Scan barcode
jartone93's review against another edition
adventurous
challenging
dark
emotional
hopeful
mysterious
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Content Warnings
Graphic: Blood, Misogyny, Colonisation, Death, Rape, Child death, Classism, Fire/Fire injury, Gore, Grief, Racism, War, Injury/Injury detail, Murder, Sexism, Suicide, Miscarriage, and Violence
Moderate: Vomit, Homophobia, Kidnapping, Suicidal thoughts, Pregnancy, Physical abuse, and Child abuse
fairynanook's review against another edition
challenging
dark
sad
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75
Overall, I really enjoyed the experience of reading this book. I'll go into more specifics of what I did and didn't like below, but that will have spoilers. If you like the fantasy genre in general, I do think you should give the book a read.
What I liked: The book is well written. The world building is fantastic. The genre is not one I am super familiar with, but I did not feel confused while reading it. I liked the diversity and complexity of the characters, even the ones I didn't really "like".[This book is from the POV of a woman living in a very traditional society...one where she isn't allowed to question her husband or men, isn't allowed to do some of the things she greatly enjoyed doing, is in an unloving arranged marriage, is only valued for the male children she gives birth to, etc. Wang writes about it in a complex, respectful way that I believe is meant to help readers understand it in some ways. It was challenging to read it, but again, still something I appreciated. ]
What I didn't like: The pacing of this novel struggled quite a bit, especially at the beginning. I stuck with it because I knew this going in.[Plot wise, I really, really didn't like the way the author killed off a main character. We open the book with Momoru and his POV. We spend a good part of the first half of the book with him. Then he just dies and we're expected to spend the rest of the book with his mom and one chapter with his dad. It didn't work for me. Child death and main character death is always going to be a hard sell for me and Wang 100% didn't sell me on the necessity of it. I almost DNFd the book because of this choice. And I would never pick up a book knowing the author made this sort of choice...killing off the voice of a main POV character mid-book. It was incredibly jarring as a reader. If he needed to die, then the book should not have been written from his brain. Likewise, it felt like Wang was trying to sell to people who are not from the tradition, the idea that the extreme patriarchal ideals of the society of our main character, are not actually oppressive to women. But I don't think she achieved it. I felt oppressed for half the book, on behalf of the main character, as she watched tragedy after tragedy befall her without having a voice. Yes, she got one in the end, but I still just had trouble with it. And then the whole plot with Robin at the end felt forced and weird. ]
Overall, I think this is a very worthwhile and at times, challenging read despite some of my issues with it.
What I liked: The book is well written. The world building is fantastic. The genre is not one I am super familiar with, but I did not feel confused while reading it. I liked the diversity and complexity of the characters, even the ones I didn't really "like".
What I didn't like: The pacing of this novel struggled quite a bit, especially at the beginning. I stuck with it because I knew this going in.
Overall, I think this is a very worthwhile and at times, challenging read despite some of my issues with it.
Content Warnings
Graphic: Sexual assault, Blood, Pregnancy, Injury/Injury detail, Fire/Fire injury, Death of parent, Misogyny, Suicide, Religious bigotry, Physical abuse, Miscarriage, Grief, Gore, Domestic abuse, Death, Child death, War, Violence, Suicidal thoughts, Sexual violence, Rape, Toxic relationship, Sexism, Emotional abuse, Abandonment, Xenophobia, Kidnapping, Gaslighting, Child abuse, and Body horror
Moderate: Homophobia
rnbhargava's review against another edition
adventurous
challenging
dark
emotional
funny
hopeful
informative
inspiring
lighthearted
mysterious
reflective
relaxing
sad
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Honestly this is a fantastic book. The characters, the discussion it creates with the reader about the nature of propaganda, politics and warfare. The characters are full of complex motivations, doubts, traumas, triumphs and tragedies. Mamoru is such a good kid, all of Misaki’s kids are. Misaki is so multidimensional. Takeru really puts you through a hate/love dynamic and you even come to sympathize with him at points. The supporting characters are even immensely layered through how they handle the highs and lows of their lives before and amidst the narrative of this novel. “Sword of Kaigen” is quite the appropriate title for this.
Content Warnings
Graphic: Gore, Medical content, Racism, Sexual assault, Suicide, Xenophobia, Body horror, Classism, Colonisation, Emotional abuse, War, Domestic abuse, Grief, Injury/Injury detail, Physical abuse, Confinement, Gaslighting, Genocide, Medical trauma, Bullying, Child death, Murder, Toxic relationship, Violence, Fire/Fire injury, Kidnapping, Rape, Self harm, Death, Death of parent, Misogyny, Blood, Sexism, Sexual content, and Suicidal thoughts
There is a rape, there is lots of discussion and depiction of propaganda and brutal warfare, also child death and parental death in several contexts. There are also special abilities that could be used in a variety of violent and benevolent manners.lesliehirgelt's review against another edition
challenging
dark
emotional
sad
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Content Warnings
Graphic: Child abuse, Abandonment, Violence, Sexism, Blood, Grief, Miscarriage, Rape, Misogyny, Pregnancy, Sexual assault, Suicide, Child death, Genocide, War, Death, Racism, and Emotional abuse
Moderate: Fire/Fire injury, Kidnapping, Death of parent, and Mental illness
Minor: Homophobia
aksmith92's review against another edition
adventurous
challenging
dark
emotional
inspiring
mysterious
reflective
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
6/5 stars. This novel is a testament to the author's skill, delivering a devastating and poignant yet beautifully written story that will leave a lasting impact.
The Setup: Mamoru is a Matsuda. Meaning he was born into a line of people resembling gods. Matsudas possess a unique magic form called jijaka, someone able to control water. Well, those in Kaigen can all be jijakalu, but Matsudas have the unique ability to take their control of water even further and take water molecules to make something called a Whispering Blade, a sword of ice that can cut through literally anything. Matsuda boys and men are trained early as warriors, serving the Kaigen empire wholeheartedly and rigidly. They live and train on the Kusanagi Peninsula, known as the Sword of Kaigen, and are the first to defend the Empire's enemies. Mamoru is fourteen, in school, and is one of the best warriors of his age. Thankfully, "warrior" is more of a title than anything; Kaigen and the rest of Danu, the world everyone lives in, have maintained peaceful relations, and there hasn't been a war since the Keleba, the only war that occurred in Danu's history. Mamoru is going to school, hanging out with his friends, trying not to fall asleep in history class, and, of course, training. He is determined to master the Whispering Blade and be the youngest to do so. Therefore, much of his time is spent mastering his jiya and trying to prove to his father that he is focused and talented.
In tandem, Misaki, Mamoru's mother, is battling fifteen years of, for lack of better words, boredom and anger. Misaki was also a warrior, as she spent her teenage years at a school in Carytha, another country in Danu, mastering her jiya and another magic: Blood Needle, the ability to control a small amount of the blood inside their victim's body and freezes it in the shape of a needle. This jijaka technique is specific to the Tsusano family, Misaki's bloodline before she married a Matsuda. She spent time at this school mastering her sword skills and even partnered with a crew of kids her age to fight crime. However, Misaki is from Ishihama, a town in Kaigen, meaning that she knew that her main role in life would be to marry into a powerful bloodline and bear his children, specifically sons. She made the incredibly challenging choice once she was of age to stay back on Kaigen and marry Takeru Matsuda. But life is not easy, and she struggles without a sword on her hip.
The narrative delves into the emotional journeys of both Mamoru and Misaki, revealing Mamoru's battles with new revelations about his assumptions and preconceptions of the Kaigen empire, and Misaki's life as a housewife and a mother, with glimpses of her past at school. The story then weaves in Duna unrest, suggesting that peace may soon become a distant memory.
What made this six stars? I'm having a hard time explaining what made this a phenomenal book. It was NOT a good time, I can tell you that! I cried MULTIPLE times in this book, which generally does not happen to me and hasn't happened since The Nightingale by Kristen Hannah. M.L. Wang is clearly a powerful and amazingly talented writer - her prose isn't fluffy; it's straight to the point and makes you feel like you are living at the Sword of Kaigen with the small community. I would not suggest picking this up if you want atmospheric or whimsical writing. Wang is literal yet still poignant and dives into challenging topics like misogyny, classism, and war. It was beautiful, yet sharp and harsh, and I loved it so much.
So, I generally prioritize character layers and development over everything else. Do not get me wrong, the plot and world-building must be there! However, there is something so beautiful about connecting with characters, regardless of whether they are the protagonists, antagonists, or morally gray folks. This book did that so well. Mamoru and Misaki are beautifully written characters with many layers, conflicts, and flaws. The other characters, specifically Setsuko, Takashi, Hyori, Chul-Hee, and Robin, were also fantastically written. Additionally, I could write multiple paragraphs about Takeru Matsuda - Mamoru's father and Misaki's husband - what a character! Everyone was their own character, and I love nothing more than relating to many characters and seeing them go on their journeys.
Now, technically, Wang's 100-page (or so) action scene was unbelievable. Actually, unbelievable. I've never read an action scene like this one before. I was immersed, captivated, and absolutely DEVASTATED during it. I honestly couldn't put my book down. This gruesome portrayal of battle was incredibly done, even though it was hard to read.
Lastly, this was such a well-done magic system, world, and plot. It takes a slightly different approach to war, combining some politics, war potential, and the aftermath of battle.
While this book was incredible, please know you will be angry. Kaigen was awfully sexist and misogynistic - it was a patriarchal society where women had to watch what they said to their husbands, let alone fight in battle. It can be challenging to read, but it made you appreciate Misaki and her wonderful friends even more. The balance Misaki portrayed as a mother and a warrior was unique, and her relationship with her husband, Takeru, was incredibly layered. However, unlike other fantasy novels with a main female protagonist, this one doesn't have the nice, neat power ending we're used to, and it may frustrate you. As someone who cares deeply about feminism, this should have angered me, but Wang portrayed all of this in an incredibly realistic way and therefore didn't make the story seem to go into a 180 abruptly.
I have no criticism. At all. You may and I get that, but I don't. What an incredible ride - Wang will be an auto-buy author for me. I've read Blood Over Bright Haven, which I LOVED, and I can't wait to see what else Wang comes out with. I am so thankful for this novel, yet now it is time for a fluffy and light book where I shed no tears.
The Setup: Mamoru is a Matsuda. Meaning he was born into a line of people resembling gods. Matsudas possess a unique magic form called jijaka, someone able to control water. Well, those in Kaigen can all be jijakalu, but Matsudas have the unique ability to take their control of water even further and take water molecules to make something called a Whispering Blade, a sword of ice that can cut through literally anything. Matsuda boys and men are trained early as warriors, serving the Kaigen empire wholeheartedly and rigidly. They live and train on the Kusanagi Peninsula, known as the Sword of Kaigen, and are the first to defend the Empire's enemies. Mamoru is fourteen, in school, and is one of the best warriors of his age. Thankfully, "warrior" is more of a title than anything; Kaigen and the rest of Danu, the world everyone lives in, have maintained peaceful relations, and there hasn't been a war since the Keleba, the only war that occurred in Danu's history. Mamoru is going to school, hanging out with his friends, trying not to fall asleep in history class, and, of course, training. He is determined to master the Whispering Blade and be the youngest to do so. Therefore, much of his time is spent mastering his jiya and trying to prove to his father that he is focused and talented.
In tandem, Misaki, Mamoru's mother, is battling fifteen years of, for lack of better words, boredom and anger. Misaki was also a warrior, as she spent her teenage years at a school in Carytha, another country in Danu, mastering her jiya and another magic: Blood Needle, the ability to control a small amount of the blood inside their victim's body and freezes it in the shape of a needle. This jijaka technique is specific to the Tsusano family, Misaki's bloodline before she married a Matsuda. She spent time at this school mastering her sword skills and even partnered with a crew of kids her age to fight crime. However, Misaki is from Ishihama, a town in Kaigen, meaning that she knew that her main role in life would be to marry into a powerful bloodline and bear his children, specifically sons. She made the incredibly challenging choice once she was of age to stay back on Kaigen and marry Takeru Matsuda. But life is not easy, and she struggles without a sword on her hip.
The narrative delves into the emotional journeys of both Mamoru and Misaki, revealing Mamoru's battles with new revelations about his assumptions and preconceptions of the Kaigen empire, and Misaki's life as a housewife and a mother, with glimpses of her past at school. The story then weaves in Duna unrest, suggesting that peace may soon become a distant memory.
What made this six stars? I'm having a hard time explaining what made this a phenomenal book. It was NOT a good time, I can tell you that! I cried MULTIPLE times in this book, which generally does not happen to me and hasn't happened since The Nightingale by Kristen Hannah. M.L. Wang is clearly a powerful and amazingly talented writer - her prose isn't fluffy; it's straight to the point and makes you feel like you are living at the Sword of Kaigen with the small community. I would not suggest picking this up if you want atmospheric or whimsical writing. Wang is literal yet still poignant and dives into challenging topics like misogyny, classism, and war. It was beautiful, yet sharp and harsh, and I loved it so much.
So, I generally prioritize character layers and development over everything else. Do not get me wrong, the plot and world-building must be there! However, there is something so beautiful about connecting with characters, regardless of whether they are the protagonists, antagonists, or morally gray folks. This book did that so well. Mamoru and Misaki are beautifully written characters with many layers, conflicts, and flaws. The other characters, specifically Setsuko, Takashi, Hyori, Chul-Hee, and Robin, were also fantastically written. Additionally, I could write multiple paragraphs about Takeru Matsuda - Mamoru's father and Misaki's husband - what a character! Everyone was their own character, and I love nothing more than relating to many characters and seeing them go on their journeys.
Now, technically, Wang's 100-page (or so) action scene was unbelievable. Actually, unbelievable. I've never read an action scene like this one before. I was immersed, captivated, and absolutely DEVASTATED during it. I honestly couldn't put my book down. This gruesome portrayal of battle was incredibly done, even though it was hard to read.
Lastly, this was such a well-done magic system, world, and plot. It takes a slightly different approach to war, combining some politics, war potential, and the aftermath of battle.
While this book was incredible, please know you will be angry. Kaigen was awfully sexist and misogynistic - it was a patriarchal society where women had to watch what they said to their husbands, let alone fight in battle. It can be challenging to read, but it made you appreciate Misaki and her wonderful friends even more. The balance Misaki portrayed as a mother and a warrior was unique, and her relationship with her husband, Takeru, was incredibly layered. However, unlike other fantasy novels with a main female protagonist, this one doesn't have the nice, neat power ending we're used to, and it may frustrate you. As someone who cares deeply about feminism, this should have angered me, but Wang portrayed all of this in an incredibly realistic way and therefore didn't make the story seem to go into a 180 abruptly.
I have no criticism. At all. You may and I get that, but I don't. What an incredible ride - Wang will be an auto-buy author for me. I've read Blood Over Bright Haven, which I LOVED, and I can't wait to see what else Wang comes out with. I am so thankful for this novel, yet now it is time for a fluffy and light book where I shed no tears.
Content Warnings
Graphic: Sexual violence, Sexism, Blood, Kidnapping, Miscarriage, Misogyny, Fire/Fire injury, Gore, Injury/Injury detail, Pregnancy, War, Death, Murder, Suicidal thoughts, Child death, Classism, Physical abuse, Rape, Suicide, Toxic relationship, Violence, Vomit, Emotional abuse, and Grief
Moderate: Genocide, Gaslighting, and Confinement
Minor: Cursing
Please, please, please take some of these triggers seriously. M.L. Wang does a phenomenal job with action scenes, but they involve lots of detail about injuries and death, including for literal children. Please take care.maucha's review against another edition
adventurous
challenging
dark
sad
medium-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
This book broke my heart made me cry so badly. I love it.
Content Warnings
Graphic: Fire/Fire injury, Classism, Gore, Blood, Child death, War, Misogyny, Violence, and Death
Moderate: Miscarriage and Suicide
Minor: Sexism and Rape
andrew_corduroy's review against another edition
adventurous
dark
emotional
hopeful
inspiring
sad
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Absolutely fantastic. An excellent exploration of such a wide range of emotions and experiences; from honor and understanding to grief, shame, perseverance and love. I’ve read some bangers so far this year but none have moved me quite like The Sword of Kaigen.
Admittedly there are some interesting stylistic choices like: italics for languages other than the local dialect (there are several), flashbacks where they don’t quite fit with the tone of the previous chapter(s), and a single POV chapter from one of the main characters at about the 70% mark and not giving the character another POV for the rest of the book.
However, despite these choices I found the book engrossing and didn’t feel like my attention was being whipped about too much. I highly recommend reading this.
Admittedly there are some interesting stylistic choices like:
However, despite these choices I found the book engrossing and didn’t feel like my attention was being whipped about too much. I highly recommend reading this.
Content Warnings
Graphic: Grief, Child death, Death, Gore, Blood, and Injury/Injury detail
Moderate: Fire/Fire injury, Violence, Sexism, Miscarriage, and War
Minor: Racism, Rape, Physical abuse, and Suicide
madlyreading's review against another edition
adventurous
challenging
dark
emotional
reflective
sad
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Content Warnings
Moderate: Child death, Colonisation, Violence, War, Death, Gore, Grief, Injury/Injury detail, Death of parent, Fire/Fire injury, Physical abuse, Racism, Sexism, Blood, Murder, Pregnancy, Rape, and Xenophobia
thecriticalreader's review against another edition
dark
emotional
sad
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
Context:
I used my free Kindle Unlimited trial to finally get around to reading The Sword of Kaigen, which has been on my TBR for a couple of years now. In case you were confused like I was, this book is a STANDALONE—I confused Wang’s recent standalone Blood Over Bright Haven for a sequel.
Review:
Whew! I did not know what I was getting into with this book. I’m someone who enjoys my fantasy on the lighter side with moments of darkness rather than books that feature a lot of violence and trauma. Needless to say, I was not prepared for the sheer amount of violence and emotional devastation that lay in store for me in The Sword of Kaigen. Despite not being exactly my cup of tea in this regard, this book is one of the best fantasy novels I’ve ever read. I have so many good things to say about it, so I’m going to make a bulleted list to make sure I touch on everything.
· The writing is incredibly cinematic. I could easily visualize everything that happens in this book, to the point where making it into a movie out would be redundant. I felt this to be true even for the action scenes, which I normally struggle to visualize in fantasy stories. Typically, I find them boring and confusing. However, Wang is a master of writing exciting, comprehensible, high-stakes action, which is a good thing because this book is chock full of action scenes!
· Holy cow, this book is full of some of the best-written characters I’ve read in a fantasy book. All of the characters—from the side characters to the protagonists—are complex, interesting, and believable. Every story beat with these characters is earned, making for a phenomenally emotional story.
· The pacing and organization of The Sword of Kaigen is flawless. Every story beat occurs exactly when it is most effective. Wang seems to have an intuitive grasp for how long each scene should last; nothing feels rushed or glossed over, but at no point does the story drag.
· The worldbuilding takes a familiar structure of elemental magic (very similar to that found in Avatar: The Last Airbender) but adapts it in a unique and original way that combines traditional elements of Japanese culture with modern technology.
· The Sword of Kaigen provides an emotionally cathartic exploration into themes of family, loyalty, honor, and grief. It damn near emotionally destroyed me in the process, but if that’s something you like in a book, you should definitely pick this one up.
· This book manages to explore feminist themes and create strong female characters without falling into traps of preachiness, shallowness, or stereotypes. It shows rather than tells, something so many modern books with feminist themes fail to do.
If I had one criticism of The Sword of Kaigen, it’s that it rather clumsily handles elements the racial dynamics in its world. For example, the substitution of white people for positions of subjugation that BIPOC people often face is insensitive at best. At other points, the book has its characters spout rhetoric of racial/blood supremacy without fully pushing back against these inherently racist concepts. (The same can be said for the characters’ problematic ideas about pregnancy/miscarriage). I was able to overlook these missteps for the most part because they do not seem malicious and play a minor role in the plot. That being said, I hope Wang learned from this book and does better in the future.
In sum, The Sword of Kaigen is a masterpiece of fantasy and storytelling. I would recommend it to anyone who feels prepared to handle the book’s immense amount of violence and pain.
The Run-Down:
You will probably like The Sword of Kaigen if . . .
· You want an incredible character-driven story led by an immensely strong—yet complex— female protagonist
· You find family dynamics and motherhood to be interesting themes in fantasy novels
· You like well-written, creative, and exciting action scenes
· You love elemental magic systems
· You want a fantasy book that combines ancient customs and beliefs with modern technology
· You want a book that will emotionally destroy you and then build you back up
You might not like The Sword of Kaigen if . . .
· You don’t have a strong stomach for violence or the host of other heavy topics present in this book
· You want a book that will take you across many different locations in its world
· You don’t like morally gray protaganists
Content Warnings
Graphic: Blood, Child abuse, Child death, Gore, Miscarriage, Misogyny, Injury/Injury detail, Sexism, Violence, Grief, War, Pregnancy, Death, and Emotional abuse
Moderate: Vomit, Kidnapping, Fire/Fire injury, Suicide, Rape, Racism, and Xenophobia
Minor: Ableism, Abortion, Classism, Homophobia, Alcohol, Sexual content, and Slavery
ddnreads's review against another edition
adventurous
challenging
dark
emotional
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
How am I going to continue my reading challenge without dreading the downhill experience bcs how am I going to TOP THIS BOOK HOWWWWW
It's always a high fantasy with the most intense family drama and romance. Gut-wrenching beautifully written plot. It's a story of valuing tradition and power, a griefing mother, and undoubtedly angst romance. Women empowerment and community care.
I love it so much. I cried with it. I healed with it. This is awesome end of the story.
It's always a high fantasy with the most intense family drama and romance. Gut-wrenching beautifully written plot. It's a story of valuing tradition and power, a griefing mother, and undoubtedly angst romance. Women empowerment and community care.
I love it so much. I cried with it. I healed with it. This is awesome end of the story.
Content Warnings
Graphic: Child death, Death of parent, Physical abuse, Misogyny, Rape, War, Fire/Fire injury, Suicidal thoughts, Violence, Pregnancy, Sexual violence, Genocide, Blood, Body horror, and Miscarriage