Reviews tagging 'Violence'

A Clockwork Orange by Anthony Burgess

256 reviews

konstantly's review against another edition

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adventurous challenging dark reflective tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.25


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justmaria's review against another edition

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challenging dark tense fast-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

5.0


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peytoncainn's review against another edition

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challenging dark emotional reflective tense fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.0

Imagine the worst, most violent trip you’ve ever had to get the importance of free will across. That’s this book.
More intellectual thoughts: 

https://www.goodreads.com/review/show/15583067

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perth_is's review against another edition

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dark reflective tense fast-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.5


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sas_lk's review against another edition

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challenging dark sad slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.0

This is a dystopian world where violence is everywhere. At first, it seems like such a far-fetched way of living, however, the more I read, the more I realised that this is almost South Africa's reality. Violence, sexual abuse and murder around every corner. 
Big trigger warnings, make sure you know what you're getting into.

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lilyisnotcool's review against another edition

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challenging dark emotional mysterious tense fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.75


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pssworded's review against another edition

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challenging dark reflective sad medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.5


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krosrightboob's review against another edition

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challenging dark emotional reflective tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? N/A
  • Flaws of characters a main focus? It's complicated

5.0

If you can get past the made up goloss (slang) which gets easier the further in you get, this book is an absolute literary masterpiece. 

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thet0meraider's review against another edition

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challenging dark emotional reflective sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

5.0

31 anni dopo l'uscita di Arancia Meccanica, Anthony Burgess ha detto, in un articolo per The Observer in cui riflette sul ruolo della sua novella nella diffusione della violenza giovanile: "[In the book and movie adaptation] the question was asked: is it permissible to kill free will in order to ensure the stability of society? Not many viewers of the film took notice of the question: most were too excited by the violence to bother about the philosophy of the concept".

E aggunge: "My argument was that action was anterior to art; that aggression was built into the human system and could not be taught by a book, film or play. [...] If one wished to believe that a book could instigate violence, the Bible could be one’s first choice, and yet this was taken to be the Word of God. [...] From the film of A Clockwork Orange youth did not learn aggression: it was aggressive already. What it did learn was a style of aggression, a mode of dressing violence up in a new way, a piquant sauce to season the raw meat of kicks, biffs and razor-slashings".


"Arancia Meccanica" è un romanzo straordinario che affronta temi complessi e sempre attuali con una prosa coinvolgente e innovativa. La storia, ambientata in un futuro distopico (anni '70, con il libro pubblicato nel 1962), segue le vicende di Alex DeLarge, un giovane delinquente immerso in una società violenta e decadente. Uno dei punti di forza del romanzo è sicuramente lo stile linguistico unico, che mescola l'inglese con uno slang che richiama il russo inventato dall'autore, noto come "Nadsat" (letteralmente, "adolescente", nella lingua del romanzo), arricchendo così la narrazione con una profondità e una vivacità impareggiabili.

Il tema centrale del conflitto tra libero arbitrio individuale e controllo sociale è trattato in modo magistrale, portando il lettore a riflettere sulle implicazioni morali delle azioni di Alex e sul ruolo della società nel plasmare il comportamento umano. La narrazione è avvincente e incalzante, mantenendo costantemente l'attenzione del lettore e offrendo spunti di riflessione profondi e stimolanti.

Ho trovato straziante, dall'inizio alla fine, la volontà di Alex si essere cattivo, punto e basta. Il ragazzo, appena quindicenne, non fa del male per ribellarsi al mondo - lo fa perché gli piace, ne gode, lo fa sentire al settimo cielo. E questo, devo dirlo, mi ha profondamente scossa. Non solo: finché rimane un ragazzo, Alex non ha intenzione di redimersi. Anzi.

Ci sono stati dei momenti in cui il mio metro morale mi ha portato a sentirmi in pena per Alex: vedere un ragazzino che piange per sé stesso, estremamente infelice, non è mai piacevole. Eppure le sensazioni altalenanti che ho provato nei confronti del protagonista devono portarmi anche a ragionare su di me, sulle mie credenze. Mi sono scoperta a provare godimento nel sapere Alex sottoposto alla cura riabilitativa forzata. Ho gioito nel sapere che non sarebbe più stato in grado di fare del male, anche se sotto forzatura, e nel constatare che la punizione era doppiamente efficace, perché ha rimosso anche il piacere che il ragazzino provava nell'ascoltare musica classica - peraltro con una spocchia davvero insopportabile.
Ho però anche sofferto per lui in diverse occasioni: nel vederlo usato e strumentalizzato da diverse fazioni politiche; nel saperlo respinto dalla famiglia (anche se se lo merita! Questa dualità, argh!) e solo e, per una volta, forse ingiustamente picchiato dalla brutale polizia (o magari, ancora, se lo è meritato per tutte le brutte azioni fatte in passato! Aaaaargh). Persino delle tendenze suicide mi sono dispiaciuta, pur restando dell'opinione che se la sia cercata.

Il romanzo trova una degna conclusione, a parer mio. Se si fosse chiuso diversamente, su una nota ancora negativa dopo tutto quello che abbiamo visto nel corso del romanzo, forse non lo avrei apprezzato così tanto.
Forse la cura è davvero solo la maturazione, forse basta solo davvero diventare grandi.

Sono davvero molto contenta di aver affrontato questa lettura. Sono arrivata senza aspettative e me ne sono andata arricchita, stimolata, piena di riflessioni da compiere sul mondo e, soprattutto, su di me. 

Consigliato!

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sugarcube's review against another edition

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dark reflective medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.25

I read this after having watched the movie multiple times. The movie is one of my favorite movies for the questions it raises, and I was told to read the book because of
its different ending
(I had already tried but found it too similar to be worth finishing at first).

I ended up liking the book after all because I appreciate the additional insight into Alex's thoughts that are limited by the runtime of the movie. However,
I take issue with the ending. For Alex to simply grow out of it seems to imply that the events of the story were entirely inconsequential. Now, the movie is similar in that they both imply that Alex will always have ended up this way, regardless of his experiences. However, the movie suggests a much darker message underneath that. Burgess seems to suggest that violence is inherent to the mind of a growing boy, while Kubrick seems to suggest instead that some people are born a monsters and no meddling will fix that.
Frankly, I just disliked the ending of the book because I disagreed with it.
Other than that, I did like the book. I love the quirks of the nadsat language, especially in the way it feels like it distances and distracts from the brutality that actually occurs. It feels like you're really in Alex's head, and I liked that immersion.

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