lighterthaneyre's reviews
169 reviews

The Fall of Babel by Josiah Bancroft

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emotional hopeful mysterious medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes

5.0

Laura Dean Keeps Breaking Up with Me by Mariko Tamaki

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emotional medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0

When the oracle said "Dump them" I felt such kinship
I Want to Be Your Doll by Mira Ong Chua

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emotional lighthearted fast-paced
  • Plot- or character-driven? Character
  • Loveable characters? Yes

3.75

Nettle & Bone by T. Kingfisher

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adventurous dark medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? No

4.0

A Dowry of Blood by S.T. Gibson

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dark reflective slow-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? N/A
  • Flaws of characters a main focus? It's complicated

2.75

I found nothing to take issue with in this book. Unfortunately neither did I find anything particularly engaging

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Small Game by Blair Braverman

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emotional reflective medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes

4.0

Character study for a cast facing Unknowns

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The City of Brass by S.A. Chakraborty

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Did not finish book. Stopped at 17%.
I just really didn't enjoy the male character that is the main character's POV into the magic world. He kidnaps her and is hostile and threatening and she keeps thinking "gosh he's got guess I should escape now"

I only got 1 chapter of the prince POV character and. He's just naive to the point of stupidity and has huge racism blinders. I wasn't having a good time so I stopped.

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The Hod King by Josiah Bancroft

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emotional mysterious medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes
Fuck this book is a good. The series as a whole as well. This one really is a mediation of the social constructs of society and how they chew people up and spit them out, and people's different reactions to that. More interpersonal than economic or physical forces.

Also Edith crushing the shit out of the Duke is morally questionable but Fuck was I all for it. What does that make me? A somewhat misandrist Lesbian

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Nona the Ninth by Tamsyn Muir

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adventurous funny tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? No

5.0

Catherine House by Elisabeth Thomas

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dark mysterious reflective medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

4.0

Call Your Dad, You're In a Cult
Honestly this is the sort of book that you need to read and then talk about for a while. Or think about for just a really long time.

Like, how so many behaviors of the students strike me as "yeah college kids do that" (igloo, stupid sex, drinking, all nighters) and an overlapping subset of behaviors scream Cult (chanting, alcohol literally always available, group think like consensus over house issues).
Or how the gothic theme of the house Decaying gets dropped after the first real batch of brain washing and is replaced with the sense of the house not decaying after death but Watching and Trapping students like a living thing.
Or how Yaya rules.
Or how clearly the school is filtering for people who would be vulnerable to high control groups but still manages to have such a prestigious reputation.
Or why the repairing magic isn't used to fix the house.
Or how timeless this feels even though this is set in 96-99, and feels very fluid in the timeline as we go. Dreamy, disassociated.
Or how we never see Theo's interior motivations- when did his love turn to something that wanted to kill/freeze his beloved? When did he Turn?
Or how the main character's feelings and motivations change so drastically from semester to semester without alarm from the narrator- her attitude towards attending sessions, towards class work, towards connecting emotionally with other students. It clearly coincidences with the stint in the Tower and the brain washing, but it's like even with clearer hindsight the magnitude doesn't hit. Like the narration is disassociating from the story.
Or how Ines's strongest defense was her disassociation and when she lost that (clearly damaging, bad) habit, she was left vulnerable to being taken over by the House.
Or what made Ines such a good candidate- her thesis was apparently "incomprehensible" and she thought "sideways"- I don't quite get what that means.
Or how intimate it is to refer to the place, the mentality, the Whole simply as Catherine. And how other colleges/orgs have similar intimacy.
There's more but yeah- it's the sort of book you need to mull over


I would honestly read analysis essays about this just because the story feels like a hazy surface over depths that we can just barely reach.

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