Scan barcode
cat1586's review against another edition
2.0
This book was such a let down compared to the other two. I initially picked this series up because it wasn't your standard doe eyed girl meets incompatible/supernatural boy and proceeds to trip all over herself, nonsense. Well, this book made up for what the first two lacked in said nonsense. It was so hard to get through. Everything I loved about Penryn in the first two books was eclipsed, or just outright replaced by the exact doe eyed nonsense I had thought I was avoiding with this series.
I could go on, but I've spent enough time on this series now. Read at your own risk. By no means is it the worst of the teen anxiety drama out there, but if you think you've finally found a level headed heroine that isn't going to embarrass the female gender with her hormonal driven brain, you would be wrong.
I could go on, but I've spent enough time on this series now. Read at your own risk. By no means is it the worst of the teen anxiety drama out there, but if you think you've finally found a level headed heroine that isn't going to embarrass the female gender with her hormonal driven brain, you would be wrong.
heatherlovesreading's review against another edition
adventurous
dark
medium-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
laurarmz's review against another edition
3.0
Don’t care what people say; I had fun with this book. It wasn’t a masterpiece, and the sexy scenes definitely felt like some editor insisted and the author just smuggled them into existing scenes, but I’m still happy, still love the characters and am glad that I picked this up.
kittybeemartin's review against another edition
adventurous
emotional
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
5.0
A perfect ending
ingo_lembcke's review against another edition
4.0
“These are the rules we live by. We are soldiers, Penryn. Legendary warriors willing to make legendary sacrifices. We do not ask. We do not choose.”
Actually I should just finish this. Actions-Scenes, fights are great. Rest of story so-so.
Also, while there are no Zombies per se, the Changed People and the Resurrected are bad enough.
The election who from the Angels gets to be leader gets even worse, not to spoil the story, but I could do without.
My main reason for reading this was that I somehow got the impression this gets made into a movie, ok, it is planned: News from November 2012. Now after reading this, I am not too sure I want to watch a movie (let alone 3) from this material. Liking some of Sam Raimi & Rob Tapert's works (Xena, Evil Dead etc.), I can only guess how they should film it: bloody and brutal as the book describes some scenes, or toned down to get a greater audience. Both is not possible, and with dark and gritty dystopia these books describe, a toned down version would not do it justice. Wether even I would enjoy such a movie, I am not too sure.
But then again, I am not finished yet with this book.
Hm, so now the final thoughts after finishing this - finally.
As said before, the fight scenes where very well done, vivid and bloody.
Romance was ok, though a bit obvious, and no-sex scenes, very tame in contrast to the brutal and blood fights, for that I would have expected more. That might be my upbringing, but I never understand why the Americans do not mind brutal and bloody, even sadistic scenes, but shy away from nudity and sex, as a movie this might have been rated FSK 18 (adults-only, NC-17 or even X in USA) in Germany, but probably PG-13 (comparable to our FSK 12) in USA.
The trilogy as a whole is a fast read, I just took my time, as I saw the structure and the end was as guessed. There could have been some twist, or more back-story, more philosophical pondering or or or, I am not sure, but writing this, 4 stars feel a little too much. More like 3.5 rounded up. As it was good entertainment, with short chapters I stand by the 4 stars but can understand when some might not feel these warranted.
No love triangle, no unnecessary swearing, no sex, also nothing risky, like LGBT, feels a bit tame in that way (almost PC). Not really sure whom I would recommend it to.
bookph1le's review against another edition
2.0
For me, this book was thoroughly meh. I disliked it for a stretch, but I give the ending major props. Complete review to come.
Full review:
Major spoilers ahead, folks. Read at your own risk.
What is it with these YA books that cause me so much cognitive dissonance? I find it so bizarre when I read a book, adore it, eagerly anticipate the sequels, and am ultimately left dazed and confused, wondering how the heck I got here in the first place. It's like I got on a plane to go on a trip to Paris but when I disembark I find myself slogging through sewers. I'm very sorry to say that Penryn and the End of Days fits this bill. The first book was so amazing, and I loved it and gushed over it so much that I keep wondering if I was hallucinating or something, because I sure don't want to gush over this book. Where the second book was disappointing, this one was a complete letdown.
What happened to Penryn? When did her personality transplant occur? I don't remember too much about the second book, other than that I didn't like it much and was afraid it was going in a bad direction, so I can't speak to her character in that book. I do remember, though, that the character in this book bears very little resemblance to the character in that first book. Penryn goes from hard and kick ass, responsible for protecting her family, to a self-absorbed lovesick teenager. What gives? I could totally understand her feeling some ambivalence about the drastic change her sister has gone through, and this book gives some lip service to Penryn's wanting to save her, but mostly she doesn't worry about it because she's too busy mooning over Raffe.
Why? Why do YA novels do this constantly? Yes, we're idiots in love, and, yes, love can make us do stupid things, but when young women are dedicated to something and committed to it, falling in love is not going to make them chuck everything else away with both hands. I really hate when authors sell female characters short like this. I really hate when they continue to reinforce the message that the most important thing in a woman's life is to be loved by a really, really hot guy. I'm not saying that people don't make sacrifices for love, because they do, and sometimes women do give up everything for someone they love. What I am saying is, does it occur to YA authors ever that it's possible for women to find a balance? To be in a meaningful, passionate relationship yet still manage to be focused on other goals? If you read YA, you wouldn't think so, and yet real world examples are plentiful.
I was so frustrated and sometimes angry with certain aspects of this novel. The biggest, most egregious example comes about when Penryn manipulates Raffe's hand so he's fondling her while he sleeps. This is not okay. Ever. Under no circumstances is this behavior okay. Period. Ever. She does not have the right to willfully violate him by having him do something he's made clear he doesn't want to do. If the situation were reversed and she woke up to his having manipulated her into fondling him, I can imagine the uproar. Yet this book makes it sound like it's okay because she's a woman and he's a man and men always want it? No. No, no, no, no, no. No.
Eventually, though, she somehow manages to wear Raffe down because, again, apparently people in books are never ever able to sacrifice their romantic inclinations for their larger ambitions or beliefs. Whatever. That aside, I could not get over how insane I thought it was when, trapped in a hellscape from which they must escape or face eternal torment and torture depicted in very graphic terms, Penryn and Raffe take advantage of being alone to make out. What? In what reality would anyone facing mortal peril decide to get frisky rather than trying to figure out how to save their own skin? If you're going to add romance to a book like this, it needs to be done in quiet moments, when the characters have a breather from the constant danger in their lives, not when they're in the middle of a dire situation. It's nonsensical.
So many other elements of the book take a backseat to Penryn's annoying swooning over Raffe. She does feel twinges of conscience here and there, but they never stop her from doing idiotic things, nor do they instill in her a sense of urgency to actually act. The plot basically consists of Penryn and co rushing from one disaster scenario to another all while Penryn thinks about how great Raffe's abs are. It gets old very quickly because I never once had the sense that I ought to worry about any of it. I don't need to worry when locust husks burst out from the ground during the show Uriel puts on, because Penryn is more concerned with how magnificent Raffe looks. I don't need to worry about Penryn, Raffe, and his warriors being trapped by Pit bosses because Raffe is just so darn hot. I don't need to worry about Penryn's sister possibly starving to death because Raffe's wings really need to get sewn onto his back before they wither completely. Yes, secondary characters are there, but they exist on the periphery of Penryn's consciousness because her main concern is always Raffe. What happened to the girl in the first book, the one who was willing to face off against an angel so that she could save her sister? Oh, right, she's now busy swooning over that angel and so has no time to be as concerned about Paige's condition as she should be.
It's so obvious that this book has shifted from a post-apocalyptic narrative to a romance novel, which makes so many other elements feel forced. Tweedledum and Tweedledee really got on my nerves because their "banter" never comes close to feeling organic. They're there to add color, to help smooth the edges of the unrelentingly graphic and grotesque nature of what's happening in the book--not that any of that matters because, again, Raffe is hot. The twins felt so stereotypical to me, and their behavior was flat-out annoying.
I won't go into the ending. I just can't. I was consumed with disbelief when I read it. I tried really hard to ignore that, to look at the talent show as being an out-of-the-box plan, but I just really failed. There were many opportunities for humanity to shine at other stages in the book, but it never does. Instead, it puts on a talent show at zero hour. How this was a legitimate battle plan, I'll never understand. Humanity makes its last stand courtesy of ballet and acoustical guitar performances, with a little help from stage lighting and really loud rock music. Yeah, that happened.
So why two stars instead of one? Well, there are some things I think this book did right, which makes everything wrong with it all that much more disappointing. For one, I like that the humans in the book don't all get along and band together. I like that Penryn is still capable of looking unflinchingly at humanity, knowing it's often bad and selfish and mean, but still doesn't deserve total annihilation. I like that she understands that Raffe's objectives might not mesh with hers, and that she gets why he feels that way. I just don't like that it leads to her doing stupid, stupid things. I like that the ending isn't all unicorns and rainbows, that the world is crappy and has a long way to go. There's an intense realism to these books that I admire, especially when plenty of other YA airbrushes the bad, pulling things back just enough that it doesn't get too scary or bleak for its characters.
This series had so much potential that it's especially painful to see it all wasted. It's not that the romance shouldn't have happened, it's that the romance was poorly done within the world's context. It's that, while the book does go into some interesting moral questions, none of that is given any real page space or substance because it's quickly pushed aside in favor of standard, run-of-the-mill teen romantic angst. This series could have been so much more, but instead it's relegated itself to the realm of the forgettable and generic.
Full review:
Major spoilers ahead, folks. Read at your own risk.
What is it with these YA books that cause me so much cognitive dissonance? I find it so bizarre when I read a book, adore it, eagerly anticipate the sequels, and am ultimately left dazed and confused, wondering how the heck I got here in the first place. It's like I got on a plane to go on a trip to Paris but when I disembark I find myself slogging through sewers. I'm very sorry to say that Penryn and the End of Days fits this bill. The first book was so amazing, and I loved it and gushed over it so much that I keep wondering if I was hallucinating or something, because I sure don't want to gush over this book. Where the second book was disappointing, this one was a complete letdown.
What happened to Penryn? When did her personality transplant occur? I don't remember too much about the second book, other than that I didn't like it much and was afraid it was going in a bad direction, so I can't speak to her character in that book. I do remember, though, that the character in this book bears very little resemblance to the character in that first book. Penryn goes from hard and kick ass, responsible for protecting her family, to a self-absorbed lovesick teenager. What gives? I could totally understand her feeling some ambivalence about the drastic change her sister has gone through, and this book gives some lip service to Penryn's wanting to save her, but mostly she doesn't worry about it because she's too busy mooning over Raffe.
Why? Why do YA novels do this constantly? Yes, we're idiots in love, and, yes, love can make us do stupid things, but when young women are dedicated to something and committed to it, falling in love is not going to make them chuck everything else away with both hands. I really hate when authors sell female characters short like this. I really hate when they continue to reinforce the message that the most important thing in a woman's life is to be loved by a really, really hot guy. I'm not saying that people don't make sacrifices for love, because they do, and sometimes women do give up everything for someone they love. What I am saying is, does it occur to YA authors ever that it's possible for women to find a balance? To be in a meaningful, passionate relationship yet still manage to be focused on other goals? If you read YA, you wouldn't think so, and yet real world examples are plentiful.
I was so frustrated and sometimes angry with certain aspects of this novel. The biggest, most egregious example comes about when Penryn manipulates Raffe's hand so he's fondling her while he sleeps. This is not okay. Ever. Under no circumstances is this behavior okay. Period. Ever. She does not have the right to willfully violate him by having him do something he's made clear he doesn't want to do. If the situation were reversed and she woke up to his having manipulated her into fondling him, I can imagine the uproar. Yet this book makes it sound like it's okay because she's a woman and he's a man and men always want it? No. No, no, no, no, no. No.
Eventually, though, she somehow manages to wear Raffe down because, again, apparently people in books are never ever able to sacrifice their romantic inclinations for their larger ambitions or beliefs. Whatever. That aside, I could not get over how insane I thought it was when, trapped in a hellscape from which they must escape or face eternal torment and torture depicted in very graphic terms, Penryn and Raffe take advantage of being alone to make out. What? In what reality would anyone facing mortal peril decide to get frisky rather than trying to figure out how to save their own skin? If you're going to add romance to a book like this, it needs to be done in quiet moments, when the characters have a breather from the constant danger in their lives, not when they're in the middle of a dire situation. It's nonsensical.
So many other elements of the book take a backseat to Penryn's annoying swooning over Raffe. She does feel twinges of conscience here and there, but they never stop her from doing idiotic things, nor do they instill in her a sense of urgency to actually act. The plot basically consists of Penryn and co rushing from one disaster scenario to another all while Penryn thinks about how great Raffe's abs are. It gets old very quickly because I never once had the sense that I ought to worry about any of it. I don't need to worry when locust husks burst out from the ground during the show Uriel puts on, because Penryn is more concerned with how magnificent Raffe looks. I don't need to worry about Penryn, Raffe, and his warriors being trapped by Pit bosses because Raffe is just so darn hot. I don't need to worry about Penryn's sister possibly starving to death because Raffe's wings really need to get sewn onto his back before they wither completely. Yes, secondary characters are there, but they exist on the periphery of Penryn's consciousness because her main concern is always Raffe. What happened to the girl in the first book, the one who was willing to face off against an angel so that she could save her sister? Oh, right, she's now busy swooning over that angel and so has no time to be as concerned about Paige's condition as she should be.
It's so obvious that this book has shifted from a post-apocalyptic narrative to a romance novel, which makes so many other elements feel forced. Tweedledum and Tweedledee really got on my nerves because their "banter" never comes close to feeling organic. They're there to add color, to help smooth the edges of the unrelentingly graphic and grotesque nature of what's happening in the book--not that any of that matters because, again, Raffe is hot. The twins felt so stereotypical to me, and their behavior was flat-out annoying.
I won't go into the ending. I just can't. I was consumed with disbelief when I read it. I tried really hard to ignore that, to look at the talent show as being an out-of-the-box plan, but I just really failed. There were many opportunities for humanity to shine at other stages in the book, but it never does. Instead, it puts on a talent show at zero hour. How this was a legitimate battle plan, I'll never understand. Humanity makes its last stand courtesy of ballet and acoustical guitar performances, with a little help from stage lighting and really loud rock music. Yeah, that happened.
So why two stars instead of one? Well, there are some things I think this book did right, which makes everything wrong with it all that much more disappointing. For one, I like that the humans in the book don't all get along and band together. I like that Penryn is still capable of looking unflinchingly at humanity, knowing it's often bad and selfish and mean, but still doesn't deserve total annihilation. I like that she understands that Raffe's objectives might not mesh with hers, and that she gets why he feels that way. I just don't like that it leads to her doing stupid, stupid things. I like that the ending isn't all unicorns and rainbows, that the world is crappy and has a long way to go. There's an intense realism to these books that I admire, especially when plenty of other YA airbrushes the bad, pulling things back just enough that it doesn't get too scary or bleak for its characters.
This series had so much potential that it's especially painful to see it all wasted. It's not that the romance shouldn't have happened, it's that the romance was poorly done within the world's context. It's that, while the book does go into some interesting moral questions, none of that is given any real page space or substance because it's quickly pushed aside in favor of standard, run-of-the-mill teen romantic angst. This series could have been so much more, but instead it's relegated itself to the realm of the forgettable and generic.
rye12389's review against another edition
adventurous
emotional
funny
tense
fast-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
magencorrie's review against another edition
4.0
4 stars
My Review:
I feel madly in love with this series when I first read Angelfall, having stumbled upon it while on Goodreads one day, and now it has come down to the last book. And I can say that I have loved every book, loved being in the world Susan created, getting to know the characters, watch them grow, overcome, survive, and it was been such a bittersweet experience.
End of Days was a whirlwind of action, adventure, and growth for all the characters. Though it did take me a while to pick up the book (I didn’t want to say goodbye), I think that Susan wrapped up the story nicely. Closing the plot, taking care of the storyline, and giving the characters a bright future. Though I didn’t feel like everything was explained fully, I also didn’t feel like I was left hanging.
The world that Susan created was simplistic yet eerily dark and dreadfully real. I got swept up in her dyspotian world with each book, fall in love with a cocky Archangel, and grew close to a strong and determined heroine. The growth throughout the entire series was amazing to watch, especially when it came to Raffe. I adored him from the moment I meet him in the first book and was so in love with him by this one.
The growth and development between Penryn and Raffe was another factor, other than the world Susan created, that I couldn’t get enough of. Penryn and Raffee, Daughter of Man and Archangel. Their connection can be nothing more than enemies, especially in a world at war. But the push and pull, the connection they shared, the intensity that sparked between them could never be denied. I loved watching them overcome the obstacles they faced and find their places beside each other. Though it was an emotional ride, where they were by the end of the book made my heart sing. I loved their journey, watching them grow as individuals,as acquaintances, as friends, and then more. Watching Raffee step up, watching Penryn just being by his side. Their banter, their personalities, was something else I just couldn't get enough of.
The rest of the characters in the series also make an appearance, along with quite a few new faces. Though they each strive, suffer, and fight, I found them all admirable. Especially Penryn. And though my heart did ache for Penryn’s sister, and a few other characters, I was happy with their endings.
The ending was wrapped up nicely, leaving me happy, yet also wishing for more. Like the rest of the series, the pacing was fast, the writing style very straight forward, simple in description, yet so realistic in the imagery and the emotions I just couldn’t help but get swept away. And though the epilogue wasn’t exactly what I was hoping for, it was still a lovely glimpse into their lives after the war finally ended.
I hate to say goodbye to this series, but I know I'll be re-reading it whenever I can because Susan created a world I just loved getting lost in, characters I have fallen madly in love with, and an journey of courage, heart, love, and pure determination I couldn’t get enough of.
My Review:
I feel madly in love with this series when I first read Angelfall, having stumbled upon it while on Goodreads one day, and now it has come down to the last book. And I can say that I have loved every book, loved being in the world Susan created, getting to know the characters, watch them grow, overcome, survive, and it was been such a bittersweet experience.
End of Days was a whirlwind of action, adventure, and growth for all the characters. Though it did take me a while to pick up the book (I didn’t want to say goodbye), I think that Susan wrapped up the story nicely. Closing the plot, taking care of the storyline, and giving the characters a bright future. Though I didn’t feel like everything was explained fully, I also didn’t feel like I was left hanging.
The world that Susan created was simplistic yet eerily dark and dreadfully real. I got swept up in her dyspotian world with each book, fall in love with a cocky Archangel, and grew close to a strong and determined heroine. The growth throughout the entire series was amazing to watch, especially when it came to Raffe. I adored him from the moment I meet him in the first book and was so in love with him by this one.
The growth and development between Penryn and Raffe was another factor, other than the world Susan created, that I couldn’t get enough of. Penryn and Raffee, Daughter of Man and Archangel. Their connection can be nothing more than enemies, especially in a world at war. But the push and pull, the connection they shared, the intensity that sparked between them could never be denied. I loved watching them overcome the obstacles they faced and find their places beside each other. Though it was an emotional ride, where they were by the end of the book made my heart sing. I loved their journey, watching them grow as individuals,as acquaintances, as friends, and then more. Watching Raffee step up, watching Penryn just being by his side. Their banter, their personalities, was something else I just couldn't get enough of.
The rest of the characters in the series also make an appearance, along with quite a few new faces. Though they each strive, suffer, and fight, I found them all admirable. Especially Penryn. And though my heart did ache for Penryn’s sister, and a few other characters, I was happy with their endings.
The ending was wrapped up nicely, leaving me happy, yet also wishing for more. Like the rest of the series, the pacing was fast, the writing style very straight forward, simple in description, yet so realistic in the imagery and the emotions I just couldn’t help but get swept away. And though the epilogue wasn’t exactly what I was hoping for, it was still a lovely glimpse into their lives after the war finally ended.
I hate to say goodbye to this series, but I know I'll be re-reading it whenever I can because Susan created a world I just loved getting lost in, characters I have fallen madly in love with, and an journey of courage, heart, love, and pure determination I couldn’t get enough of.
diana_garni's review against another edition
5.0
God I think I'm going to cry. It can't be over. No way it is. Why? Seriously. Why?
jillian_jiggs3's review against another edition
adventurous
challenging
dark
emotional
hopeful
reflective
sad
tense
fast-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.25