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kittykels's review against another edition
challenging
emotional
inspiring
reflective
sad
slow-paced
4.0
It's been a very long time since I've cried so much reading a book. I wanted to give more like 4 stars cause I had a few minor complaints (more technical than anything else) but the fact that I was so emotionally involved in this book convinced me to give a solid 5 stars.
Edited to add:
There's another, bigger reason I considered giving 4 stars instead of 5 (I did end up altering my rating), but it contains ending spoilers. Read at your own risk.
When I noticed I was getting to the 90% mark, I was concerned about how the book was going to end, especially knowing it's a standalone and not a series. The ending didn't feel like an ending, and I think we were left with way too many unanswered questions.
The whole book was spent establishing a questionable and corrupt Empire and impending war. We follow characters and information that are seemingly going to challenge these things, yet nothing ever happens. The home of the main characters was devastated and they start to rebuild and the story ends after she reunites with her old love and tells him to go back home and maybe do some things.
Maybe it's because in real life, war isn't resolved in such a short amount of time and therefore can't be in this story either, but it felt like a build up to nothing rather than like, commentary on war tragedy or something. I'm probably not explaining my thoughts well at all. But I've read books that focus on the tragedies of war and I've read books that have offered some kind of resolution to a war. This doesn't fit in with either of those types of stories. Maybe that's not necessarily a bad thing. Maybe that means this book offers something unique. However, I can't shake the feeling that all of the character development and story progression seemed a little pointless at the end with the blatant lack of closure/conflict resolution.
Why learn about the empire or the Ranganese or the mysterious God figure or anyone that provides conflict if literally nothing is going to happen with them? I thought the battle that devastated Takayubi (50% into the book) was a precursor for some big final battle or standoff or SOMETHING, but literally nothing else of importance happened. The rest of the book was spent reflecting, rebuilding, and reuniting with Robin. Robin and Misaki find closure with their relationship, but the story itself never gets any kind of closure or suitable ending.
Don't get me wrong, this book is well written and I still recommend it. I will likely read it again someday. However, the ending (or lack of one) just doesn't sit well with me. It makes me feel disappointed.
Edited to add:
There's another, bigger reason I considered giving 4 stars instead of 5 (I did end up altering my rating), but it contains ending spoilers. Read at your own risk.
When I noticed I was getting to the 90% mark, I was concerned about how the book was going to end, especially knowing it's a standalone and not a series. The ending didn't feel like an ending, and I think we were left with way too many unanswered questions.
Maybe it's because in real life, war isn't resolved in such a short amount of time and therefore can't be in this story either, but it felt like a build up to nothing rather than like, commentary on war tragedy or something. I'm probably not explaining my thoughts well at all. But I've read books that focus on the tragedies of war and I've read books that have offered some kind of resolution to a war. This doesn't fit in with either of those types of stories. Maybe that's not necessarily a bad thing. Maybe that means this book offers something unique. However, I can't shake the feeling that all of the character development and story progression seemed a little pointless at the end with the blatant lack of closure/conflict resolution.
Why learn about the empire or the Ranganese or the mysterious God figure or anyone that provides conflict if literally nothing is going to happen with them? I thought the battle that devastated Takayubi (50% into the book) was a precursor for some big final battle or standoff or SOMETHING, but literally nothing else of importance happened. The rest of the book was spent reflecting, rebuilding, and reuniting with Robin. Robin and Misaki find closure with their relationship, but the story itself never gets any kind of closure or suitable ending.
Don't get me wrong, this book is well written and I still recommend it. I will likely read it again someday. However, the ending (or lack of one) just doesn't sit well with me. It makes me feel disappointed.
Content Warnings
Graphic: Child death, Death, Violence, and War
Moderate: Pregnancy and Sexual assault
januaryt123's review against another edition
adventurous
challenging
dark
emotional
mysterious
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.25
Content Warnings
Graphic: Death of parent, Physical abuse, Rape, Sexual violence, Child death, Emotional abuse, Misogyny, Pregnancy, Murder, Sexual assault, Sexism, Violence, Blood, Grief, Death, Toxic relationship, War, Miscarriage, and Suicide
jartone93's review against another edition
adventurous
challenging
dark
emotional
hopeful
mysterious
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Content Warnings
Graphic: Blood, Misogyny, Colonisation, Death, Rape, Child death, Classism, Fire/Fire injury, Gore, Grief, Racism, War, Injury/Injury detail, Murder, Sexism, Suicide, Miscarriage, and Violence
Moderate: Vomit, Homophobia, Kidnapping, Suicidal thoughts, Pregnancy, Physical abuse, and Child abuse
beckahh_i's review against another edition
challenging
dark
emotional
mysterious
reflective
sad
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
I am so glad I finally picked this up! M.L. Wang's writing is incredible, and I would happily read more in this world (after I recover from all the emotional trauma of the SoK...). I knew this was going to be a brutal book, but I don't think I could have really predicted how brutal it would be. The journey these characters go on both personally and as a group is written so well. Reading this with a book club made me stop and think about what the characters were going through more than I would have if I was reading it by myself, and it was so interesting to see the similarities to both my own life/experiences, and to the world and political climate around me. The trauma the characters go through and the subsequent healing and growth was written in a way that didn't seemed forced or hurried, but felt very realistic and true to the characters nature. Overall would definitely recommend if you're prepared for some trauma and pain 😅
Content Warnings
Graphic: Body horror, Blood, Child death, War, Death, Gore, Grief, Violence, and Suicide
Moderate: Death of parent, Domestic abuse, Rape, Physical abuse, Sexual assault, Emotional abuse, Sexual violence, Pregnancy, and Kidnapping
fairynanook's review against another edition
challenging
dark
sad
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75
Overall, I really enjoyed the experience of reading this book. I'll go into more specifics of what I did and didn't like below, but that will have spoilers. If you like the fantasy genre in general, I do think you should give the book a read.
What I liked: The book is well written. The world building is fantastic. The genre is not one I am super familiar with, but I did not feel confused while reading it. I liked the diversity and complexity of the characters, even the ones I didn't really "like".[This book is from the POV of a woman living in a very traditional society...one where she isn't allowed to question her husband or men, isn't allowed to do some of the things she greatly enjoyed doing, is in an unloving arranged marriage, is only valued for the male children she gives birth to, etc. Wang writes about it in a complex, respectful way that I believe is meant to help readers understand it in some ways. It was challenging to read it, but again, still something I appreciated. ]
What I didn't like: The pacing of this novel struggled quite a bit, especially at the beginning. I stuck with it because I knew this going in.[Plot wise, I really, really didn't like the way the author killed off a main character. We open the book with Momoru and his POV. We spend a good part of the first half of the book with him. Then he just dies and we're expected to spend the rest of the book with his mom and one chapter with his dad. It didn't work for me. Child death and main character death is always going to be a hard sell for me and Wang 100% didn't sell me on the necessity of it. I almost DNFd the book because of this choice. And I would never pick up a book knowing the author made this sort of choice...killing off the voice of a main POV character mid-book. It was incredibly jarring as a reader. If he needed to die, then the book should not have been written from his brain. Likewise, it felt like Wang was trying to sell to people who are not from the tradition, the idea that the extreme patriarchal ideals of the society of our main character, are not actually oppressive to women. But I don't think she achieved it. I felt oppressed for half the book, on behalf of the main character, as she watched tragedy after tragedy befall her without having a voice. Yes, she got one in the end, but I still just had trouble with it. And then the whole plot with Robin at the end felt forced and weird. ]
Overall, I think this is a very worthwhile and at times, challenging read despite some of my issues with it.
What I liked: The book is well written. The world building is fantastic. The genre is not one I am super familiar with, but I did not feel confused while reading it. I liked the diversity and complexity of the characters, even the ones I didn't really "like".
What I didn't like: The pacing of this novel struggled quite a bit, especially at the beginning. I stuck with it because I knew this going in.
Overall, I think this is a very worthwhile and at times, challenging read despite some of my issues with it.
Content Warnings
Graphic: Sexual assault, Blood, Pregnancy, Injury/Injury detail, Fire/Fire injury, Death of parent, Misogyny, Suicide, Religious bigotry, Physical abuse, Miscarriage, Grief, Gore, Domestic abuse, Death, Child death, War, Violence, Suicidal thoughts, Sexual violence, Rape, Toxic relationship, Sexism, Emotional abuse, Abandonment, Xenophobia, Kidnapping, Gaslighting, Child abuse, and Body horror
Moderate: Homophobia
lesliehirgelt's review against another edition
challenging
dark
emotional
sad
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Content Warnings
Graphic: Child abuse, Abandonment, Violence, Sexism, Blood, Grief, Miscarriage, Rape, Misogyny, Pregnancy, Sexual assault, Suicide, Child death, Genocide, War, Death, Racism, and Emotional abuse
Moderate: Fire/Fire injury, Kidnapping, Death of parent, and Mental illness
Minor: Homophobia
gracecrandall's review against another edition
adventurous
challenging
dark
emotional
hopeful
inspiring
mysterious
reflective
sad
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Content Warnings
Graphic: Torture, Grief, Suicide, Misogyny, War, Violence, Emotional abuse, Gore, Injury/Injury detail, Miscarriage, Child abuse, Child death, Blood, Death, and Sexism
Moderate: Rape and Pregnancy
The child abuse/physical abuse is in the context ofthenoboshow's review against another edition
adventurous
dark
emotional
reflective
sad
tense
slow-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
3.0
Content Warnings
Graphic: Sexism, Xenophobia, Child death, Classism, Miscarriage, Rape, Pregnancy, Racism, Sexual assault, Sexual violence, Stalking, Suicide, Violence, Alcohol, Blood, Domestic abuse, Injury/Injury detail, Body horror, Death, Emotional abuse, Gore, Grief, Misogyny, Murder, and War
aksmith92's review against another edition
adventurous
challenging
dark
emotional
inspiring
mysterious
reflective
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
6/5 stars. This novel is a testament to the author's skill, delivering a devastating and poignant yet beautifully written story that will leave a lasting impact.
The Setup: Mamoru is a Matsuda. Meaning he was born into a line of people resembling gods. Matsudas possess a unique magic form called jijaka, someone able to control water. Well, those in Kaigen can all be jijakalu, but Matsudas have the unique ability to take their control of water even further and take water molecules to make something called a Whispering Blade, a sword of ice that can cut through literally anything. Matsuda boys and men are trained early as warriors, serving the Kaigen empire wholeheartedly and rigidly. They live and train on the Kusanagi Peninsula, known as the Sword of Kaigen, and are the first to defend the Empire's enemies. Mamoru is fourteen, in school, and is one of the best warriors of his age. Thankfully, "warrior" is more of a title than anything; Kaigen and the rest of Danu, the world everyone lives in, have maintained peaceful relations, and there hasn't been a war since the Keleba, the only war that occurred in Danu's history. Mamoru is going to school, hanging out with his friends, trying not to fall asleep in history class, and, of course, training. He is determined to master the Whispering Blade and be the youngest to do so. Therefore, much of his time is spent mastering his jiya and trying to prove to his father that he is focused and talented.
In tandem, Misaki, Mamoru's mother, is battling fifteen years of, for lack of better words, boredom and anger. Misaki was also a warrior, as she spent her teenage years at a school in Carytha, another country in Danu, mastering her jiya and another magic: Blood Needle, the ability to control a small amount of the blood inside their victim's body and freezes it in the shape of a needle. This jijaka technique is specific to the Tsusano family, Misaki's bloodline before she married a Matsuda. She spent time at this school mastering her sword skills and even partnered with a crew of kids her age to fight crime. However, Misaki is from Ishihama, a town in Kaigen, meaning that she knew that her main role in life would be to marry into a powerful bloodline and bear his children, specifically sons. She made the incredibly challenging choice once she was of age to stay back on Kaigen and marry Takeru Matsuda. But life is not easy, and she struggles without a sword on her hip.
The narrative delves into the emotional journeys of both Mamoru and Misaki, revealing Mamoru's battles with new revelations about his assumptions and preconceptions of the Kaigen empire, and Misaki's life as a housewife and a mother, with glimpses of her past at school. The story then weaves in Duna unrest, suggesting that peace may soon become a distant memory.
What made this six stars? I'm having a hard time explaining what made this a phenomenal book. It was NOT a good time, I can tell you that! I cried MULTIPLE times in this book, which generally does not happen to me and hasn't happened since The Nightingale by Kristen Hannah. M.L. Wang is clearly a powerful and amazingly talented writer - her prose isn't fluffy; it's straight to the point and makes you feel like you are living at the Sword of Kaigen with the small community. I would not suggest picking this up if you want atmospheric or whimsical writing. Wang is literal yet still poignant and dives into challenging topics like misogyny, classism, and war. It was beautiful, yet sharp and harsh, and I loved it so much.
So, I generally prioritize character layers and development over everything else. Do not get me wrong, the plot and world-building must be there! However, there is something so beautiful about connecting with characters, regardless of whether they are the protagonists, antagonists, or morally gray folks. This book did that so well. Mamoru and Misaki are beautifully written characters with many layers, conflicts, and flaws. The other characters, specifically Setsuko, Takashi, Hyori, Chul-Hee, and Robin, were also fantastically written. Additionally, I could write multiple paragraphs about Takeru Matsuda - Mamoru's father and Misaki's husband - what a character! Everyone was their own character, and I love nothing more than relating to many characters and seeing them go on their journeys.
Now, technically, Wang's 100-page (or so) action scene was unbelievable. Actually, unbelievable. I've never read an action scene like this one before. I was immersed, captivated, and absolutely DEVASTATED during it. I honestly couldn't put my book down. This gruesome portrayal of battle was incredibly done, even though it was hard to read.
Lastly, this was such a well-done magic system, world, and plot. It takes a slightly different approach to war, combining some politics, war potential, and the aftermath of battle.
While this book was incredible, please know you will be angry. Kaigen was awfully sexist and misogynistic - it was a patriarchal society where women had to watch what they said to their husbands, let alone fight in battle. It can be challenging to read, but it made you appreciate Misaki and her wonderful friends even more. The balance Misaki portrayed as a mother and a warrior was unique, and her relationship with her husband, Takeru, was incredibly layered. However, unlike other fantasy novels with a main female protagonist, this one doesn't have the nice, neat power ending we're used to, and it may frustrate you. As someone who cares deeply about feminism, this should have angered me, but Wang portrayed all of this in an incredibly realistic way and therefore didn't make the story seem to go into a 180 abruptly.
I have no criticism. At all. You may and I get that, but I don't. What an incredible ride - Wang will be an auto-buy author for me. I've read Blood Over Bright Haven, which I LOVED, and I can't wait to see what else Wang comes out with. I am so thankful for this novel, yet now it is time for a fluffy and light book where I shed no tears.
The Setup: Mamoru is a Matsuda. Meaning he was born into a line of people resembling gods. Matsudas possess a unique magic form called jijaka, someone able to control water. Well, those in Kaigen can all be jijakalu, but Matsudas have the unique ability to take their control of water even further and take water molecules to make something called a Whispering Blade, a sword of ice that can cut through literally anything. Matsuda boys and men are trained early as warriors, serving the Kaigen empire wholeheartedly and rigidly. They live and train on the Kusanagi Peninsula, known as the Sword of Kaigen, and are the first to defend the Empire's enemies. Mamoru is fourteen, in school, and is one of the best warriors of his age. Thankfully, "warrior" is more of a title than anything; Kaigen and the rest of Danu, the world everyone lives in, have maintained peaceful relations, and there hasn't been a war since the Keleba, the only war that occurred in Danu's history. Mamoru is going to school, hanging out with his friends, trying not to fall asleep in history class, and, of course, training. He is determined to master the Whispering Blade and be the youngest to do so. Therefore, much of his time is spent mastering his jiya and trying to prove to his father that he is focused and talented.
In tandem, Misaki, Mamoru's mother, is battling fifteen years of, for lack of better words, boredom and anger. Misaki was also a warrior, as she spent her teenage years at a school in Carytha, another country in Danu, mastering her jiya and another magic: Blood Needle, the ability to control a small amount of the blood inside their victim's body and freezes it in the shape of a needle. This jijaka technique is specific to the Tsusano family, Misaki's bloodline before she married a Matsuda. She spent time at this school mastering her sword skills and even partnered with a crew of kids her age to fight crime. However, Misaki is from Ishihama, a town in Kaigen, meaning that she knew that her main role in life would be to marry into a powerful bloodline and bear his children, specifically sons. She made the incredibly challenging choice once she was of age to stay back on Kaigen and marry Takeru Matsuda. But life is not easy, and she struggles without a sword on her hip.
The narrative delves into the emotional journeys of both Mamoru and Misaki, revealing Mamoru's battles with new revelations about his assumptions and preconceptions of the Kaigen empire, and Misaki's life as a housewife and a mother, with glimpses of her past at school. The story then weaves in Duna unrest, suggesting that peace may soon become a distant memory.
What made this six stars? I'm having a hard time explaining what made this a phenomenal book. It was NOT a good time, I can tell you that! I cried MULTIPLE times in this book, which generally does not happen to me and hasn't happened since The Nightingale by Kristen Hannah. M.L. Wang is clearly a powerful and amazingly talented writer - her prose isn't fluffy; it's straight to the point and makes you feel like you are living at the Sword of Kaigen with the small community. I would not suggest picking this up if you want atmospheric or whimsical writing. Wang is literal yet still poignant and dives into challenging topics like misogyny, classism, and war. It was beautiful, yet sharp and harsh, and I loved it so much.
So, I generally prioritize character layers and development over everything else. Do not get me wrong, the plot and world-building must be there! However, there is something so beautiful about connecting with characters, regardless of whether they are the protagonists, antagonists, or morally gray folks. This book did that so well. Mamoru and Misaki are beautifully written characters with many layers, conflicts, and flaws. The other characters, specifically Setsuko, Takashi, Hyori, Chul-Hee, and Robin, were also fantastically written. Additionally, I could write multiple paragraphs about Takeru Matsuda - Mamoru's father and Misaki's husband - what a character! Everyone was their own character, and I love nothing more than relating to many characters and seeing them go on their journeys.
Now, technically, Wang's 100-page (or so) action scene was unbelievable. Actually, unbelievable. I've never read an action scene like this one before. I was immersed, captivated, and absolutely DEVASTATED during it. I honestly couldn't put my book down. This gruesome portrayal of battle was incredibly done, even though it was hard to read.
Lastly, this was such a well-done magic system, world, and plot. It takes a slightly different approach to war, combining some politics, war potential, and the aftermath of battle.
While this book was incredible, please know you will be angry. Kaigen was awfully sexist and misogynistic - it was a patriarchal society where women had to watch what they said to their husbands, let alone fight in battle. It can be challenging to read, but it made you appreciate Misaki and her wonderful friends even more. The balance Misaki portrayed as a mother and a warrior was unique, and her relationship with her husband, Takeru, was incredibly layered. However, unlike other fantasy novels with a main female protagonist, this one doesn't have the nice, neat power ending we're used to, and it may frustrate you. As someone who cares deeply about feminism, this should have angered me, but Wang portrayed all of this in an incredibly realistic way and therefore didn't make the story seem to go into a 180 abruptly.
I have no criticism. At all. You may and I get that, but I don't. What an incredible ride - Wang will be an auto-buy author for me. I've read Blood Over Bright Haven, which I LOVED, and I can't wait to see what else Wang comes out with. I am so thankful for this novel, yet now it is time for a fluffy and light book where I shed no tears.
Content Warnings
Graphic: Sexual violence, Sexism, Blood, Kidnapping, Miscarriage, Misogyny, Fire/Fire injury, Gore, Injury/Injury detail, Pregnancy, War, Death, Murder, Suicidal thoughts, Child death, Classism, Physical abuse, Rape, Suicide, Toxic relationship, Violence, Vomit, Emotional abuse, and Grief
Moderate: Genocide, Gaslighting, and Confinement
Minor: Cursing
Please, please, please take some of these triggers seriously. M.L. Wang does a phenomenal job with action scenes, but they involve lots of detail about injuries and death, including for literal children. Please take care.eloisereading's review against another edition
adventurous
challenging
dark
emotional
inspiring
sad
tense
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.5
Content Warnings
Graphic: Pregnancy, War, Grief, Misogyny, Violence, Death, Rape, Self harm, and Child death
Moderate: Suicide