Reviews tagging 'Suicide'

Lapvona by Ottessa Moshfegh

231 reviews

julesh28's review against another edition

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challenging dark funny medium-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

2.75

wtf?? ich weiß nicht, was ich davon halte. 
ig es ist gut, dass mich das buch emotionen fühlen lässt (disgust, discomfort, verwirrung). jedoch bin ich mir noch nicht sicher, was ich nach diesem read mitnehme. 
es war auf jeden fall ein fiebertraum. wenn "die verwandlung" und "lapvona" auf einem fiebertraum spektrum wären, wären sie auf zwei verschiedenen enden des spektrums, soviel sei gesagt.
i hated to read it but at the same time i couldn't stop reading it. i would not recommend or would i?? 
naja ich glaube, ich muss mich erstmal sortieren, sachen einordnen und es in einem halben jahr nochmal lesen. 
es war schon spannend ig. und auf jedenfall sehr comedy dafür, dass alle miserable waren. oder vielleicht gerade deswegen.

(nachtrag: alter, die content warnings reflecten super, was für ein fiebertraum dieses buch ist lmao)

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criscroscris's review against another edition

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dark emotional funny reflective sad tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? No

5.0


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abdabbbbb's review against another edition

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dark funny mysterious medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.5


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sannegosling's review against another edition

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dark funny mysterious tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0


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torihbu's review against another edition

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dark emotional sad fast-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

2.0

a quick read because it was entertaining, in about the same way as a train crash is entertaining. you want to stick around to see what unfortunate event might be next.

there seems to be a point to the story--questioning religion, capitalism, haves v have-nots, death, afterlife, pain, suffering, all the dark parts of the human experience. a medieval kingdom is a good place to explore those themes. however, the themes are overshadowed by disrespectfully odd scenes that have the same shock-value as a bad comedian trying to get a rise out of the audience.

sometimes the themes were delivered subtly, but most of the time, the themes were very blunt and overtly described. there was not much for the reader to think about or learn--it was just one shocking, depressing, or annoying scene after the other.

i would recommend if you're in the mood to indulge in the horrors of the human experience without having to get too depressed or think too hard about what you're reading. otherwise, maybe skip this one!!

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dracucore's review against another edition

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dark mysterious tense medium-paced
  • Plot- or character-driven? Plot
  • Strong character development? No
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0

this book is heinous and disturbing in unspeakable ways. sometimes it is also confusing and i am still not  sure i fully understand some parts of it. dark, tense, upsetting, yet also gripping and compelling. i finished in 24hrs because i just couldn’t put it down. 

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caseylovett's review against another edition

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dark reflective tense medium-paced
  • Plot- or character-driven? Character
  • Loveable characters? It's complicated
  • Flaws of characters a main focus? Yes

4.0


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crybabybea's review against another edition

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dark reflective medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.25

What the fuck.

This book felt like watching a medieval play; the fiefdom is nothing more than a backdrop to watch our characters act out their darkest desires. It worked really well as a vehicle to tell the story of the human condition of trying to find meaning in life and how people's perspectives shape the way they experience the world and make sense of the things that happen to them and the choices they make. The story is told with an omniscient narrator that jumps from character to character, which does make for some telling-not-showing issues here and there. But overall the writing was well done, and Moshfegh is very intentional about each and every word she chooses to really dial up the grotesque imagery that fills every page. In Lapvona, babies are not birthed, they are plunked out.

The characters we follow are like caricatures of the worst people you have ever met. You have the perpetual victim Jude, who sees it as his manly duty to beat his child and rape women; the pitiful Marek who makes excuses for his own actions but judges the actions of others; the pious holier-than-thou servant Lispeth, who denies herself all mortal desires except a single piece of cabbage every day; the imbecile lord Villiam that can't be alone with his thoughts for more than 2 minutes
and lies to the villagers about bandit raids and droughts
; and the priest Barnabas that preaches gospel (despite knowing nothing about the Bible) so he can live in comfort at the manor. 

The characters are exasperatingly self-serving. They don't think about others except to judge them. Their interactions with each other are always transactional, full of projections that each casts onto the other.
"You're too kind, young sir," Villiam said. "It is all a testament to God's glory, not mine." He looked at  the priest to say something further, but Barnabas was picking the bones out of his fish stew. He'd been ornery and distracted lately. Perhaps the priest suffered from envy--Villiam would soon be a father to the son of God; Barnabas would never attain such glory.
At this point in the story, the priest is distracted and ornery because he's
having a complete psychotic breakdown, believing the supposed immaculately conceived baby to be God punishing him for lying about his religious knowledge.

 
Each character spends all their time in their own head, constantly feigning moral superiority over arbitrary rules, lacking empathy and self-reflection. At the same time, the reader can see bits of themselves in each character too which causes a bit of ironic self-reflection. I, too, cannot eat my dinner without watching a silly little guy dance for me on a screen.

The idiocy of the characters and the disgusting plot that ensues opens up a commentary on things like religion, moral piety, putting certain ideas or people on pedestals, all that jazz. It explores the idea of perspective and uses a lot of (disgusting) imagery about eyeballs.

I don't want to say this book was funny because of its horrifying content, but the whole book was filled with a sardonic tone that worked really well for me. Characters had sarcastic, dry one-liners that did make me chuckle:

"Why do I feel unhappy?" he asked Lispeth.
She shrugged her shoulders.
"Don't you have any wisdom?"
"No."

 The witchy character, Ina, adds a bit of dark fairytale imagery that lends itself well to the setting and overall themes of religion and perspective. Don't get me wrong, she is also a terrible person that abuses everyone she comes across for her own benefit, but her storyline in particular is super interesting and its fairytale-esque quality adds a bit of supernatural mystery and causes reflection on things like higher powers and idols.

This was a good introduction into horror, even though this book doesn't really get classified as horror. I definitely think it leans more on the literary side, but it reads like a depressing gothic fairytale and calls upon some of the imagery that is often used in horror such as religion and inner turmoil, but with a sarcastic, ironic twist. Yeah I liked this a lot despite (or in part, because of?) its gratuitous depravity. I really liked how Moshfegh used horror elements to an absolutely absurd degree. I read a lot of reviews saying that the horrific scenes served no purpose except cheap shock value, which I definitely can see, but to me it felt like that was exactly what she was going for. They are needlessly graphic to the point that they veer into absurdity which only amplifies the characters' issues with moral superiority and lack of self-reflection.

If you like horror or want to try to get into horror I think this would be a good read for you. 

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asmokeybear's review against another edition

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challenging dark tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.25


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laurenaf's review against another edition

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dark medium-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Flaws of characters a main focus? Yes

4.5

Moshfegh perfectly creates a world of characters where you simultaneously pity and hate each and every one of them through the entire story and it’s amazing. This book is perfectly disgusting, demented, dark, and delves into the worst parts of humanity. I have no idea how to describe it other than this- but I did enjoy the commentary on humanity and the reliance societies have on religion and how it’s used as a scapegoat. 

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