Reviews tagging 'Emotional abuse'

House of Leaves by Mark Z. Danielewski

19 reviews

hazelbynature's review against another edition

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challenging dark emotional mysterious reflective tense slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

5.0


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magicant's review against another edition

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adventurous challenging dark emotional mysterious sad tense slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

4.0


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lindsaylhunter's review against another edition

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adventurous challenging dark mysterious sad tense slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.0

The sheer amount of work, energy and intellect that went into the crafting of this book is nothing short of extraordinary. This is one of the most challenging books I've ever read and, I'll admit, the only reason I sat down to read it in the first place was because of its insane formatting. Tense, creepy and downright unsettling, this is one of the only books I've ever read that left me with an uneasiness that has bled into my dreams.

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ellie_rowo's review against another edition

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challenging dark emotional mysterious reflective sad tense medium-paced
  • Plot- or character-driven? N/A
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? N/A
  • Flaws of characters a main focus? Yes

4.0


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blobvis's review

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dark emotional informative mysterious slow-paced
  • Plot- or character-driven? N/A
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.0

Alright people be like "I can't describe this book" and I think they're not trying hard enough lol

Anyways, this books follows the story of Johnny who found the so called Navidson records, an essay about a film that probably has never existed and is written by the man who lived in the apartment before him. As the reader you are experiencing the story of Navidson at the same time as Johnny is. Which it think it pretty neat. What makes this book fun however is not the endless, quite boring footnotes with Johnny's drugs and sex life, or the long explanation about why there is a parallel between Navidson and his brother and a part of the Bible. What makes it interesting is how the writer uses lettering, spacing and the layout of the pages to emphasise the scenes. Something that made me laugh in wonder because I did not expect to have tot turn the book upside down to read it further.
Sometimes the pages only contain a few words making you turn the pages quickly and feeling the tension of the scene and the feelings of the characters in twofold.
As well as I think that it's interesting that the deeper Navidson goes into the house the more unstable Johnny becomes. I really like how there are so much parallels between the essay and Johnny's life, and between the characters in the essay itself (although the essay seems to be mainly written to find those parallels). I do love the editors' footnotes, they made me laugh. And in the end I didn't mind Johnny's footnotes that much because they became less frequent and more focused aka he stopped doing drugs and stopped talking about how much he fucked. And I did like reading his last notes on the book.


In any case I basically read a rather interesting essay instead of a book so 4 stars because it's just really creative and I love creativity 

And as I heard there are some secrets in it too as well as an dedicated community to find it. Not my cup of tea but maybe for others the reason to read it. 

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ggcd1981's review against another edition

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adventurous challenging dark emotional mysterious tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.0

Eu remei esse livro, o que não deveria ter me surpreendido. House of leaves é uma obra a qual eu tinha ouvido vários Booktubers falar sobre, a maioria deles dando boas notas. Contudo todos os booktubers que vi deram o aviso de que o livro “não é para todo mundo” e que você precisa pesquisar para compreendê-lo melhor, e, segundo muitos, esse é um texto presunçoso. A proposta inicial é que a obra consiste de uma história dentro de uma história dentro de outra história. Todas essas informações sobre House of Leaves despertaram minha curiosidade, mas após a leitura do mesmo vejo que eu não sou a leitora para ele. Sendo justa com a obra minha leitura começou em desvantagem pois não tenho a cópia física então tive que ler a cópia digital para kindle e adaptação para esse formato teve problemas. Isso tornou a leitura um pouco distante da intencionada pelo autor e representou uma dificuldade a mais em um livro que já tem obstáculos por natureza. House of leaves faz diversas referências a uma ampla gama de fontes nas mais diversas áreas de interesse, Física, Mitologia Grega, Arquitetura, Psicologia, etc. Eu comecei tentando pesquisar as informações, mas se tornou cansativo bem rápido. No momento em que estou em minha vida não quis dedicar tanto tempo e esforço a um único livro que não estava me prendendo tanto. A obra não é ruim e com certeza é bastante original, mas a sensação geral que tive foi de uma boa história diluída em um monte de informações que muitas vezes não adicionam muito (por exemplo uma interminável lista de nomes de fotógrafos). A narrativa que o autor chama de The Navidson Records está no coração de House of Leaves, um suposto documentário de um evento inexplicável ocorrido na casa da família Navidson. A existência desse documentário é questionada no próprio livro, mas a partir dele se inicia a narrativa de Zampanò, e a partir dessas duas se inicia a narrativa de Johnny Truant. A história do documentário é a mais interessante e a mais próxima de ser coerente. As histórias de Zampanò e de Johnny são mais desconexas e cheias de buracos. Mas em geral ler essa obra é como tentar ouvir uma narrativa contada por alguém absurdamente dispersivo. Quando este narrador começa o conto ele logo envereda por uma tangente e nela se aprofunda, quando você não lembra mais do que ocorria no conto original o narrador retorna a este deixando você completamente perdido e cortando qualquer tipo de emoção que você deveria sentir durante a história. Essas muitas interrupções e tangentes que, diversas vezes, não tinham qualquer real relevância para o texto, acontecem durante todo livro diluindo os pontos de interesse e deixando meus sentimentos sobre a obra “Mornos”.
Um ponto que não gostei da história, por se sensível a crueldade contra animais, foi um momento em que um cachorrinho foi morto de forma cruel. Eu realmente gostaria que autores achassem outra forma de mostrar que um personagem é mau. Outro ponto que achei irritante foi que todas as personagens femininas no livro foram sexualizadas mesmo quando não havia necessidade. Desde de Karen Green, esposa de Will Navidson, a todas as mulheres com quem Johnny Truant interagiu. As mulheres nesse livro pareciam existir em função dos personagens masculinos. Fosse como esposa de Navidson, como mãe de Johnny ou um simples encontro sexual ou fantasia do mesmo, as mulheres em House of Leaves giram ao redor dos personagens masculinos e existem para cumprir uma função na história desses. Um elemento que me surpreendeu na obra foi o realismo dos ataques de pânico de Johnny. Eu não esperava e quase foi um gatilho para mim, mas, mesmo assim, apreciei a representação. Em geral minha opinião é que há histórias interessantes no livro, mas elas se encontram diluídas no excesso de informação desnecessária. Informação esta que foi incluída por questões de estilo e não de pertinência a narrativa. Aliás fica claro que o estilo é prioridade em House of Leaves em detrimento do story telling. Se o autor pelo menos tivesse sido mais coeso e objetivo nas divagações o texto prenderia muito mais e não sentiria tão forte que o livro se auto sabota ao desarmar toda tensão, apreensão, medo, enfim qualquer emoção com tangentes longas, incoerentes e tediosas. Isso também contribuiu para a sensação de que os “finais positivos” para as histórias de Navidson e Truant não foram merecidos ou se quer fizeram sentido. A impressão passada é de que Mark Z. Danielewski queria aqueles finais para os personagens e foi isso.
Enfim, eu aprecio que o autor tentou fazer algo diferente e original. Existe mérito nisso, contudo o resultado me deixou com a sensação de que poderia der sido melhor. Assim, dou 3 estrelas, o livro foi acima da média porem me deixou com as frustrações de que o meu “esforço não foi o suficiente” e do que a história “poderia ter sido”.


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woweewhoa's review

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challenging dark mysterious tense slow-paced
  • Flaws of characters a main focus? Yes

4.5


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funmilayo's review

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When I first started reading this book I was really excited because I never read anything quite like it. The storyline seemed very complex, mysterious and overall intriguing. The main reason as to why I was so excited to read this book however, was that I had read an abundance of reviews that described this book as one of the scariest stories ever. It wasn't. There were a few parts where the author tried to build up tension and did so quite interestingly (by influencing the reading speed through word placement and the format of certain passages). However, in the end all of these attempts fell completely flat and left you wanting more so that the book would eventually live up to its hype...which it really didn't. In regards to the scariness of the story: the only truly scary part of this book was the absolutely disgusting misogyny.  Mark Z. Danielewski absolutely cannot write complex female characters (Imagine Haruki Murakami but make it ten times as misogynistic!). The only "personality trait" these women had was trauma and their entire personality seemingly revolved around the male characters (Johnny in particular). There's this really horrible passage that is litteraly just page after page of Johnny detailing the traumatic experiences of every woman he's ever met in extreme detail. Lots of male authors are into using trauma/abuse of women as a plot device (because a womans pain is apparently the only substantial thing about her) but Danielewski doesn't even use the trauma for the plot...it has absoulutely nothing to do with anything which makes it all the more disturbing. There were a few passages that were somewhat interesting but not enough to redeem the overall theme and style of the story. Johnny is a literal incel and it makes me sick to read about his thoughts and actions and the lack of reflection and discussion of the extremely misogynistic content of this book is incredibly alarming. Obviously I wasn't expecting a feminist manifesto from this book but I also wasn't expecting an incel manifesto so... .
In conclusion: the idea for the story and the interesting concept and layout seemed really promising but fell through completely. I cannot and will not reccomend this book to anybody. There's much better (psychological) horror books and stories out there that are scary without being completely dehumanizing.

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soapyporridge's review against another edition

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adventurous challenging dark emotional funny hopeful inspiring mysterious reflective sad tense slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? It's complicated

4.5

 I am indefinitely biased towards this book as I did my dissertation on it so my rating is more of a consequence of personal opinion and attachment than based upon the craft. That being said I still find the ways this book pushes the boundaries of the media to be important. We view books to be isolated incidents when they are far more capable of stretching past the limits of their pages and binding than we can ever fully grasp.
 I know it has many shortcomings. I know that some of it will always just be out of reach of my understanding and some of it will make me angry and frustrate me but I am ok with that.

I took my morning walk, I took my evening walk, I ate something, I thought about something, I wrote, I napped and dreamt something too, and with all that something, I still have nothing because so much of sum’thing has always been and always will be you.

I miss you.


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