You need to sign in or sign up before continuing.
Take a photo of a barcode or cover
amuandhermusings's Reviews (92)
adventurous
fast-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes
Returning to Blunder felt like stepping back into a dream—one stitched with shadows, secrets, and spells that still whisper.
Two Twisted Crowns is darker, bolder, and somehow even more lyrical than the first. The stakes are higher, the magic deeper, and the emotional weight hits harder. Rachel Gillig doesn’t just build tension — she weaves it, like vines curling tighter around your ribs.
While One Dark Window was all hush and mystery, Two Twisted Crowns gives you answers — painful, earned, and beautifully delivered. The relationships grow sharper, the burdens heavier, and the story dares to ask: what are you willing to lose for power, and what are you willing to become for love?
Elspeth remains one of the most layered fantasy heroines I’ve read — brave, broken, and still choosing light in the thickest dark. Ravyn and Elm’s arcs both deepen in unexpected and heart-tugging ways, and yes, the chemistry still simmers — but now it burns.
This is a conclusion that satisfies without softening its edges.
It’s eerie and romantic. Twisting and tender. And when it ends, it leaves behind the kind of silence you feel in your chest.
🌟🌟🌟🌟/5 — beautifully haunting, and everything a duology finale should be.
Two Twisted Crowns is darker, bolder, and somehow even more lyrical than the first. The stakes are higher, the magic deeper, and the emotional weight hits harder. Rachel Gillig doesn’t just build tension — she weaves it, like vines curling tighter around your ribs.
While One Dark Window was all hush and mystery, Two Twisted Crowns gives you answers — painful, earned, and beautifully delivered. The relationships grow sharper, the burdens heavier, and the story dares to ask: what are you willing to lose for power, and what are you willing to become for love?
Elspeth remains one of the most layered fantasy heroines I’ve read — brave, broken, and still choosing light in the thickest dark. Ravyn and Elm’s arcs both deepen in unexpected and heart-tugging ways, and yes, the chemistry still simmers — but now it burns.
This is a conclusion that satisfies without softening its edges.
It’s eerie and romantic. Twisting and tender. And when it ends, it leaves behind the kind of silence you feel in your chest.
🌟🌟🌟🌟/5 — beautifully haunting, and everything a duology finale should be.
adventurous
lighthearted
fast-paced
Plot or Character Driven:
Character
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes
Sometimes, you just want a book that charms you without demanding your soul — and Sorcery and Small Magics did exactly that.
Set in a whimsical world of soft spells, magical creatures with big personalities, and letters that carry a little more than ink, this story reads like a warm mug of something sweet. The stakes stay small, but the vibes are just right.
The plot is light, the pacing quick, and the characters quietly endearing. If you’re in the mood for found family, gentle mischief, and soft magic that mostly minds its manners — this one delivers.
I read it in under two days and had a good time doing it.
Was it deep? No.
But was it cozy, clever, and exactly what I needed between heavier reads? Absolutely.
✨ 3.8/5 stars — for fans of cozy fantasy, tidy worldbuilding, and books that leave you smiling.
📖 Title: Sorcery and Small Magics
✍️ Author: Maiga Doocy
📚 Genre: Cozy Fantasy, Light Fiction
🎭 Themes: Found Family, Gentle Mischief, Soft Magic, Comfort Reads, Everyday Enchantments, Whimsy & Wonder
⭐ Rating: 🌟🌟🌟✨🌠 (3.8/5)
Set in a whimsical world of soft spells, magical creatures with big personalities, and letters that carry a little more than ink, this story reads like a warm mug of something sweet. The stakes stay small, but the vibes are just right.
The plot is light, the pacing quick, and the characters quietly endearing. If you’re in the mood for found family, gentle mischief, and soft magic that mostly minds its manners — this one delivers.
I read it in under two days and had a good time doing it.
Was it deep? No.
But was it cozy, clever, and exactly what I needed between heavier reads? Absolutely.
✨ 3.8/5 stars — for fans of cozy fantasy, tidy worldbuilding, and books that leave you smiling.
📖 Title: Sorcery and Small Magics
✍️ Author: Maiga Doocy
📚 Genre: Cozy Fantasy, Light Fiction
🎭 Themes: Found Family, Gentle Mischief, Soft Magic, Comfort Reads, Everyday Enchantments, Whimsy & Wonder
⭐ Rating: 🌟🌟🌟✨🌠 (3.8/5)
emotional
sad
fast-paced
Plot or Character Driven:
Character
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Complicated
Flaws of characters a main focus:
No
There isn’t much I can say that hasn’t already been said.
James is one of the most widely read, reviewed, and talked-about books in recent memory — and it deserves every word of it.
This isn’t just a retelling of The Adventures of Huckleberry Finn.
It’s a reckoning.
A reclaiming.
A sharp, devastating, and often darkly funny unraveling of history from the inside out — told through the voice of a man who was never meant to have one.
What Everett does here is extraordinary.
He gives James agency, intellect, grief, fire.
He gives him the space to be a full person — aching, angry, brilliant, broken, and unafraid to look directly at the brutality that shaped him.
The writing is unflinching, but never performative.
There’s wit, there’s rage, there’s heart — all carried with a precision that stings and stirs.
James is urgent. It is searing.
It is absolutely deserving of the Pulitzer it just won.
And it’s a story I won’t forget.
📖 Title: James
✍️ Author: Percival Everett
📚 Genre: Literary Fiction, Historical Fiction, Reimagined Classic
🎭 Themes: Race & Identity, Power & Voice, Reclaiming History, Satire & Truth, Survival & Resistance, Humanity in Oppression
⭐ Rating: 🌟🌟🌟🌟🌟/5
James is one of the most widely read, reviewed, and talked-about books in recent memory — and it deserves every word of it.
This isn’t just a retelling of The Adventures of Huckleberry Finn.
It’s a reckoning.
A reclaiming.
A sharp, devastating, and often darkly funny unraveling of history from the inside out — told through the voice of a man who was never meant to have one.
What Everett does here is extraordinary.
He gives James agency, intellect, grief, fire.
He gives him the space to be a full person — aching, angry, brilliant, broken, and unafraid to look directly at the brutality that shaped him.
The writing is unflinching, but never performative.
There’s wit, there’s rage, there’s heart — all carried with a precision that stings and stirs.
James is urgent. It is searing.
It is absolutely deserving of the Pulitzer it just won.
And it’s a story I won’t forget.
📖 Title: James
✍️ Author: Percival Everett
📚 Genre: Literary Fiction, Historical Fiction, Reimagined Classic
🎭 Themes: Race & Identity, Power & Voice, Reclaiming History, Satire & Truth, Survival & Resistance, Humanity in Oppression
⭐ Rating: 🌟🌟🌟🌟🌟/5
sad
slow-paced
Plot or Character Driven:
Character
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Complicated
Flaws of characters a main focus:
Yes
Set in the Colorado wilderness in the 1940s, the story follows Victoria Nash, a seventeen-year-old girl who keeps her family’s orchard running as the men around her take up space, leave, or fall away — and the world around her quietly crumbles.
She’s not loud. She’s not dramatic. But her strength runs deep — like water beneath frozen ground.
Her world is full of absence — and still, she endures.
Shelley Read’s prose flows like its title suggests: slow, deliberate, winding through heartbreak, silence, and resilience.
She writes with such tenderness.
The forests, the rivers, the groves of peach trees, the flicker of deer between shadows — they aren’t just setting.
They are pulse, and breath, and grief.
You can feel the crisp mountain air, the dirt beneath fingernails, the hush of snow settling on bark.
The natural world is described so breathtakingly it feels sacred — like you’ve been entrusted with something delicate and alive.
The love story in this book is not one of fairy tales.
It’s fierce. Brief. Beautiful.
And it leaves behind a different kind of forever — not happily ever after, but a scar that shapes the soul.
This isn’t about romance. It’s about remembrance.
What moved me most was not just the loss, but the way Victoria learns to carry it — not to escape it, but to root herself around it, the way trees grow around stone.
This is a story of a girl becoming a woman in the ruins of what should have been.
A story of love, loss, and land.
Of choosing to keep living, even when everything around you begs you not to.
This isn’t a story of big moments.
It’s about what grows in the silence, what softens in the waiting, what survives in the smallest, most broken spaces.
It’s a story of choosing to keep living — through land, through loss, through everything that tries to take you under.
She’s not loud. She’s not dramatic. But her strength runs deep — like water beneath frozen ground.
Her world is full of absence — and still, she endures.
Shelley Read’s prose flows like its title suggests: slow, deliberate, winding through heartbreak, silence, and resilience.
She writes with such tenderness.
The forests, the rivers, the groves of peach trees, the flicker of deer between shadows — they aren’t just setting.
They are pulse, and breath, and grief.
You can feel the crisp mountain air, the dirt beneath fingernails, the hush of snow settling on bark.
The natural world is described so breathtakingly it feels sacred — like you’ve been entrusted with something delicate and alive.
The love story in this book is not one of fairy tales.
It’s fierce. Brief. Beautiful.
And it leaves behind a different kind of forever — not happily ever after, but a scar that shapes the soul.
This isn’t about romance. It’s about remembrance.
What moved me most was not just the loss, but the way Victoria learns to carry it — not to escape it, but to root herself around it, the way trees grow around stone.
This is a story of a girl becoming a woman in the ruins of what should have been.
A story of love, loss, and land.
Of choosing to keep living, even when everything around you begs you not to.
This isn’t a story of big moments.
It’s about what grows in the silence, what softens in the waiting, what survives in the smallest, most broken spaces.
It’s a story of choosing to keep living — through land, through loss, through everything that tries to take you under.
emotional
slow-paced
Plot or Character Driven:
Character
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes
📖 Title: The Covenant of Water
✍️ Author: Abraham Verghese
📚 Genre: Literary Fiction, Historical Fiction, Multigenerational Saga
🎭 Themes: Generational Memory, Loss & Inheritance, Illness & Faith, Silence & Resilience, Family Legacy, The Body & the Spirit, Grief as Ritual, Water as Metaphor
⭐ Rating: 🌟🌟🌟🌟🌟/5
There are books that ask for your time.
And then there are books that ask for your soul.
The Covenant of Water is the latter.
Spanning nearly a century in South India, this novel is vast — in scope, in emotion, in humanity.
And yet, it never loses its tenderness.
Every life, every sorrow, every quiet act of love is treated with reverence.
This is not a story you read quickly. You walk with it — slowly, deliberately — the way you would through a memory that matters.
The "Condition" — the mysterious drowning that haunts generations of one family — is not just a thread of plot.
It is metaphor. It is myth.
It is what we inherit when no one can explain what’s wrong, only feel the weight of it.
And yet, in that ache, there is so much beauty.
Abraham Verghese writes with a kind of grace that feels almost sacred.
His prose is lush but never indulgent, lyrical but rooted in the soil of the everyday — illness, birth, silence, loss.
He writes like someone who knows that the human body is fragile, but the human heart is endless.
The characters — from the girl who becomes matriarch to the doctor who becomes witness — feel alive in a way that stays with you.
Their pain is intimate. Their joy is quiet.
And their love — complicated, often unspoken — feels truer than anything loud.
Water runs through everything.
It takes. It gives. It drowns. It heals.
It binds this family to its past and carries them toward a future they may never fully understand.
And through it all, Verghese reminds us:
What we survive is only half the story.
How we remember — that’s the covenant.
By the end, I wasn’t just holding a book.
I was holding lifetimes.
And when I closed it, I felt like something had quietly closed within me, too — something sacred and sorrowful and impossibly beautiful.
The Covenant of Water is not just a novel.
It is an offering.
And I will carry it with me always.
✍️ Author: Abraham Verghese
📚 Genre: Literary Fiction, Historical Fiction, Multigenerational Saga
🎭 Themes: Generational Memory, Loss & Inheritance, Illness & Faith, Silence & Resilience, Family Legacy, The Body & the Spirit, Grief as Ritual, Water as Metaphor
⭐ Rating: 🌟🌟🌟🌟🌟/5
There are books that ask for your time.
And then there are books that ask for your soul.
The Covenant of Water is the latter.
Spanning nearly a century in South India, this novel is vast — in scope, in emotion, in humanity.
And yet, it never loses its tenderness.
Every life, every sorrow, every quiet act of love is treated with reverence.
This is not a story you read quickly. You walk with it — slowly, deliberately — the way you would through a memory that matters.
The "Condition" — the mysterious drowning that haunts generations of one family — is not just a thread of plot.
It is metaphor. It is myth.
It is what we inherit when no one can explain what’s wrong, only feel the weight of it.
And yet, in that ache, there is so much beauty.
Abraham Verghese writes with a kind of grace that feels almost sacred.
His prose is lush but never indulgent, lyrical but rooted in the soil of the everyday — illness, birth, silence, loss.
He writes like someone who knows that the human body is fragile, but the human heart is endless.
The characters — from the girl who becomes matriarch to the doctor who becomes witness — feel alive in a way that stays with you.
Their pain is intimate. Their joy is quiet.
And their love — complicated, often unspoken — feels truer than anything loud.
Water runs through everything.
It takes. It gives. It drowns. It heals.
It binds this family to its past and carries them toward a future they may never fully understand.
And through it all, Verghese reminds us:
What we survive is only half the story.
How we remember — that’s the covenant.
By the end, I wasn’t just holding a book.
I was holding lifetimes.
And when I closed it, I felt like something had quietly closed within me, too — something sacred and sorrowful and impossibly beautiful.
The Covenant of Water is not just a novel.
It is an offering.
And I will carry it with me always.
adventurous
dark
emotional
fast-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes
📖 Title: One Dark Window
✍️ Author: Rachel Gillig
📚 Genre: Dark Fantasy, Gothic Fantasy, Romantic Fantasy
🎭 Themes: Curses & Magic, Identity & Secrets, Found Family, Darkness Within, Slow-Burn Romance, Sacrifice & Survival, Power & Consequences, Facing Inner Darkness
⭐ Rating: 🌟🌟🌟🌟🌟/5
Some books grab you from the very first line and don’t let go — One Dark Window was that book for me.
It’s dark and gothic in all the best ways, but it’s also wildly readable — the kind of story that pulls you in so smoothly you look up and realize you’ve flown through a hundred pages without even noticing.
Rachel Gillig’s writing is gorgeous without ever feeling heavy.
Her prose moves like mist through the trees — elegant, clear, and endlessly inviting.
Even with a world as rich, eerie, and dripping with secrets as this one, I never once felt lost or weighed down.
And oh, the chemistry.
Elspeth and Ravyn have that slow-burn, electric kind of connection that makes you grin into the pages like an idiot.
Their banter — sharp, clever, sometimes aching — was honestly one of my favorite parts of the whole book.
There’s something so addictive about two characters carrying so much darkness inside them and still finding reasons to laugh, to trust, to hope.
The magic system is wildly original — sinister, beautiful, and soaked in real emotional weight.
It’s not just about power. It’s about sacrifice. It’s about the pieces of yourself you give up when you’re desperate to survive.
But what stayed with me most was the aching humanity beneath all the magic.
The loneliness of carrying something monstrous inside you.
The hunger to be seen for who you really are — not just the parts that are easy to love.
The quiet, devastating question: What would you risk to save the ones who see you, even when you cannot see yourself?
Reading this book felt like wandering through a haunted fairytale — a little scary, a little romantic, a little wicked — and loving every second of being lost in it.
One Dark Window is a spell you won’t want broken.
✍️ Author: Rachel Gillig
📚 Genre: Dark Fantasy, Gothic Fantasy, Romantic Fantasy
🎭 Themes: Curses & Magic, Identity & Secrets, Found Family, Darkness Within, Slow-Burn Romance, Sacrifice & Survival, Power & Consequences, Facing Inner Darkness
⭐ Rating: 🌟🌟🌟🌟🌟/5
Some books grab you from the very first line and don’t let go — One Dark Window was that book for me.
It’s dark and gothic in all the best ways, but it’s also wildly readable — the kind of story that pulls you in so smoothly you look up and realize you’ve flown through a hundred pages without even noticing.
Rachel Gillig’s writing is gorgeous without ever feeling heavy.
Her prose moves like mist through the trees — elegant, clear, and endlessly inviting.
Even with a world as rich, eerie, and dripping with secrets as this one, I never once felt lost or weighed down.
And oh, the chemistry.
Elspeth and Ravyn have that slow-burn, electric kind of connection that makes you grin into the pages like an idiot.
Their banter — sharp, clever, sometimes aching — was honestly one of my favorite parts of the whole book.
There’s something so addictive about two characters carrying so much darkness inside them and still finding reasons to laugh, to trust, to hope.
The magic system is wildly original — sinister, beautiful, and soaked in real emotional weight.
It’s not just about power. It’s about sacrifice. It’s about the pieces of yourself you give up when you’re desperate to survive.
But what stayed with me most was the aching humanity beneath all the magic.
The loneliness of carrying something monstrous inside you.
The hunger to be seen for who you really are — not just the parts that are easy to love.
The quiet, devastating question: What would you risk to save the ones who see you, even when you cannot see yourself?
Reading this book felt like wandering through a haunted fairytale — a little scary, a little romantic, a little wicked — and loving every second of being lost in it.
One Dark Window is a spell you won’t want broken.
emotional
slow-paced
Plot or Character Driven:
A mix
Strong character development:
Complicated
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
No
📖 Title: There Are Rivers In The Sky
✍️ Author: Elif Shafak
📚 Genre: Historical Fiction, Literary Fiction, Multi-Timeline Narrative
🎭 Themes: Memory & Survival, Exile & Identity, Lost Civilizations, Refugee Crisis, Cultural Erasure, The Power of Water, Generational Trauma, Bearing Witness, Resilience Across Time
⭐ Rating: 🌟🌟🌟🌟🌟/5
There Are Rivers In The Sky is a devastatingly beautiful story — one you cannot rush through.
It demands to be savored, to be sat with.
Set across the fading sands of ancient Mesopotamia and the rain-soaked streets of modern-day London, the story moves between four timelines.
Timelines and History:
• Ancient Mesopotamia (circa 600s BCE):
Collapse of Empire. Memory being buried under conquest. The idea of "what survives when empires fall."
• Victorian London (1850s):
British Empire at its peak. Artifacts stolen from ancient lands, colonial arrogance, erasure of indigenous histories.
• Colonial Mesopotamia (1920s):
After World War I. British Mandate rule, identity crises, archaeological exploitation.
• ISIS Era – Yazidi Genocide (2014):
In modern-day Mesopotamia (Iraq, Syria, Turkey, Iran), ISIS unleashed terror.
Ethnic cleansing of Yazidis, genocide, mass displacement, and a world too slow to act.
• Modern London (2010s–2020s):
Refugee crisis today. Diaspora struggles.
Survivors rebuilding fragile lives, searching for belonging, carrying memory against forgetting.
We meet Arthur, born in the sewers of London in 1840, at the edge of the Thames. His life’s mission is a quest for the sacred tablets that hold poems dating back centuries to Mesopotamia.
Narin, a nine-year-old girl in Turkey, 2014, carries her own history as a Yazidi, waiting to be baptized in Iraq by the River Tigris.
Zaleekhah, a young water scientist in 2018, studies water with a personal connection that runs deeper than science.
Their struggles converge in aching, unforgettable ways. By the final chapters, the timelines collapse into each other.
Past and present merge, reminding us that the genocides of history are never really "over."
They live on — in the displaced, in the forgotten, in the children who carry stories in their blood even when the world stops listening.
And beneath it all, echoes the Epic of Gilgamesh — the first story humanity tried to remember.
This novel asks: Where do we belong? What survives when everything else is lost? Can memory endure when the world chooses to forget? It also explores deeper questions about survival, bearing witness, cultural annihilation, and the nature of identity after exile.
What Shafak does here is extraordinary: she shows how exile is not just a matter of geography but of the heart.
She strips away the myths of civilization and progress to reveal the raw, pulsing human need beneath it all — to be seen, to be known, to be rooted somewhere, even if only in another’s memory.
When Shafak writes of rivers, she is really writing about trauma that cannot be held back, of histories that cannot be buried
What this book teaches:
• Civilization is not built on glory. It is built on graves.
• Memory is not a luxury. It is a weapon against erasure.
• Exile is not just about losing your land. It is about losing your language, your mother’s voice, your own reflection.
• Healing does not come from forgetting. Healing comes from bearing witness.
There Are Rivers In The Sky left me wrecked and awake.
It stripped away my illusions about history, about survival, about belonging.
It forced me to understand that for some, simply existing is an act of rebellion against the world’s indifference.
Some books entertain you. This one changes you.
✍️ Author: Elif Shafak
📚 Genre: Historical Fiction, Literary Fiction, Multi-Timeline Narrative
🎭 Themes: Memory & Survival, Exile & Identity, Lost Civilizations, Refugee Crisis, Cultural Erasure, The Power of Water, Generational Trauma, Bearing Witness, Resilience Across Time
⭐ Rating: 🌟🌟🌟🌟🌟/5
There Are Rivers In The Sky is a devastatingly beautiful story — one you cannot rush through.
It demands to be savored, to be sat with.
Set across the fading sands of ancient Mesopotamia and the rain-soaked streets of modern-day London, the story moves between four timelines.
Timelines and History:
• Ancient Mesopotamia (circa 600s BCE):
Collapse of Empire. Memory being buried under conquest. The idea of "what survives when empires fall."
• Victorian London (1850s):
British Empire at its peak. Artifacts stolen from ancient lands, colonial arrogance, erasure of indigenous histories.
• Colonial Mesopotamia (1920s):
After World War I. British Mandate rule, identity crises, archaeological exploitation.
• ISIS Era – Yazidi Genocide (2014):
In modern-day Mesopotamia (Iraq, Syria, Turkey, Iran), ISIS unleashed terror.
Ethnic cleansing of Yazidis, genocide, mass displacement, and a world too slow to act.
• Modern London (2010s–2020s):
Refugee crisis today. Diaspora struggles.
Survivors rebuilding fragile lives, searching for belonging, carrying memory against forgetting.
We meet Arthur, born in the sewers of London in 1840, at the edge of the Thames. His life’s mission is a quest for the sacred tablets that hold poems dating back centuries to Mesopotamia.
Narin, a nine-year-old girl in Turkey, 2014, carries her own history as a Yazidi, waiting to be baptized in Iraq by the River Tigris.
Zaleekhah, a young water scientist in 2018, studies water with a personal connection that runs deeper than science.
Their struggles converge in aching, unforgettable ways. By the final chapters, the timelines collapse into each other.
Past and present merge, reminding us that the genocides of history are never really "over."
They live on — in the displaced, in the forgotten, in the children who carry stories in their blood even when the world stops listening.
And beneath it all, echoes the Epic of Gilgamesh — the first story humanity tried to remember.
This novel asks: Where do we belong? What survives when everything else is lost? Can memory endure when the world chooses to forget? It also explores deeper questions about survival, bearing witness, cultural annihilation, and the nature of identity after exile.
What Shafak does here is extraordinary: she shows how exile is not just a matter of geography but of the heart.
She strips away the myths of civilization and progress to reveal the raw, pulsing human need beneath it all — to be seen, to be known, to be rooted somewhere, even if only in another’s memory.
When Shafak writes of rivers, she is really writing about trauma that cannot be held back, of histories that cannot be buried
What this book teaches:
• Civilization is not built on glory. It is built on graves.
• Memory is not a luxury. It is a weapon against erasure.
• Exile is not just about losing your land. It is about losing your language, your mother’s voice, your own reflection.
• Healing does not come from forgetting. Healing comes from bearing witness.
There Are Rivers In The Sky left me wrecked and awake.
It stripped away my illusions about history, about survival, about belonging.
It forced me to understand that for some, simply existing is an act of rebellion against the world’s indifference.
Some books entertain you. This one changes you.
emotional
medium-paced
10/10 — A Memoir That Lives and Breathes
Sonny Boy by Al Pacino is one of the most emotionally resonant books I’ve ever read. It’s not structured like a traditional memoir—it flows like memory itself: poetic, meandering, full of feeling.
Al Pacino doesn’t just share a rags-to-riches story; he reflects on the journey with raw honesty. He invites us into his solitude, his grief, his lifelong love for the craft. His reverence for acting, especially theater, pulses through every page. You feel his hunger, his doubt, his fire.
His thoughts on aging, loss, and searching for meaning are deeply human. There’s a quiet ache in his reflections, and a deep tenderness in how he remembers the people and moments that shaped him. It’s not just about what he did—it’s about why it mattered.
Some books you read. This one, you feel. A must-read for anyone who has ever chased a dream, loved deeply, or stood face to face with time.
Sonny Boy by Al Pacino is one of the most emotionally resonant books I’ve ever read. It’s not structured like a traditional memoir—it flows like memory itself: poetic, meandering, full of feeling.
Al Pacino doesn’t just share a rags-to-riches story; he reflects on the journey with raw honesty. He invites us into his solitude, his grief, his lifelong love for the craft. His reverence for acting, especially theater, pulses through every page. You feel his hunger, his doubt, his fire.
His thoughts on aging, loss, and searching for meaning are deeply human. There’s a quiet ache in his reflections, and a deep tenderness in how he remembers the people and moments that shaped him. It’s not just about what he did—it’s about why it mattered.
Some books you read. This one, you feel. A must-read for anyone who has ever chased a dream, loved deeply, or stood face to face with time.
emotional
funny
hopeful
lighthearted
medium-paced
Plot or Character Driven:
Plot
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes
The Love of My Afterlife by Kirsty Greenwood is a delightful blend of humor, heart, and a touch of magic. The story follows Delphie, who, after an untimely demise, is given a second chance at life and love. Her journey is both hilarious and heartwarming, filled with quirky characters and unexpected twists. Greenwood's writing is engaging, making it hard to put the book down. This novel is a testament to the beauty of second chances and the magic of love.
📖 Title: The Love of My Afterlife
✍️ Author: Kirsty Greenwood
📚 Genre: Romantic Comedy, Magical Realism
🎭 Themes: Second Chances, Soulmates, Self-Discovery, Love, Friendship
⭐ Rating: 🌟🌟🌟🌟/5
📖 Title: The Love of My Afterlife
✍️ Author: Kirsty Greenwood
📚 Genre: Romantic Comedy, Magical Realism
🎭 Themes: Second Chances, Soulmates, Self-Discovery, Love, Friendship
⭐ Rating: 🌟🌟🌟🌟/5
adventurous
dark
emotional
inspiring
mysterious
fast-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Complicated
The Will of the Many by James Islington is the best fantasy book I’ve read. This is a Roman-inspired epic high fantasy that takes the magical school trope and transforms it into something far more powerful, layered, and unforgettable. At its heart, this is a story about colonialism, power, loyalty, grief, justice, friendship, and the weight of legacy. No review I write could ever do this book justice. PLEASE READ IT!