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hybridhavoc's reviews
336 reviews
3.5
Obviously there has been a lot of fantasy written since this was published, much of which likely took this as inspiration, either directly or indirectly. I can definitely see that in some popular works. This means that as I was reading this, it was a bit like reading the lyrics to a song that I know and love but only as a cover.
It's a quick read, and not offensive in any way. If you're a fan of fantasy and haven't read this, you probably should at some point.
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? No
3.75
With that said, there's not much new ground covered here really. Nothing about this is offensive I don't think.
Moderate: Gun violence, Medical content, Death of parent, Murder
Minor: Confinement, Violence, Grief, Car accident
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
4.0
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Moderate: Self harm, Suicide, Xenophobia, Blood
Minor: Terminal illness, Grief, Murder, Alcohol
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
The second story, Turquoise Days, has us spending some more time with the Pattern Jugglers. They are such an interesting element of this universe. I especially appreciated how real and complex the relationship between the sisters felt.
Moderate: Body horror, Death, Medical content, Murder
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? No
3.0
The best thing I can say for this sequel is that at least coffee took a back seat.
If you like meetings, this book is for you.
Graphic: Mental illness
Moderate: Murder
Minor: Rape, Slavery
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? No
5.0
Highly recommend.
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.0
I was also initially a little thrown off by wildly different tones in the book, but it turned out that there were pretty decent in-world reasons for this.
That actually makes sense. Saint Death's Daughter and Nettle & Bone are both firmly fantastical fantasy. Nettle & Bone was likened to a modern fairy tale and I would agree with that. Saint Death's Daughter feels like it's walking a similar path to me.
If you're a fan of epic fantasy or Sanderson fantasy and you come into this book with that expectation, you may be disappointed.
My only issues with the book are:
- The structure thing I've already mentioned, which stopped being a real issue once I reoriented.
- Action and tension are often paused for exploring a character's feelings/thoughts or touching moments.
- The ending felt a bit unsatisfactory.
Yes, Miscellaneous saved the day but granting mercy and being banished just wasn't what I wanted there.
Moderate: Animal death, Slavery, Suicide attempt
Minor: Bullying, Chronic illness, Cursing, Death, Torture, Violence, Blood, Death of parent, Murder, Injury/Injury detail
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
My largest issue with the book is that the author seems very taken with their magic system and everything else seems to mostly be in service to that. Most of the characters seem flat and inconsistent; knowledge of the world is info-dumped on us very abruptly; dialogue is often to-the-point in a way that feels incredibly unnatural and isn't even necessary. Sometimes the book just skips over what should be important dialogue. Need to convince this character to betray their own family? "He told her only what she needed to hear." That's not a conversation, that's a cop-out.
I know that the trend for modern fantasy is all about hard magic systems, and it seems like that is maybe where the love for this book comes from. After all, it does have what seems to be a clever magic system. I hesitate to call it a hard magic system though, as there are almost no actual details provided, and very little in the way of hard boundaries set. That makes sense, given that the magic system is basically programming, and when you're programming reality there aren't many boundaries beyond your knowledge and imagination. But by its very nature, then, I can't view this as a hard magic system. There is no point at which the author can't simply say "Sure they're in a pickle right now, but what's this? They just got cleverer and came up with a new bit of programming."
I think the part of the book that had me eye-rolling the hardest has to be the villains. They are absolute caricatures, the flattest of flat characters. I suspect that this, at least, gets better in future books in the series. But I honestly can't know for certain because almost none of the characters are consistent in this book.
There is more positive than negative in Foundryside, but I don't think there's enough positive for me to keep going with the series.
Graphic: Misogyny, Sexism, Violence, Police brutality, Medical trauma
Moderate: War, Classism
Minor: Domestic abuse, Infidelity, Rape, Sexual assault, Slavery
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.0