Reviews tagging 'Confinement'

The Dictionary of Lost Words by Pip Williams

5 reviews

beautifulpaxielreads's review against another edition

challenging emotional reflective medium-paced

• Plot- or character-driven? A mix
• Strong character development? It's complicated
• Loveable characters? It's complicated
• Diverse cast of characters? No
• Flaws of characters a main focus? It's complicated

4.0

Pip Williams' The Dictionary of Lost Words is one of the most meaningful, thought-provoking novels I have ever read, and yet there were parts of it that I struggled with.

As the title suggests, this is a book about words, more specifically those words that are not considered important enough to be compiled into the first-ever edition of the Oxford English Dictionary (OED). Since the task of compiling the OED is largely left to older white men, inevitably their ingrained biases ensure that the dictionary is skewed towards a male view of the world, and this is writ large when it comes to the male attitude to women.

In the year 1901, one of the OED's loyal fans discovered that the word "bondmaid" was missing from the dictionary. It is from this factual nugget that Pip Williams has constructed the fictional character and heroine of the novel, Esme Nicoll. The story of the novel is the story of Esme's life,  covering  late Victorian-era Great Britain to the First World War. 

The novel was written almost entirely (

aside from the last two chapters

) from Esme's POV, and this was where I had the most difficulty. Even though I could see Williams had crafted Esme with great care, and I (mostly) liked and sympathised with her, she seemed passive in many ways and I struggled to truly understand her motivations and feelings. 

In terms of other characters, I most liked Harry, Esme's widowed father, Edith "Ditte" Thompson, Esme's mentor and mother figure, and Lizzie, a serving maid at  Murray household where Esme spends her childhood and whom Esme eventually

develops a close bond with

.

I also had some issues with the novel's structure and pacing, which seemed uneven to me. Even though the beginning of each chapter stated the year and the month in which it was set, the time jumps could be hours, days, weeks, or even months at a time. These jumps were not always consistent, leaving me confused as to just how much time had passed between the beginning and end of a chapter. It kind of felt a bit lumpy.

Ultimately, it was the themes of this novel that I most strongly resonated with - the way certain words were defined to degrade not only by gender but by social status, the way words could come to mean more than one thing, the development of slang and curse words, and most poignantly, the inadequacy of words to describe the human experience. 

This is a novel that, to me, asks two fundamental questions: Whose words matter? And almost more importantly, who gets to decide?

A moving, thought-provoking read.

---

Content Warnings

Graphic: Classism, Injury/Injury detail, Medical content, Medical trauma, Mental illness, Misogyny, Death, Death of parent, Pregnancy, War, Sexism, and Grief

Moderate: Colonisation, Cursing, Emotional abuse, Child abuse, Sexual content, Confinement, Bullying, Blood, and Physical abuse

Minor: Alcohol, Slavery, Racism, Fatphobia, Fire/Fire injury, and Sexual harassment

This novel takes place during the rise of the first wave of feminism in the early 20th century. It includes a discussion and descriptions of

imprisoned suffragettes going on hunger strikes and being forcibly fed by prison staff

. There are also some pretty graphic descriptions of the carnage during the First World War, not only those experienced by soldiers fighting on the Western Front but there is also a graphic description of

the brutal murders of Belgian babies by German soldiers, who then went on to rape and mutilate these babies' mothers.

zombiezami's review against another edition

emotional funny informative inspiring reflective sad medium-paced

4.75

Truly beautiful and informative. Knocking off .25 stars because there were some threads of the narrative that felt a bit tacked on, from which I would have appreciated greater continuity. For example, I kept forgetting about

the protagonist's daughter because we would only be reminded of her every few chapters.

By contrast, in The Book Eaters, a book that felt very similar to this one thematically, you never forgot

that the protagonist had a daughter who was taken away from her.

It was a big, emotional plot point.

---

Content Warnings

Graphic: Cursing, Fire/Fire injury, Classism, Injury/Injury detail, Misogyny, and Sexism

Moderate: Grief, War, Death, Gore, Police brutality, Sexual content, Pregnancy, Blood, Medical trauma, Death of parent, Medical content, and Confinement

Minor: Slavery, Abortion, Child death, Infertility, Mental illness, Colonisation, and Rape

thumbeleia's review against another edition

adventurous challenging emotional hopeful informative inspiring reflective sad medium-paced

• Plot- or character-driven? Character
• Strong character development? Yes
• Loveable characters? Yes
• Diverse cast of characters? It's complicated
• Flaws of characters a main focus? No

5.0

---

Content Warnings

Graphic: Ableism, Car accident, Classism, Terminal illness, War, Body horror, Bullying, Cursing, Death, Death of parent, Fire/Fire injury, Gore, Grief, Gun violence, Injury/Injury detail, Medical content, Medical trauma, Mental illness, Misogyny, Physical abuse, Police brutality, Pregnancy, Schizophrenia/Psychosis , Sexism, Suicidal thoughts, Violence, and Xenophobia

Moderate: Confinement, Infertility, Panic attacks/disorders, and Child death

Minor: Abandonment, Alcohol, and Sexual content

ntvenessa's review against another edition

emotional medium-paced

• Plot- or character-driven? A mix
• Strong character development? Yes
• Loveable characters? No
• Diverse cast of characters? Yes
• Flaws of characters a main focus? No

2.5

I detested the first half, and then found it adequate by the end. I think the historical account and critique of dictionary making was done sufficiently, although without revelation beyond what is already broadly agreed in linguistics (although I am biased as I am linguistically trained, and perhaps these are not moot points to someone who is not). Ultimately I think its integration with a fictionalised story was its downfall. It simply wasn't convincing, and the tone was jarring. Especially when the author is writing from the first person voice of a child in 19th century England through the lens of a 21st century feminist moralist (but who am I to judge what a 19th century English child would sound like). To some extent you have to suspend your disbelief when reading historical fiction, but there is a fine line and too often events seemed to me too far fetched, too convenient, too formulaic. Bar one turn of events, the plot was rather too convenient. The writing was inelegant. It was not immersive. It is a sign of a clumsy novel when you can anticipate the plot devices as they come. It's like watching a rehearsal as opposed to opening night. I often felt that the crux of what needed to be said could have been compressed -- this is a novel written without economy of language and this I think is to its detriment. While it dilutes what I imagine to be points the author makes (and valid ones at that), I suppose it does also make the writing more accessible. All things said the latter half of the novel hit a chord, not for its storytelling but for its subject matter, which may also mean something to you, if you have ever

grieved

. Maybe this book just wasn't for me, but maybe it's for you?

---

Content Warnings

Graphic: Alcohol, Confinement, Death of parent, Death, Fire/Fire injury, Grief, Infertility, Injury/Injury detail, Medical content, Mental illness, Misogyny, Pregnancy, Sexism, and War

Moderate: Abortion, Sexual harassment, and Miscarriage

Minor: Terminal illness, Suicidal thoughts, Slavery, Colonisation, Child death, Chronic illness, and Car accident

elzbethmrgn's review

emotional reflective slow-paced

• Plot- or character-driven? Character
• Strong character development? No
• Loveable characters? Yes
• Diverse cast of characters? No
• Flaws of characters a main focus? No

3.5

I hadn't heard of this before I picked it up in a (real life!) bookshop, but apparently it garnered plenty of attention when it was published last year. And with good reason, I think.

It's the story of a woman, Esme, framed by the compilation of the Oxford English Dictionary, the way the meaning of words are shaped by use (as her own life's meaning is shaped by use), the words/lives considered worthy or unworthy of recording for posterity and who gets to decide that worth.

I enjoyed this one: slow and character-driven, no high drama, some tearful moments. I would have appreciated a content warning, but it's seriously spoilery and it would have ruined the moment, but I leave it here for you:

childbirth, child loss, adoption

.

The final chapter and the epilogue continue past Esme's work on the Dictionary, and I feel the book would have been stronger without it. Ditte's final letter would have been the perfect end-point, in my mind

although clearly Megan's lecture shows Esme's work given the public attention she hoped it would someday achieve

. 

---

Content Warnings

Graphic: Cursing

Moderate: Confinement

Minor: Death of parent and Death