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emily_mh's review
adventurous
mysterious
medium-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
5.0
I was absolutely thrilled, 100% of the time, to be reading this book. It literally felt like I was Fatma and Hadia’s cat sidekick (which they don’t actually have in the story), rubbing my paws together after investigating a lead and asking “where to next, ladies?” I was just enthralled. I absolutely adored the alt-history, steampunk, supernatural Cairo the novel’s events are set in. You’ve got mechanical, thinking buildings, airships and aerial trams, secret bars, and in the midst of it all, a Ministry that is trying to keep all hell from breaking loose (literally). What is so compelling is that general knowledge of the existence of magic and its spread in society only happened 40 years prior to the events of the novel; it is still super new to everyone and not everything is known, so this Ministry doesn’t really know what it’s doing or what it’s up against - kind of like the reader!
I also loved the characters. Our MC Fatma is this prodigal agent who is super capable and practical, and goes around wearing outlandish English suits. She’s in a relationship with SC Siti, who is this unpredictable, confident woman with some mysterious otherworldly powers. Fatma is assigned a partner at the Ministry, Hadia, who is steadfast, passionate, and kind. Fatma’s development is about her relationships with Siti and Hadia; in the former they aren’t communicating well, while Fatma wants nothing to do with the latter. Both relationships end in a much, much better place than they began.
The fault with this book lies partially in some lines of cliche dialogue, and occasionally some clumsy world-building (”I think it’s X!” “X? You mean [insert exactly what X is here]”), that perhaps indicated the level of craft could have been improved overall. But it mostly lies in the fact that Clark could have introduced more suspects and hidden the perpetrator better, as the writing of the clues was heavy-handed for an adult mystery. The combination of these factors meant I guessed who the perpetrator was very early on. HOWEVER, I didn’t guess the motive or the mechanics of their crimes, which ended up being interestingly tied into the world-building. I would say I’d rate this book 4.25 for quality (still super solid!), but overall I couldn’t rate it less than 5 stars because I enjoyed it so damn much. I can easily see this series as a whole making my top 10 of 2024 list.
Rep: Muslim Egyptian MC, Sudanese LI, Muslim Egyptian SCs
Content Warnings
Graphic: Racial slurs
Moderate: Gun violence, Fire/Fire injury, Racism, Police brutality, Physical abuse, Confinement, Murder, and Death
Minor: Drug use, Drug abuse, Addiction, Misogyny, Grief, Homophobia, Death of parent, Adult/minor relationship, Kidnapping, Classism, Gore, Injury/Injury detail, Cannibalism, Islamophobia, Vomit, Pedophilia, Colonisation, Blood, Slavery, War, Sexism, Pandemic/Epidemic, Sexual content, Fatphobia, Body shaming, Alcohol, Ableism, Suicide, and Religious bigotry
Major: six uses of the Arabic anti-Black a-slur, self-injury, body control, mind control, blackface Moderate: two uses of the archaic anti-Black n-slur, colourism, bomb Minor: gambling, apartheid, fainting, one use of the archaic anti-Black b-slur, imprisonmentwillow1113's review against another edition
adventurous
emotional
funny
mysterious
medium-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.5
Content Warnings
Moderate: Colonisation, Gun violence, Police brutality, Violence, War, Addiction, Classism, Slavery, Racism, and Misogyny
kappafrog's review against another edition
adventurous
dark
funny
informative
mysterious
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
This. Was. FANTASTIC!! One of the best books I've read all year. I love the setting, the characters, the history, the folklore... Wow!! I want more books like this! A historian writing steampunk that centres entirely different cultures and histories than usual... I love it! Reading this felt like eating a delicious and varied meal you'd never tasted!
Fatima and Hadia made a great detective team, and I loved Siti. There were so many amazing side characters too, from a musician refugee from Jim Crow calling himself Mansa Musa, to a haughty djinn librarian, to a master of thieves feeding hungry children while keeping some wealth for herself. The world building was so rich, with so many strands woven together to make an engrossing tapestry. I'd love to see more of this world!
Fatima and Hadia made a great detective team, and I loved Siti. There were so many amazing side characters too, from a musician refugee from Jim Crow calling himself Mansa Musa, to a haughty djinn librarian, to a master of thieves feeding hungry children while keeping some wealth for herself. The world building was so rich, with so many strands woven together to make an engrossing tapestry. I'd love to see more of this world!
Content Warnings
Graphic: Fire/Fire injury, Death, Religious bigotry, Cultural appropriation, Police brutality, Colonisation, Injury/Injury detail, Murder, Classism, and Racism
Moderate: Misogyny, Death of parent, Racial slurs, Body horror, Sexism, War, Slavery, Gun violence, Hate crime, Violence, and Xenophobia
Minor: Blood, Cannibalism, Dementia, Abandonment, Alcohol, Addiction, Adult/minor relationship, Islamophobia, and Mental illness
novella42's review against another edition
adventurous
dark
hopeful
mysterious
tense
medium-paced
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
5.0
This book was beautiful, the worldbuilding was excellent, the characters were multi-dimensional, their problems and responses were believable, and Clark explored social issues with nuance. I loved so much of this book!
The story began a little slow for me because I'm not into mysteries, but by the second half I was having a hard time putting it down as the pacing built more and more.
The story began a little slow for me because I'm not into mysteries, but by the second half I was having a hard time putting it down as the pacing built more and more.
Content Warnings
Graphic: Fire/Fire injury, Racism, Gore, Slavery, Racial slurs, Police brutality, Violence, War, Self harm, Gun violence, Murder, Colonisation, Cultural appropriation, Classism, Addiction, Xenophobia, Injury/Injury detail, Torture, Animal death, Misogyny, Sexism, Blood, Body horror, and Confinement
Moderate: Religious bigotry, Homophobia, War, Death of parent, Islamophobia, Hate crime, and Stalking
Minor: Kidnapping, Sexual content, Grief, Alcohol, and Death of parent
taroroot's review against another edition
adventurous
mysterious
tense
medium-paced
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.0
i'm not really an audiobook girl but this was a really fun time! i enjoyed all the narrators and learning all the proper pronunciations for all the Arabic words. i thought the world building was really intriguing and well done. i loved how the MC's queerness was just a part of her. i also loved the way racism and colorism is acknowledged but never debated because it's obviously wrong in the MC's mind even as she explains the views of other people.
one star off just because i guessed the twist near the end fairly easily so i was kind of waiting to see how Fatma, Hadia, and Siti figured it out
Content Warnings
Graphic: Violence, Injury/Injury detail, Fire/Fire injury, and Gun violence
Moderate: Racism, Racial slurs, and Slavery
Minor: Death, Sexism, and Colonisation
ggwweenn1's review against another edition
adventurous
funny
mysterious
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
5.0
An excellent book. El-Attar does stunning work on the audio version. The mystery maybe goes a bit longer than I would like, but the characters are so enjoyable that finishing the book is a treat.
Content Warnings
Graphic: Violence and Gun violence
Moderate: Racism, Xenophobia, and Sexism
Minor: Addiction
anni_swanilda's review against another edition
adventurous
dark
emotional
funny
hopeful
informative
mysterious
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.5
Content Warnings
Graphic: Injury/Injury detail, Murder, Gun violence, Cultural appropriation, Death, Body horror, Death of parent, Emotional abuse, Racial slurs, Fire/Fire injury, Racism, Violence, Xenophobia, and Gore
Moderate: Classism, Blood, Slavery, Police brutality, and Colonisation
Minor: Addiction and Alcohol
tigger89's review against another edition
adventurous
mysterious
medium-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.0
This started off slow, but by the end I couldn't put it down. The layers of deception and mesmerization, not to mention the foreshadowing of such, were very well done. While a few short stories and a novella have been previously published in this universe, you don't have to have read them to understand A Master of Djinn. The one thing you might have trouble with is the Angels. I don't really understand what they were. I'm also not convinced that reading the previously published material would have shed any more light on that, as I think they're supposed to be a bit unknowable.
Unfortunately, I found the steampunk setting to be underutilized. I believe it might have played a significantly larger role in the previous stories set in the universe, but in this novel the focus was largely elsewhere. It's a shame too, because we all know about steampunk London, but I was really looking forward to steampunk Cairo.
I did really appreciate the dynamic between Fatma and her work partner Hadia, especially how their relationship grew over the course of the story. Most of the mysteries I've read lately have had the detective working mostly inside their own head, and it was refreshing to see a well-executed foil, even if it was reluctant at first!
This is the second P. Djèlí Clark story I've read, and I'm noticing a few patterns. First, his wry skewering of colonialism and white people who are being ignorant is very appreciated, and utilized well in this novel. And second, he seems to have a thing for writing women in sexual relationships with other women. To be clear I don't have any complaint with how they were written here, but if you're someone who avoids sapphic content written by men on principle, be advised.
Unfortunately, I found the steampunk setting to be underutilized. I believe it might have played a significantly larger role in the previous stories set in the universe, but in this novel the focus was largely elsewhere. It's a shame too, because we all know about steampunk London, but I was really looking forward to steampunk Cairo.
I did really appreciate the dynamic between Fatma and her work partner Hadia, especially how their relationship grew over the course of the story. Most of the mysteries I've read lately have had the detective working mostly inside their own head, and it was refreshing to see a well-executed foil, even if it was reluctant at first!
This is the second P. Djèlí Clark story I've read, and I'm noticing a few patterns. First, his wry skewering of colonialism and white people who are being ignorant is very appreciated, and utilized well in this novel. And second, he seems to have a thing for writing women in sexual relationships with other women. To be clear I don't have any complaint with how they were written here, but if you're someone who avoids sapphic content written by men on principle, be advised.
Content Warnings
Graphic: Murder, Violence, and Fire/Fire injury
Moderate: Slavery, Injury/Injury detail, Racism, and Gun violence
Minor: Police brutality
talonsontypewriters's review against another edition
adventurous
mysterious
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.5
Content Warnings
Graphic: Death, Injury/Injury detail, Fire/Fire injury, and Violence
Moderate: Sexism, Gun violence, Classism, Racism, Self harm, Death of parent, Police brutality, Religious bigotry, Colonisation, Murder, War, Xenophobia, Slavery, Body horror, Misogyny, and Gore
Minor: Alcohol, Sexual content, Stalking, Cultural appropriation, Addiction, Pedophilia, Kidnapping, and Racial slurs
Suffocation/strangulation. Smoking. Mind control/alteration, mild unreality.ekcd_'s review against another edition
adventurous
slow-paced
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
2.0
Universe
This book is advertised as the author's debut book, but apparently, he has also written some short stories that are in the same universe. When I started reading, I felt like I had accidentally picked up a sequel or accidentally picked up a book halfway through. A lot of the character's cryptic references were actually major plot points from the short stories that were not addressed at all in the book. It wasn't mysterious and gripping it was pretty confusing trying to piece together who Fatma is, what happened to her, what is important to her, etc.
Setting and Cultural Context.
I was raised in a euro-centric Christian culture, and so this book was not written for me. As such, there were a lot of little things that I missed. Maybe I would have been more invested in the characters if I had been better introduced to the characters and/or known more about the culture. I have to wonder if the short stories established some of the Islamic / Muslim / Religious / Cultural themes that would have made the book more cohesive to me personally. Because I am unfamiliar with this part of the world and its customs, I can't comment if it is accurate or problematic. Just be prepared that if you don't know much about 20th-century Egypt, you probably will feel lost. Had Wikipedia pulled up the whole time and learned a lot, but the book wasn't good enough to warrant doing this again.
I love fantasy, and sometimes being dropped in the middle of the world gives the reader an endearing "stranger in a strange land" vibe, but this was just frustrating.
Writing Style
The prose was so purple that I stopped paying attention to the paragraphs of character descriptions and clothing descriptions. The descriptions were not detailed; they were just long. You could line up all the character introductions without their names shuffling the order and genuinely not be able to identify them.
The dialogue was choppy, and some of the words made no sense - I can't tell if the book was translated, or again, it's just little cultural norms or cues that I am missing, but some of the speaking words made no sense with the situation. I'm normally not picky with this; no one is perfect, but after I noticed it, it was like noticing I had popcorn in my teeth, and I was in a terrible mood until I got it out (i.e., finished the book).
*Spoilers Follow*
Characters
Fatma:
Wearing a suit and tie as a woman is not a personality trait. Quoting your mother's overly metaphorical but ultimately meaningless maxims is not a personality trait. This character has so much potential as a queer WOC, and it was completely squandered. Fatma also is incredibly inconsistent but not in a "loveable unreliable narrator" or "character flaw way" but in a "does the author even know their own character?" way. . In the final two chapters, Fatma mentions being against slavery, yet within seconds of putting on the ring starts to control the Djinn. Then moments later, the Seal compliments her on how pure she is? What??
The ethical dilemmas she faces had the potential to be rich and detailed, but all of her choices are rushed by crisis, and it feels like a cheap narrative tool to avoid discussing bigger ethical and social justice subtleties.
Antagonist (MAJOR SPOILER):
Abigail as the villain is super weird. She's somehow one-dimensional and inconsistent at the same time. The book would be identical if you just removed her completely from the story. The "reveal" is one sentence and not very thought out.
Sexism, Colorism, Bigotry, Colonization, Slavery, etc
Once again, I feel like there was a secret book I missed here. Many other reviews laud this book as a great commentary on big social justice issues, and I did not get that impression at all. Bigotry, religious intolerance, sexism, colorism, and racism were mentioned maybe once or twice each (in a 400-page book) and it was always just a small comment from one of the characters. The issues were not addressed or acknowledged otherwise. There were no significant plot issues driven by these themes or plot points that interacted with them. Wasted potential ? False advertisement? Personal opinion? Yes.
Plot Holes
This is not a procedural, it is more of a fantasy call to adventure. There is no police work happening here, no induction, deduction, or sleuthing. Not a good or bad thing, but certainly not a mystery as advertised.
Overall
I will forget about this book the second I submit this review. It left very little impression on me. I am disappointed because this has been suggested to me both by humans and algorithms, so I had high expectations. Not worth 400 pages, I will not be reading it again and will not suggest it to other people.
THAT BEING SAID, it did whet my appetite for Egyptian mythology and folklore, and I already have some non-fiction on the topic being queued up.
This book is advertised as the author's debut book, but apparently, he has also written some short stories that are in the same universe. When I started reading, I felt like I had accidentally picked up a sequel or accidentally picked up a book halfway through. A lot of the character's cryptic references were actually major plot points from the short stories that were not addressed at all in the book. It wasn't mysterious and gripping it was pretty confusing trying to piece together who Fatma is, what happened to her, what is important to her, etc.
Setting and Cultural Context.
I was raised in a euro-centric Christian culture, and so this book was not written for me. As such, there were a lot of little things that I missed. Maybe I would have been more invested in the characters if I had been better introduced to the characters and/or known more about the culture. I have to wonder if the short stories established some of the Islamic / Muslim / Religious / Cultural themes that would have made the book more cohesive to me personally. Because I am unfamiliar with this part of the world and its customs, I can't comment if it is accurate or problematic. Just be prepared that if you don't know much about 20th-century Egypt, you probably will feel lost. Had Wikipedia pulled up the whole time and learned a lot, but the book wasn't good enough to warrant doing this again.
I love fantasy, and sometimes being dropped in the middle of the world gives the reader an endearing "stranger in a strange land" vibe, but this was just frustrating.
Writing Style
The prose was so purple that I stopped paying attention to the paragraphs of character descriptions and clothing descriptions. The descriptions were not detailed; they were just long. You could line up all the character introductions without their names shuffling the order and genuinely not be able to identify them.
The dialogue was choppy, and some of the words made no sense - I can't tell if the book was translated, or again, it's just little cultural norms or cues that I am missing, but some of the speaking words made no sense with the situation. I'm normally not picky with this; no one is perfect, but after I noticed it, it was like noticing I had popcorn in my teeth, and I was in a terrible mood until I got it out (i.e., finished the book).
*Spoilers Follow*
Characters
Fatma:
Wearing a suit and tie as a woman is not a personality trait. Quoting your mother's overly metaphorical but ultimately meaningless maxims is not a personality trait. This character has so much potential as a queer WOC, and it was completely squandered. Fatma also is
The ethical dilemmas she faces had the potential to be rich and detailed, but all of her choices are rushed by crisis, and it feels like a cheap narrative tool to avoid discussing bigger ethical and social justice subtleties.
Antagonist (MAJOR SPOILER):
Sexism, Colorism, Bigotry, Colonization, Slavery, etc
Once again, I feel like there was a secret book I missed here. Many other reviews laud this book as a great commentary on big social justice issues, and I did not get that impression at all. Bigotry, religious intolerance, sexism, colorism, and racism were mentioned maybe once or twice each (in a 400-page book) and
Plot Holes
This is not a procedural, it is more of a fantasy call to adventure. There is no police work happening here, no induction, deduction, or sleuthing. Not a good or bad thing, but certainly not a mystery as advertised.
Overall
I will forget about this book the second I submit this review. It left very little impression on me. I am disappointed because this has been suggested to me both by humans and algorithms, so I had high expectations. Not worth 400 pages, I will not be reading it again and will not suggest it to other people.
THAT BEING SAID, it did whet my appetite for Egyptian mythology and folklore, and I already have some non-fiction on the topic being queued up.
Content Warnings
Graphic: Colonisation, Fire/Fire injury, Islamophobia, Murder, Classism, Misogyny, War, Slavery, Police brutality, Racism, Religious bigotry, and Sexism
Moderate: Injury/Injury detail and Fire/Fire injury
Minor: Confinement, Gun violence, Violence, and Lesbophobia