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rorikae's review against another edition
adventurous
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
Ocean's Godori by Elaine U. Cho is a fun space romp that needs a little bit more space to fully tell its story.
The novel centers on a cast of characters, primarily Ocean Yoon and her friend Teo. Ocean is working aboard a space ship when Teo's ship is attacked. After reports note that he has arrived home, Ocean and the crew of the ship she is on are surprised to find an escape pod with Teo outside of their ship. As they work to determine what is really going on, they get caught up in space fights and Teo's family's business history.
This story has so much promise. It has great characters, a fascinating world, and interesting political situations. Unfortunately, it tries to do far too much in too short of a space. Though I like the characters and understand their motivations, I never felt like I had the full amount of time to fully get to know them. Plot beats move too quickly and the ending is particularly rushed. With a complex world and political machinations, this book should have been given a lot longer. More time on each plot point would have gone a long way. I will definitely be interested in what Cho writes next since they clearly have a great mind for plot and characters. I hope in their next book, they will provide themselves more time to let their story really feel fleshed out and well paced.
The novel centers on a cast of characters, primarily Ocean Yoon and her friend Teo. Ocean is working aboard a space ship when Teo's ship is attacked. After reports note that he has arrived home, Ocean and the crew of the ship she is on are surprised to find an escape pod with Teo outside of their ship. As they work to determine what is really going on, they get caught up in space fights and Teo's family's business history.
This story has so much promise. It has great characters, a fascinating world, and interesting political situations. Unfortunately, it tries to do far too much in too short of a space. Though I like the characters and understand their motivations, I never felt like I had the full amount of time to fully get to know them. Plot beats move too quickly and the ending is particularly rushed. With a complex world and political machinations, this book should have been given a lot longer. More time on each plot point would have gone a long way. I will definitely be interested in what Cho writes next since they clearly have a great mind for plot and characters. I hope in their next book, they will provide themselves more time to let their story really feel fleshed out and well paced.
Content Warnings
Graphic: Violence, Fire/Fire injury, Gun violence, and Death
Moderate: Emotional abuse
Minor: Classism
chanlo1994's review against another edition
adventurous
dark
funny
mysterious
reflective
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75
I wasn't too sure of the character foils presented. I thought the crew Ocean was with didn't seem to go with her personality and therefore the initial tone of the book, but maybe it was the voice actor who I didnt enjoy so much. I did start enjoying the book about halfway through and I really liked the action scenes.
Content Warnings
Graphic: Blood, Death, Grief, Fire/Fire injury, Death of parent, Xenophobia, Gun violence, and Violence
Moderate: Murder
Minor: Car accident
caseythereader's review against another edition
adventurous
funny
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.0
Thanks to Zando for the free copy of this book.
- Y’all know how much I love a ragtag space crew adventure, and OCEAN’S GODORI is a great one, full of gunslinging, witty quips, and found family love.
- Cho hits that sweet spot of worldbuilding and interstellar politics where it feels real but doesn’t get bogged down in too many people or other details.
- My one gripe is the pacing - some parts moved very fast and others felt super slow. However, it’s a pretty short book so even the “slow” parts don’t last too long.
- I really hope this becomes a series. The ending is left wide open, and I’d love to see what else Cho can do.
- Y’all know how much I love a ragtag space crew adventure, and OCEAN’S GODORI is a great one, full of gunslinging, witty quips, and found family love.
- Cho hits that sweet spot of worldbuilding and interstellar politics where it feels real but doesn’t get bogged down in too many people or other details.
- My one gripe is the pacing - some parts moved very fast and others felt super slow. However, it’s a pretty short book so even the “slow” parts don’t last too long.
- I really hope this becomes a series. The ending is left wide open, and I’d love to see what else Cho can do.
Content Warnings
Graphic: Blood, Cursing, Fire/Fire injury, Medical content, Death, Gun violence, Murder, Grief, Injury/Injury detail, Violence, and Alcohol
starrysteph's review
adventurous
emotional
mysterious
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Ocean’s Godori is a clever sci fi adventure with an eclectic cast and a whole lot of heart.
Ocean Yoon is a brilliant spaceship pilot, but she’s been demoted after a [redacted] mission that squandered her reputation and chances of rising up in Korea’s renowned space agency the Alliance. Luckily, she’s found support from her charming crewmates on her simpler but safer new assignment.
Haven is Mortemiam - a religious, thoughtful, and ostracized group that does death rituals. His dad has sent him off to work for Captain Song for a bit and immerse himself in the greater galaxy. He wants to bridge the gap between him and his father, has mixed feelings about his expected marriage to his fiance back home, and is quietly curious about his crewmates - especially Ocean.
And Teo is the outwardly cocky and charming second son of the Anand Tech empire. He never wants for anything, but secretly struggles with living up to his father’s expectations and being there for his family. He’s also got a lot to learn about the truth behind his empire, especially after he winds up at the center of a complicated & violent plot.
Then there’s a whole swirl of chaos and escapades. It’s a story of navigating identity & figuring out your legacy, tackling complicated parental relationships and expectations, and finding family outside of blood.
There are intense spaceship battles, terrifying body morphing technology, thrilling escapes, the SWEETEST misfit found family, and two smatterings of romance (once is queer and one is very will-they-won’t they). The technology is both interesting & fun, and I enjoyed learning some Korean words (and some imagined future Korean slang). The glossary, which was written in-character, was both helpful and a delightful addition to the journey. This was a really cool and creative world and vision of the future.
The events of the summary don’t happen until the book is more than halfway through - I actually flipped back a few times to make sure I had read it right, since it seemed like the inciting event. And then I was just anticipating it! I think that’s a bit of a marketing mishap. And then there’s a massive cliffhanger at the end. I don’t see this listed as the first in a series, but it HAS to be, right? If so, I think this story will absolutely shine now that the setup is done.
I absolutely adored these characters. They’re a prickly but loveable group, and even though we only get deep glimpses into some of them (it’s a very large cast), I was thoroughly charmed. I particularly loved the raider Phoenix and his crew who came in at the end; I’m sure that their roles will be much bigger if there are future books.
There’s a start here to a galactic exploration of colonization & capitalism - mostly through Teo’s influential family - and Teo starts to unpack his own biases. There’s also condemnation from supporting characters from various planets who have been directly hurt by the Anand Tech exploits and innovations. I would love to see deeper conversation around these themes, going beyond just acknowledging them. How do our main characters envision a better world? What will they do to bring us closer to that?
If you love books featuring charming found families & characters puzzling out their relationships with their parents - AND books set in cool, futuristic worlds with action scenes galore - I think Ocean’s Godori will be a perfect match.
CW: death (family/parents), murder, war, colonization, classism, guns, panic attacks, fire, grief
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(I received a free advance reader copy of this book; this is my honest review.)
Content Warnings
Graphic: Death of parent, Colonisation, Gun violence, Fire/Fire injury, War, Classism, Grief, Mental illness, Death, Murder, and Panic attacks/disorders
mindsplinters's review
adventurous
tense
medium-paced
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
3.0
Thanks to NetGalley and Zando for an Advanced Reader Copy - pub date 4/23/2024. It's been a hot minute since I've read a pure sci-fi book and this cover and concept grabbed me right away. Firefly-esque? Mention of the famous Korean female pearl-divers? Futuristic with lots of neon and space travel? Sounds good! And, to be honest, there were some really good bits in this debut novel and most of them came to the surface in the last half of the book. Not so the first half. I found the book to be a very slow starter and, while it is clear that Cho is using the beginning of the book to build the world and introduce you to the characters, it read like an example of telling and not showing. In telling, I could see how well thought-out and detailed the world was and how keenly Cho planned and developed it. Ocean's world, in a future dominated by Korea, pulses with energy and technology and a valiant attempt at balancing proud history with unknown future. There are so many hints of things to learn about this book's world. It made me more interested, in fact, about going forth to learn more about Korean history and traditions in our world which is something quite special.
On the other hand, the download of information also felt exactly like that lots of information and yet not enough. Certain things were taken for granted and only could be dealt with by trusting Cho and suspending any critical thinking. The constant dropping of Korean terms also required a high level of trust in using contextual clues (or the cute little glossary in back, written in-character by Maggie). Many of the characters also suffered from this strange level of detail but no detail, rough sketches of people that you want to know more about but who are kept behind a very dirty glass window. Ocean is aloof and capable with a tragic past. Teo is suave and spoiled with lousy self worth. Haven is... a stoic death-guy who doesn't want to be there but lightly stalked Ocean to the ship? It's pretty fuzzy.
But then suddenly the book hits its stride and BAM. The last third glowed with banter and character development through conversation and action sequences. I started to care about Ocean, to see where her issues hid beneath the exterior. Teo came out of the gate far more faceted than anticipated. Haven was still mildly confusing but he showed humor and a definite moral structure and an inherent willingness to do what is right. Plus we got a really neat new batch of characters, the raider Phoenix and his crew. I spent the last third of the book being annoyed when real life made me put it down. I wanted to know more of what was going to happen and how the mismatched new crew would deal with things. Things aside from the various pockets of simmering sexual tension, that is. Let's just say that the line forming up for Ocean is a long one. But you also have to love a good Rich Boy-Raider forbidden pairing, too, right? This last third was where the Firefly vibes came, where the action and humor and writing really shone.
And then Cho throws you off the world's biggest cliff-hanger. Seriously. It's like dropping off Mt Everest. I think, though, that the second book will be better and more twisty and will bloom with the promise this one ended on so I am looking forward to it. Cho got past the slow parts and the world building in this book. The second one should be killer.
On the other hand, the download of information also felt exactly like that lots of information and yet not enough. Certain things were taken for granted and only could be dealt with by trusting Cho and suspending any critical thinking. The constant dropping of Korean terms also required a high level of trust in using contextual clues (or the cute little glossary in back, written in-character by Maggie). Many of the characters also suffered from this strange level of detail but no detail, rough sketches of people that you want to know more about but who are kept behind a very dirty glass window. Ocean is aloof and capable with a tragic past. Teo is suave and spoiled with lousy self worth. Haven is... a stoic death-guy who doesn't want to be there but lightly stalked Ocean to the ship? It's pretty fuzzy.
But then suddenly the book hits its stride and BAM. The last third glowed with banter and character development through conversation and action sequences. I started to care about Ocean, to see where her issues hid beneath the exterior. Teo came out of the gate far more faceted than anticipated. Haven was still mildly confusing but he showed humor and a definite moral structure and an inherent willingness to do what is right. Plus we got a really neat new batch of characters, the raider Phoenix and his crew. I spent the last third of the book being annoyed when real life made me put it down. I wanted to know more of what was going to happen and how the mismatched new crew would deal with things. Things aside from the various pockets of simmering sexual tension, that is. Let's just say that the line forming up for Ocean is a long one. But you also have to love a good Rich Boy-Raider forbidden pairing, too, right? This last third was where the Firefly vibes came, where the action and humor and writing really shone.
And then Cho throws you off the world's biggest cliff-hanger. Seriously. It's like dropping off Mt Everest. I think, though, that the second book will be better and more twisty and will bloom with the promise this one ended on so I am looking forward to it. Cho got past the slow parts and the world building in this book. The second one should be killer.
Content Warnings
Moderate: Gun violence and Violence
btaylorb's review against another edition
adventurous
emotional
funny
mysterious
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
I don't mean to demand more work from someone when publishing a single novel is a feat in and of itself, but I sincerely hope there's more of this story in the works, because damn.
I picked up the ARC and am recommending it for purchase for the library where I work. A slow start that focuses on the characters, with breadcrumbs of backstory that give early insight into both their motives and social, cultural, and technological details of a future solar system colonized by humans. The pace ramps up after about 100 pages with some well executed fights and space-chase scenes, without sacrificing some thoughtful exploration of the consequences of capitalism and colonialism on outer space. I appreciated the bi representation; The chemistry between all the characters clearly defines crew relationships, friendships and burgeoning romances. Even the side characters within the two crews feel distinctive and fleshed out. The ending feels like it could be satisfying enough as a stand-alone, but with enough things left unresolved (and also kind of a cliffhanger!) that left me excited for the possibility of follow-ups.
Other things this book has that made me love it:
I picked up the ARC and am recommending it for purchase for the library where I work. A slow start that focuses on the characters, with breadcrumbs of backstory that give early insight into both their motives and social, cultural, and technological details of a future solar system colonized by humans. The pace ramps up after about 100 pages with some well executed fights and space-chase scenes, without sacrificing some thoughtful exploration of the consequences of capitalism and colonialism on outer space. I appreciated the bi representation; The chemistry between all the characters clearly defines crew relationships, friendships and burgeoning romances. Even the side characters within the two crews feel distinctive and fleshed out. The ending feels like it could be satisfying enough as a stand-alone, but with enough things left unresolved (and also kind of a cliffhanger!) that left me excited for the possibility of follow-ups.
Other things this book has that made me love it:
- Cheeky, nerdy Shakespeare references.
- Romantic tension that is expressed and played out in different ways for the different characters involved. I didn't feel like I was reading the same love story with different faces pasted on. Hope that makes sense?
- Ocean is such a compelling character in my opinion. The moment where she tells another character that she doesn't regret something she did in her past was very powerful to me. I loved the discussion of being able to stand by your own decisions and actions, and the impact that has on her life in both good and bad ways. That steadfastness that might make her seem stubborn, arrogant or (ugh) "unlikeable" is also what makes her crew trust her.
Content Warnings
Graphic: Fire/Fire injury, Grief, and Death of parent
Moderate: Panic attacks/disorders and Gun violence
Minor: Colonisation and Classism
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