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This book is one of my favorite of all time. Capote's mastery of the English language is awe-inspiring. His ability to tell a story is also awe-inspiring.
I'm almost literally speechless about how much I love this book. It's one of those books that is so amazing that English doesn't even have the proper words to describe it.
This book is to Truman Capote's childhood as what To Kill a Mockingbird is to Harper Lee's childhood. (A side note: TKaM is my favorite book of all time.) It's a fictionalized account of what happened when he was younger.
Do yourself a favor and read this. It truly is spectacular.
I'm almost literally speechless about how much I love this book. It's one of those books that is so amazing that English doesn't even have the proper words to describe it.
This book is to Truman Capote's childhood as what To Kill a Mockingbird is to Harper Lee's childhood. (A side note: TKaM is my favorite book of all time.) It's a fictionalized account of what happened when he was younger.
Do yourself a favor and read this. It truly is spectacular.
adventurous
slow-paced
Maybe it's because of my age, but I found myself struggling to understand parts of this book. I really enjoy Capote's later works and thought I may give this one a try. I think I'll try again when I'm older but for now I'm going to move on to other books.
challenging
slow-paced
Plot or Character Driven:
Character
Strong character development:
Yes
Loveable characters:
No
Diverse cast of characters:
Yes
Flaws of characters a main focus:
No
I loved the prose in this book, and the Southern Gothic themes were hauntingly beautiful. The descriptions of the muggy summer heat, buzzing mosquitos, and opulent but dilapidated rooms had me feeling like I could really experience the environment, and it was interesting to see how that created an unsettling feeling for the reader (aka me). However, the plot sometimes felt a little lackluster, seemingly jumping from one event to another without much of a driving force that was leading us somewhere. It's also unclear to me where the climax of the story was meant to fall; the sudden reveal from Randolph felt unexpected and underwhelming, and then the eventual conclusion of the book didn't seem to relate very clearly to the main theme of the book, which was Joel's desire to be loved. Overall though, the experience of reading this book was quite lovely and interesting, and I'm curious to see if rereading it at some point will make more of the plot-related choices make sense to me.
mysterious
reflective
sad
slow-paced
Plot or Character Driven:
Character
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Complicated
would be perfect if not for the racism
Graphic: Racial slurs, Racism
Moderate: Rape
Minor: Homophobia
I just can't get over Capote's ability to turn the English language into a work of art. Each sentence is as beautiful as poetry, and yet it still reads like a novel. Brilliant.
dark
emotional
mysterious
sad
tense
medium-paced
Plot or Character Driven:
Character
Strong character development:
Yes
Loveable characters:
Complicated
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes
dark
mysterious
slow-paced
Plot or Character Driven:
Plot
Strong character development:
N/A
Loveable characters:
No
Diverse cast of characters:
Complicated
Flaws of characters a main focus:
No
dark
emotional
mysterious
medium-paced
Plot or Character Driven:
Character
Strong character development:
Yes
Loveable characters:
Complicated
Flaws of characters a main focus:
Yes
Gave this book to a friend for xmas, decided to read it myself as well. I've been watching this season of Feud about Capote and last year I listened to the audiobook of In Cold Blood. I had always wanted to try out Capote's other books, but never gotten around to it. So finally, I embarked on reading this his first novel. I read a little bit about its publication and how it got rave reviews, published when Capote was 24, southern gothic blah blah. His editor compared it to huck finn, but to me the gothic elements really played out a lot more. In fact, its so gothic it struck me as being more akin to Wuthering Heights than Twain. I saw some kinship to Faulkner and O'Connor, and probably McCullers, if I had read any of her. Despite the influences, Capote does seem to spearhead his own style, with flashes of what we may call brilliance. My friend especially appreciated the "tactile" prose, of course that is just to say that he can describe a scene. I viewed that more as a symptom of the gothic, which at times was so pointed that it seemed gaudy in the case of descriptions or maudlin in the case of characters. This, with the poorly constructed connections between the episodes of the book, created for me a sort of unstable narrative that was nevertheless striking. Some of the more poignant themes of the book seemed to be overshadowed by their dramatic telling-again a feature of gothic.
Overall I did enjoy the book. It read easily and is fairly short, but I had hoped for something slightly more coherent at risk of extending the page count. Maybe I should be happy at what it is. It does very much seem like a debut effort at a novel, and obviously his prose improved since then. It's hard to level any of these criticisms at In Cold Blood, but that is a very different genre. I suppose more than anything Capote's personality characterizes this novel.
Overall I did enjoy the book. It read easily and is fairly short, but I had hoped for something slightly more coherent at risk of extending the page count. Maybe I should be happy at what it is. It does very much seem like a debut effort at a novel, and obviously his prose improved since then. It's hard to level any of these criticisms at In Cold Blood, but that is a very different genre. I suppose more than anything Capote's personality characterizes this novel.
adventurous
challenging
medium-paced
Plot or Character Driven:
Plot
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes