despite clocking in at a relatively low 50 pages, it packs one hell of a cerebral punch and offers up a compelling, dark, grotesque look into comic books most iconic villains; The Joker. So impactful was this, that within a year it served as the origin story for The Joker in Tim Burton's 1989 movie 'Batman'. The origin story told here, has also gone down as essentially the de-facto origin story for the 'Clown Prince of Crime.' Is it his true origin story? Who knows. He doesn't, but it does do one thing that should've been impossible; it makes you feel sorry for the Joker (well the man he was before he became the Joker mainly).
The battle between Batman and the Joker, is perhaps at its most cerebral here as Joker desperately, frantically tries to get Batman to see the world like here does; as one big joke. Further adding to this, I personally feel that their rivalry was brought to quite possibly its most personal level, until 'A Death in the Family' later that same year. Here we see the Joker slip into depths of depravity I don't think he has ever, or really should ever sink to ever again.
It's hard to give any level of serious critique of this seminal story (and it is seminal for its massive status quo change) without talking about the most controversial aspect of this story. Here we see the Joker shooting Barbara Gordon through the stomach, shattering her spine and leaving unable to use her legs ever again. During this, the Joker undresses Barbara and takes perverse photos of her naked, bleeding corpse. These photos are later shown to her father, James Gordon (and us the reader though we don't see anything too explicit and graphic), as a way to torment him and drive him into insanity.
This is where I find the story goes too far in highlighting Joker's depravity and even Alan Moore agrees that he went too far and that DC should've reigned him in. The Joker is a sick and twisted monster, degenerate and disgusting, but would he go this far? He can make jokes about the dark things that happen in the world, but to show him perversely revelling in this...it goes too far. Joker is psychotic, yes, but this just doesn't feel right.
On a more positive note, the artwork by Brian Bolland is stunning and perhaps one of my favourite drawn graphic novels. The colouring and attention to detail really is second to none, and I actually prefer the black and white flashback sequences as opposed to the colour versions from the original 1988 version.
Overall, Batman: The Killing Joke is perhaps one of the best comics ever written. It explores the dynamic between Batman and Joker in a way that I don't think has ever really been explored before or done since, or if it has then it hasn't been done as well. Despite Alan Moore's less than stellar thoughts on the comic now, and the really bizarre mini story at the end of this edition which doesn't really go anywhere (though the artwork is stunning), this still is a good little read. Moore did for Joker what Miller did for Batman, in giving us a compelling and long lasting origin for one of the most iconic characters of the last one hundred years.
This was my first ever graphic novel. I bought it back in 2012 when I was around 13/14 and getting into Batman and Superheroes for the first time, and for the longest time this was the only graphic novel I owned. Whilst my own knowledge of comic books and the genre as a whole is limited, I no longer hold this story in as high regards as I once did. Perhaps it's age, perhaps it simply due to reading other stories I have enjoyed better, or maybe it's because some of the criticism levied at this story have finally sunk in; but I wouldn't really count it in my top ten Superhero/Batman stories anymore. I can appreciate it for what it did for the genre, its impact on these characters and the wider DC Universe as a whole, but alas; I don't get the same level of enjoyment as I used to get out of it these days. Still the artwork is bloody phenomenal.
Graphic: Body horror, Death, Emotional abuse, Gun violence, Physical abuse, Sexism, Torture, Blood, Grief, Murder, Injury/Injury detail