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theequestrianslibrary's review against another edition
adventurous
dark
informative
reflective
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
**DISCLAIMER: This may or may not be a full list of every trigger/content warning found in the book, Ariadne by Jennifer Saint. Please take this list with a grain of salt as the book is a Greek Mythology retelling. Some triggers and content warnings may contain spoilers!
To start, as I'm rewriting this review a second time because I accidentally deleted the first one, I was very happy to see a retelling of a Greek Myth that wasn't Persephone & Hades (though I do love that pairing immensely.) For about the first 1/3 of the book, I was unaware this WAS a retelling, but that may have simply been my own oversight, considering the names Theseus and the Minotaur were also mentioned. I digress.
After about 1/3 of the book, I did do a search to see if the main characters, Ariadne and Phaedra, were in fact real characters in these Greek myths. Because of this, I discovered they were and carried on with reading, though now I had some additional information such as pertaining to who ended up with who based on the legend.
The book's writing retains a "formal, prose-y" type of speech, especially when characters are talking. There weren't very many instances that I was confused by a word or a phrase, but did take note of how the characters spoke. The descriptions of scenes and setting was flowery, and as a more flowery writer myself, I tend to appreciate this type of description. However, there were instances in the book, mostly in the first 1/2 that involved numerous references back to past events in the characters' lives. While this is usually fine, it did get a point where it felt very repetitive and almost annoying. By annoying, I mean, "Yes, yes, we know this happened to them, we've been over this, [...]" etc. Etc.
The book also utilizes timeskips. For most of the book, you have no idea how long has actually passed between the very first chapter, to the very end of the book. You actually do not find out how much time has passed until the very last 5 or so chapters. Which, some of the ending chapters were extremely short, some having only two pages, while others earlier on were bordering having ten. While short chapters can be useful in short, choppy scenes, it felt rushed and like larger plot points were simply ran past, in a way that was very reminiscent of, "Oh, okay, we're already past that then." Admittedly, this may have affected my reaction to the end, as well as my brief research into the character' original identities.
When the book ended, I did not feel any overwhelming emotions. I was simply ready for the next one, unlike other books that can leave you in emotional disarray for days on end. I didn't dislike the book, but I would border it more to a 3.5 rather than a 3. The book, to me personally, feels like a one-off. You read it, mark it off your list, and then keep it on the shelf for its pretty cover. I would recommend it simply because it is a retelling of a myth not often touched upon, as it's a good one to simply sit down, read, and enjoy for what it is.
To start, as I'm rewriting this review a second time because I accidentally deleted the first one, I was very happy to see a retelling of a Greek Myth that wasn't Persephone & Hades (though I do love that pairing immensely.) For about the first 1/3 of the book, I was unaware this WAS a retelling, but that may have simply been my own oversight, considering the names Theseus and the Minotaur were also mentioned. I digress.
After about 1/3 of the book, I did do a search to see if the main characters, Ariadne and Phaedra, were in fact real characters in these Greek myths. Because of this, I discovered they were and carried on with reading, though now I had some additional information such as pertaining to who ended up with who based on the legend.
The book's writing retains a "formal, prose-y" type of speech, especially when characters are talking. There weren't very many instances that I was confused by a word or a phrase, but did take note of how the characters spoke. The descriptions of scenes and setting was flowery, and as a more flowery writer myself, I tend to appreciate this type of description. However, there were instances in the book, mostly in the first 1/2 that involved numerous references back to past events in the characters' lives. While this is usually fine, it did get a point where it felt very repetitive and almost annoying. By annoying, I mean, "Yes, yes, we know this happened to them, we've been over this, [...]" etc. Etc.
The book also utilizes timeskips. For most of the book, you have no idea how long has actually passed between the very first chapter, to the very end of the book. You actually do not find out how much time has passed until the very last 5 or so chapters. Which, some of the ending chapters were extremely short, some having only two pages, while others earlier on were bordering having ten. While short chapters can be useful in short, choppy scenes, it felt rushed and like larger plot points were simply ran past, in a way that was very reminiscent of, "Oh, okay, we're already past that then." Admittedly, this may have affected my reaction to the end, as well as my brief research into the character' original identities.
When the book ended, I did not feel any overwhelming emotions. I was simply ready for the next one, unlike other books that can leave you in emotional disarray for days on end. I didn't dislike the book, but I would border it more to a 3.5 rather than a 3. The book, to me personally, feels like a one-off. You read it, mark it off your list, and then keep it on the shelf for its pretty cover. I would recommend it simply because it is a retelling of a myth not often touched upon, as it's a good one to simply sit down, read, and enjoy for what it is.
Content Warnings
Graphic: Incest
Moderate: Genocide, Kidnapping, Violence, War, Abandonment, Alcoholism, Animal death, Confinement, Animal cruelty, Blood, Gore, Injury/Injury detail, Death, Misogyny, Murder, Pregnancy, Rape, Suicidal thoughts, and Toxic relationship
Minor: Abandonment
Abandonment, Abuse/Neglect, Alcohol Consumption, Animal Cruelty/Abuse/Tortue, Animal Death, Arranged Marriage, Asphyxia/Strangulation/Hanging, Pseudo-Banishment/Exile, Bestiality, Blood/Gore Descriptions, Childbirth, Dead Bodies/Body Parts, Death of a Parent, Death of a Sibling, Grief/Loss Depictions, Genocide, Psuedo-Incest (Stepmom/Stepson), Pregnancy (Wanted/Unwanted), Rape/Sexual Assault, Suicide (via Hanging), Suicidal Ideation, Starvation/Dehydration Depictionsbooksthatburn's review against another edition
It begins with many descriptions of backstory, almost all of which involve events of sexual and misogynistic violence. They're all from various myths I'm familiar with, but it was too much at once for me.
Content Warnings
Moderate: Pregnancy, Child death, Misogyny, Kidnapping, Violence, Sexism, and Death
Minor: Animal death, Mental illness, Rape, and Animal cruelty
TW for bestiality (backstory).rackle's review against another edition
dark
emotional
reflective
sad
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
3.5
Content Warnings
Moderate: Rape, Suicide, Suicidal thoughts, Kidnapping, Child death, Death, and Animal death
claudiamacpherson's review against another edition
adventurous
dark
emotional
hopeful
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
Theseus may be one of the most famous heroes of Greek mythology, but this retelling shows us Ariadne’s side of the story.
Before reading Ariadne, I only knew of the titular character for her role in Theseus’ escape from the labyrinth. I was surprised by both the rest of Ariadne’s story and my ignorance of it; the twists and turns—especially Ariadne’s eventual marriage—make for a dramatic story. The Olympians are usually so cruel and capricious, both so much more and so much less than human. So it was interesting to see Dionysus, the god of wine and madness, no less, acting so compassionately to human women. And, though I was not surprised, his betrayal and the violence he used in pursuit of more power was a disappointment.
Happy ending meter (no specific spoilers, just the vibe of the ending): Not happy at all. Even though the ending is tragic, it feels inevitable, which tempers the sadness somewhat.
Content Warnings
Graphic: Abandonment, Alcohol, Animal cruelty, Animal death, Blood, and Death
Moderate: Child death, Death of parent, Gore, Suicide, Toxic relationship, Vomit, War, Emotional abuse, Grief, Incest, Infidelity, Injury/Injury detail, Misogyny, Pregnancy, Self harm, Violence, Gaslighting, Kidnapping, Murder, Rape, Religious bigotry, and Sexual violence
unboxedjack's review against another edition
emotional
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
1.0
I'm sorry, but to put this book among the pantheon of Circe or The Silence of the Girls is an insult. I suppose if you're looking for a quasi modern re-telling of Greek myth with an uneven plot, stilted dialogue, and little feminist insight, this is the right book for you. As for me, I'm highly disappointed.
Content Warnings
Minor: Animal death, Animal cruelty, Blood, Child abuse, Child death, Death, Death of parent, Emotional abuse, Forced institutionalization, Gore, Grief, Infidelity, Kidnapping, Misogyny, Murder, Pregnancy, Rape, Sexism, Sexual assault, Sexual violence, Suicide, Toxic relationship, and Violence
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