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Moderate: Toxic friendship, Alcohol
Minor: Death, Violence, Kidnapping, Stalking, Fire/Fire injury, Toxic friendship
I'd recommend this to anyone who likes long books, with many many details, and doesn't need to feel all the feels to like a book. Anyone who doesn't like lingering pieces or is interested in action should probably try something different.
Moderate: Confinement, Death, Drug use, Kidnapping, Stalking, Abandonment, Alcohol, Injury/Injury detail
That said, this book took a little longer to convince me than The Night Circus. I wasn’t absorbed quite as quickly and I’m still not entirely certain I loved Zachary as the main character. Maybe because the characters were a bit less central than the ones in The Night Circus. I went in expecting something more tied to characters but, understandably, this isn’t tied to the characters as much as the story and setting itself.
In the end, I still came away breathless and smiling. I was thoroughly absorbed once I came around to the halfway point and I definitely got properly emotional in multiple places. It was thrilling and wonderful to read. The world building was really gorgeous, and I think anywhere where I felt there might’ve been holes or incomplete thoughts, I was satisfied knowing that maybe there didn’t need to be answers to everything. The mystery of everything that was happing was really fun, too. I liked not even knowing if I was supposed to be searching for answers or clues and it certainly kept me turning the pages.
This was definitely more narrative-driven than The Night Circus (though I hesitate to call it plot-driven just because there’s not really an obvious plot to point to in the strictest of terms) and for me it really, really worked. I would’ve liked more depth in the characters, but I understand where it maybe isn’t entirely necessary since the point of the characters was only to play a role in the story if not have a story unto themselves.
I really loved the folding and combining of the different stories, how Morgenstern wove all the narratives together and broken them apart. I like how it was all entwined and linked, but also separate. I loved being able to discover who was who in the stories and put names to characters and characters to times and places. It was very satisfying to be able to link things myself and still have surprises along the way. And even still, I feel like I have to reread this a few more times to actually pick up on everything!
Understandably, not for everyone, but it hit all my buttons and I was utterly enamored by it.
Also it was trippy as fuck to see my name as one of these characters lmao.
Moderate: Violence, Blood, Stalking
Moderate: Death, Blood, Grief, Stalking, Fire/Fire injury, Alcohol, Injury/Injury detail
Minor: Confinement, Torture, Pregnancy, Abandonment
As far as plot goes, it certainly doesn’t unfold in a linear fashion—I would probably describe it as almost labyrinthine, or maybe not unlike nesting dolls; stories within stories. I could even call it kaleidoscopic—fragments of seemingly disparate stories that come together at the end to form a pattern that we can behold for a beautiful moment, before it all changes. And change it does, as we are reminded throughout the book, what is a story, if not change?
This book also shows off Morgenstern’s greatest strengths: her world-building and her prose. Morgenstern can write; her prose is simply gorgeous. It is in turns whimsical, magical, dreamlike and playful. The images she conjures on these pages are nothing short of being frankly, almost tangible—sort of like waking up with your last dream still dancing around in your head before it softly fades with the intrusion of the morning light. There’s a definite fairy-tale vibe to the entire book, that again, goes along with the greater themes about storytelling. I think anyone who is a lover of books has dreamed, at least once, of stumbling across a doorway that leads to a magical library, and reading this book certainly makes me daydream about that scenario all the more.
If I had a quibble with anything, I would say the character work in this book isn’t the strongest, but I do think it’s still purposeful. The characters aren’t super fleshed out, instead, they have the same quality that characters in a fairy-tale do—they are there to serve the story, to supply metaphor and archetypes and literal anthropomorphic personifications of concepts, more than give us in-depth character studies, or feel like real people. This is okay to a certain extent, but it does mean that if your entry point into a story is through character, this might not be the book for you. There were moments towards the end of the story that didn’t hit quite as hard as I wished they would have, had the characters and their relationships to each other had a chance to be more drawn out.
It took me the better part of a week to read through it, but this book is a book that rewards you with slowing down and taking your time to read it, to really savour the stories within, and soak in all of its beautiful magic. It’s also, as I have now discovered, very wonderfully re-readable, where you can pick up on threads and clues you missed the first time around.
On the whole, my re-read of this book has cemented it as a forever favourite of mine. In fact, I have a quote from the book I would love to have a tattoo of one day, and there are ungodly things I would do for a ttrpg of The Starless Sea; there’s so much you could do with the Harbour alone—book themed dungeon crawls for daaaaaaays.
Graphic: Death, Violence, Kidnapping, Murder, Fire/Fire injury
Moderate: Suicidal thoughts, Torture, Stalking
“Once, very long ago, Time fell in love with Fate.”
😭😭😭
Moderate: Death, Fire/Fire injury
Minor: Stalking
Graphic: Alcohol
Moderate: Animal death, Body horror, Death, Panic attacks/disorders, Physical abuse, Torture, Violence, Blood, Dementia, Kidnapping, Grief, Stalking, Murder, Pregnancy, Fire/Fire injury, Gaslighting
Minor: Child abuse, Sexual content, Death of parent, Injury/Injury detail
☆
☆
It's safe to say that was one of the wildest rides I've ever had with a book. Usually I'm not a fan of multiple points of view in the books I read because I find it easy to get things mixed up. But with this one each story within a story was individual and easy to distinguish from one another.
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I loved the simple gay representation you find in the main character Zachary, as well as Dorian, and in Kat (though in passing mention). The fact that there are queer characters doesn't have any bearing on the story, which I find is actually quite nice. Having a story that doesn't revolve around one or more of the characters being some flavour or LGBTQ+.
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Reading some other reviews online when I'm writing this I have found some useful explanations as to how the characters fit into the fairytale being woven from the beginning. Who each character is, whether that's the Pirate, Fate, the acolyte, Allegra and the Guardian. Characters are mentioned and talked about in different books within the books. It has multiple stories within it, and eventually they all fit together and interweave, but I appreciate it might be a little more challenging for some to piece together who's who.
Graphic: Death
Moderate: Drug use, Panic attacks/disorders, Torture, Kidnapping
Minor: Suicidal thoughts, Stalking
Graphic: Death, Stalking
Moderate: Confinement, Blood, Alcohol, Injury/Injury detail
Minor: Suicidal thoughts, Fire/Fire injury
Graphic: Death, Stalking