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itsapaxycab's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
Graphic: Death and Blood
questingnotcoasting's review
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.0
Graphic: Sexual content, Blood, Death, and Violence
Moderate: Suicide and Mental illness
Minor: Death of parent
thecolouryes's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Sexual content
Moderate: Cursing, Classism, Death, Suicide, and Gore
Minor: Sexism, Self harm, Gun violence, and Mental illness
micheala's review against another edition
4.0
Thankfully, I did end up enjoying it. I think book 1 focused 60/40 on the romance vs plot, book 2 was 30/70, and book 3 is 50/50. Book 1 is a Sunshine/Grump (a trope I love), book 2 is a murder mystery with a side of holiday romance, and book 3 is hate to love (a trope I don't usually enjoy)
Both as an individual book, as well as the conclusion to the trilogy, I think this did a really good job. I liked the character growth we got between Alan and Jake as we/they found out more about each other. I also appreciated that they, like Edward and Robin, got on the same page with a good amount of the book left (~50-60% as opposed to Violet and Maude who didn't manage that until the very end, and ended their book with me unsure if they would keep seeing each other let alone have a HFN never mind a HEA)
From a fantasy perspective, I loved how much worldbuilding we got in this book. Seeing the exploration of the magic was fascinating and definitely increased my enjoyment.
I'm very happy where this trilogy left off, and I'll be interested to see what Marske puts out next - these have all pulled a little more angsty then my personal preference, but the quality is amazing so depending on tropes I'll give the next thing a shot.
Not quite a content warning, but the sexual encounters are all rape fantasies. The two characters have explicite concent and boundaries discussed prior, however if power imbalances and "not" being able to say no is a trigger, I would suggest skipping this.
Moderate: Pregnancy, Suicide, Murder, Police brutality, Violence, Death, Gun violence, Blood, Grief, and Sexual content
preciouslittleingenue's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Moderate: Death
mallorypen's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
The elements that brought this down from a 5 star read were mostly to do with the sprawling cast of characters. I did appreciate that Robin and Edwin played such a large role, and having met Maud and Violet in the last novel it did feel like the whole Scooby gang was finally together. That said, Jack was almost a little hard to follow from book to book, and that made his being one of the protagonists a little challenging at the get go. Similarly, Alan going from a C character to the other main protagonist further complicated my comprehension as a (admittedly) distracted reader.
Much like the second novel, I think reading this series back to back would greatly improve my enjoyment. But, even with gaps between novels and a bit of a slow start, I thoroughly enjoyed this read.
Graphic: Sexual content
Moderate: Death
Minor: Sexual assault
amyalwaysbooked's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
This was an excellent conclusion to the mysteries built up in the first two books of the trilogy. It brought the whole cast together, neatly tied up loose ends while also leaving the future up to the imagination of the reader in the most pleasant way possible.
Jack and Alan might be my favorite couple in the series as I do love a good love/hate relationship. The story never shied away from the power imbalance in their relationship. I think that Marske handled the conversations around it well. The fact that the two of them both enjoyed using that particular topic during sex played nicely as well. The line between bedroom fantasy and the reality of their situation was never blurred which I appreciated.
I also liked how Marske explored various queer relationships and how they might exist in a time when they could not be open in society. Without spoiling too much there is a marriage of convenience, not in the tropey "will-they-won't-they" sort of way, but in the way I imagine many queer people settled during the time. Overall there were a lot of frank conversations about the limitations of society at the time, and even in ways that our society still fails today. I appreciated the dose of realism amidst Marske's fantastical world.
Graphic: Sexual content and Death
Moderate: Gaslighting
Minor: Infidelity
scrubsandbooks's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
The climactic conflict was so fun to read, a good mix of "YAY"s and "OH NO"s and I couldn't put it down when I got to the last 80%. The ending brought all trilogies together perfectly.
Except now I want a spinoff novella of some sort of Adelaide because she deserves the very best.
Graphic: Sexual content
Moderate: Violence and Death
Minor: Gun violence
ladythana's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Sexual content and Grief
Moderate: Bullying, Death, Police brutality, Classism, Suicide, Murder, Blood, and Toxic relationship
Minor: Mental illness, Injury/Injury detail, Torture, Rape, Pregnancy, and Emotional abuse
booksthatburn's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
The first chapter cements George as not only the detestable and power-hungry person shown into the earlier books, but truly vicious and uncaring in pursuit of his aims. There's something extra terrible in the way he destroyed Elsie and Jack's lives and then was so concerned with hiding what he'd done that he laid a secret-bind on both of them and didn't give a shit what became of them afterwards. Now, with a trail of the dead in George's wake, Jack and his strange new group of friends have one last chance to stop him once and for all.
Much of the magical worldbuilding was set up in the first two books, but there's a focus on class dynamics which is made possible by Alan's perspective when juxtaposed with the richer and titled members of the group. For all the Blythe's money troubles, they're on a vastly different scale than whether Alan's family will starve due to accident or injury. That perspective helps make obvious that the Last Contract was meant to accomplish something it's no longer really doing, and enables the group to come up with new solutions as things spin wildly out of control.
A POWER UNBOUND is (somehow) even sexier that A MARVELLOUS LIGHT and A RESTLESS TRUTH, or maybe this is just a sign that my tastes run closer to Alan's than any of the previous protagonists. Good sex scenes provide character development in addition to titillation. Great sex scenes are so seamlessly a part of character development that to skip them would be to miss something crucial, fervent, and deeply personal about the characters involved. Jack and Alan's relationship is one of playing with power dynamics and trusting that the other person won't cross any lines, that fantasies made flesh are a wonderful kind of vulnerability, and that consent can be withdrawn mid-scene. They get the thrill of fighting without being in true danger, though it takes a while for Alan to be sure enough of Lord Hawthorne that he can accept this vulnerability with Jack. For his part, Jack is enjoying the extra level of intimacy which comes from having unknowingly read Alan's work for years, now able to use that knowledge erotically and to devastating effect.
A POWER UNBOUND is a satisfying ending to a great trilogy. The epilogue is a perfect snapshot of everyone, I cackled at Alan's attempt at an interview after the big event. I'm eager for whatever Freya Marske writes next.
Graphic: Classism, Blood, Death, Sexual content, Violence, Murder, and Cursing
Moderate: Sexism, Suicide, Pregnancy, Injury/Injury detail, and Torture
Minor: Rape, Gore, Vomit, Gun violence, Grief, Sexism, Racism, Infidelity, and War