Reviews with content warning for Sexual content - The Dictionary of Lost Words

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The Dictionary of Lost Words by Pip Williams

36 reviews

hematthews's review against another edition

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emotional inspiring reflective tense medium-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? No
Flaws of characters a main focus? No

4.25

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beautifulpaxielreads's review against another edition

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challenging emotional reflective medium-paced

Plot- or character-driven? A mix
Strong character development? It's complicated
Loveable characters? It's complicated
Diverse cast of characters? No
Flaws of characters a main focus? It's complicated

4.0

Pip Williams' The Dictionary of Lost Words is one of the most meaningful, thought-provoking novels I have ever read, and yet there were parts of it that I struggled with.

As the title suggests, this is a book about words, more specifically those words that are not considered important enough to be compiled into the first-ever edition of the Oxford English Dictionary (OED). Since the task of compiling the OED is largely left to older white men, inevitably their ingrained biases ensure that the dictionary is skewed towards a male view of the world, and this is writ large when it comes to the male attitude to women.

In the year 1901, one of the OED's loyal fans discovered that the word "bondmaid" was missing from the dictionary. It is from this factual nugget that Pip Williams has constructed the fictional character and heroine of the novel, Esme Nicoll. The story of the novel is the story of Esme's life, covering late Victorian-era Great Britain to the First World War.

The novel was written almost entirely (

aside from the last two chapters

) from Esme's POV, and this was where I had the most difficulty. Even though I could see Williams had crafted Esme with great care, and I (mostly) liked and sympathised with her, she seemed passive in many ways and I struggled to truly understand her motivations and feelings.

In terms of other characters, I most liked Harry, Esme's widowed father, Edith "Ditte" Thompson, Esme's mentor and mother figure, and Lizzie, a serving maid at Murray household where Esme spends her childhood and whom Esme eventually

develops a close bond with

.

I also had some issues with the novel's structure and pacing, which seemed uneven to me. Even though the beginning of each chapter stated the year and the month in which it was set, the time jumps could be hours, days, weeks, or even months at a time. These jumps were not always consistent, leaving me confused as to just how much time had passed between the beginning and end of a chapter. It kind of felt a bit lumpy.

Ultimately, it was the themes of this novel that I most strongly resonated with - the way certain words were defined to degrade not only by gender but by social status, the way words could come to mean more than one thing, the development of slang and curse words, and most poignantly, the inadequacy of words to describe the human experience.

This is a novel that, to me, asks two fundamental questions: Whose words matter? And almost more importantly, who gets to decide?

A moving, thought-provoking read.

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orlagal's review against another edition

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emotional reflective sad medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.0

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zombiezami's review against another edition

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emotional funny informative inspiring reflective sad medium-paced

4.75

Truly beautiful and informative. Knocking off .25 stars because there were some threads of the narrative that felt a bit tacked on, from which I would have appreciated greater continuity. For example, I kept forgetting about

the protagonist's daughter because we would only be reminded of her every few chapters.

By contrast, in The Book Eaters, a book that felt very similar to this one thematically, you never forgot

that the protagonist had a daughter who was taken away from her.

It was a big, emotional plot point.

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maijaka's review against another edition

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emotional hopeful inspiring slow-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? Yes
Diverse cast of characters? It's complicated
Flaws of characters a main focus? No

3.75

At times I enjoyed the slow pace, and other times I felt rather stuck. At the same time, the vast time span of the book meant that significant events were covered very briefly, leaving me wanting more. Also, I found myself wishing the main character would take charge of far more and I felt at times feeling as if she was rather passive. All that being said, I felt the prose was absolutely beautiful and enjoyed most all of the characters.

One quote that stuck with me:

“Was I better? Before Shropshire I’d felt broken, as though I would fall should the scaffold of my work be removed. I didn’t feel that now, but there was a fine crack through the middle of me, and I suspected it might never mend. I remembered Lizzie apologizing to Mrs. Lloyd the first time she stayed to chat, for the chip in the cup.
‘A chip doesn’t stop it from holding tea,’ Mrs. Lloyd had said.”

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