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certifiedmalpal's review
adventurous
funny
inspiring
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.5
mikewardevrybdy's review against another edition
4.0
This book was a struggle to read at various points and glad I finally finished it. It was all over the place, when it was good it was brilliant and when it wasn’t so good it made you keep reading hoping for more greatness to show up soon.
cyrkenstein's review against another edition
adventurous
challenging
emotional
funny
inspiring
lighthearted
mysterious
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.0
Ha ha ho ho and hee hee.
caitie711's review against another edition
adventurous
challenging
dark
funny
informative
reflective
sad
tense
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
book_concierge's review against another edition
2.0
Book on CD read by Michael Nouri
From the book jacket: The whooping crane rustlers are girls. Young girls. Cowgirls, as a matter of fact, all “bursting with dimples and hormones”—and the FBI has never seen anything quite like them. Yet their rebellion at the Rubber Rose Ranch is almost overshadowed by the arrival of the legendary Sissy Hankshaw, a white-trash goddess literally born to hitchhike, and the freest female of them all.
My Reactions
The last time (which was also the first time) I read anything by Tom Robbins was in 2002. It was for my F2F book club, or I don’t think I would have picked it up on my own. I vaguely remembered it was a strange plot but I enjoyed the writing style. My reactions to his writing haven’t changed.
Robbins writes ridiculously absurd storylines, interspersed with long discourses on philosophy, religion, history, etc. His characters are bigger than life and virtually all of them have some unique quirk – physical or philosophical. The “stars” of this novel are Sissy (born with extraordinarily large thumbs, perfect for hitchhiking), the Countess (a man whose business empire is built on feminine hygiene products), Bonanza Jellybean (a teenage cowgirl on the Rubber Rose Ranch), and the Chink (a Japanese American who has befriended the Native American clock people and become a sort of guru to a variety of hippie pilgrims). Oh, and let’s not forget the whooping cranes who stop at Siwash Lake on the Rubber Rose Ranch on their way to and from their traditional winter and summer nesting grounds.
If you’re having trouble figuring out how such a diverse cast could come together in a coherent plot, well, stop trying. You’ll just give yourself a headache. Robbins is nothing if not inventive in his plotting. Where his writing shines, though is in his wild descriptions / similes. A few examples:
The breeze in the grasses made a sound like a silk-lined opera coat falling to the floor of a carriage.
The sky was as tattered as a Gypsy’s pajamas. Through knife holes in the flannel overcast, July sunlight spilled…
[T]he Countess complained, his dentures working over his ivory cigarette holder like a chiropractor realigning the spine of a Chihuahua.
Entertained as I was by the occasional wild description and laugh-out-loud moment, however, in general I was bored by the book. All those interludes to wax poetic about this or that philosophy seemed nothing but an attempt to distract the reader from the lack of a story. Clearly, Robbins is not the writer for me.
Michael Nouri’s performance on the audio is wonderful. He has great pacing, and the way he interprets certain characters brings them to life.
From the book jacket: The whooping crane rustlers are girls. Young girls. Cowgirls, as a matter of fact, all “bursting with dimples and hormones”—and the FBI has never seen anything quite like them. Yet their rebellion at the Rubber Rose Ranch is almost overshadowed by the arrival of the legendary Sissy Hankshaw, a white-trash goddess literally born to hitchhike, and the freest female of them all.
My Reactions
The last time (which was also the first time) I read anything by Tom Robbins was in 2002. It was for my F2F book club, or I don’t think I would have picked it up on my own. I vaguely remembered it was a strange plot but I enjoyed the writing style. My reactions to his writing haven’t changed.
Robbins writes ridiculously absurd storylines, interspersed with long discourses on philosophy, religion, history, etc. His characters are bigger than life and virtually all of them have some unique quirk – physical or philosophical. The “stars” of this novel are Sissy (born with extraordinarily large thumbs, perfect for hitchhiking), the Countess (a man whose business empire is built on feminine hygiene products), Bonanza Jellybean (a teenage cowgirl on the Rubber Rose Ranch), and the Chink (a Japanese American who has befriended the Native American clock people and become a sort of guru to a variety of hippie pilgrims). Oh, and let’s not forget the whooping cranes who stop at Siwash Lake on the Rubber Rose Ranch on their way to and from their traditional winter and summer nesting grounds.
If you’re having trouble figuring out how such a diverse cast could come together in a coherent plot, well, stop trying. You’ll just give yourself a headache. Robbins is nothing if not inventive in his plotting. Where his writing shines, though is in his wild descriptions / similes. A few examples:
The breeze in the grasses made a sound like a silk-lined opera coat falling to the floor of a carriage.
The sky was as tattered as a Gypsy’s pajamas. Through knife holes in the flannel overcast, July sunlight spilled…
[T]he Countess complained, his dentures working over his ivory cigarette holder like a chiropractor realigning the spine of a Chihuahua.
Entertained as I was by the occasional wild description and laugh-out-loud moment, however, in general I was bored by the book. All those interludes to wax poetic about this or that philosophy seemed nothing but an attempt to distract the reader from the lack of a story. Clearly, Robbins is not the writer for me.
Michael Nouri’s performance on the audio is wonderful. He has great pacing, and the way he interprets certain characters brings them to life.
rgallo's review against another edition
adventurous
funny
reflective
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
Content Warnings
Graphic: Sexual assault
ibm's review against another edition
emotional
lighthearted
reflective
medium-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
mjbsw's review against another edition
DNF. I admit the writing is good, and I could’ve been ok with the spice (even though to me spice is like reading someone’s tax return). However, beyond that this book just goes nowhere. Fifty percent in and I didn’t see a main point and couldn’t relate to a single character.