The usual Murakami weirdness and out-of-pocket sexual comments were still present in this illustrated story collection, but it didn't detract from the stories too much. The artistic style was jarring and sometimes to the the stories' detriment, but overall added to the surrealist minimalism Murakami is known for. 3.75/5.
The Cautious Traveller's Guide to the Wastelands by Sarah Brooks was an incredible debut novel that I could very much see myself returning to due to its vast richness. The story takes us through the travails and travels of the Trans-Siberian Railway, traversing between Beijing and Moscow at the end of the 19th century. Along this railway is a landscape called the Wastelands, filled with imagined horrors the traveller is encouraged to not attend to for fear of devolving into insanity.
Each section is offset by portions of the eponymous guide written by a trip advisor years earlier. Within each of these portions are chapters written from the perspective of a diverse ensemble of characters. Though I enjoy this type of story, it did take some effort to recall which character was which, but this didn't detract from the bulk of the story.
This book didn't hurt for thematic content. Critiques of globalization, colonialism, capitalism, and xenophobia abound. Yet themes of searching for identity through twin pursuits of individuality & community, ecological stewardship, and what it means to be human are sprinkled throughout just as liberally.
Brooks deftly combines the best elements of Jeff Vandermeer, Ursula K. Leguin, Susanna Clarke, and Josiah Bancroft in this wonderful book. It hit all my magical realist needs in a wonderfully diverse historical fiction setting. All in all a 4.25/5 star read. Thanks to NetGalley and Flatiron Books for this ARC edition in exchange for an honest opinion.
The pacing was slow, the character development was slim, and I couldn’t get past how it felt the author was talking down to the reader. Whenever she included a Chinese or Japanese word, she would proceed to give a definition from the character’s point of view. This caused it to feel more like a bad attempt at young adult fiction than a well developed adult novel.
I really thought I'd enjoy this book more than I did. The premise of a first-generation Palestinian-American woman exploring oppression, intergenerational trauma, and all that comes with that is very much up my alley. Unfortunately, this fell short. Obviously the reader is primed to be sympathetic to the protagonist, Yara, but the character development was incomplete. That was especially clear in how secondary characters were written. They had no depth, with Yara's being pretty minimal at times. Though I did like how Rum painted well-meaning white people as being just as racist with their microaggressive comments, the dialogue and presentation of this (as well as dialogue as a whole) was repetitive, superficial, and unrealistic. There were plenty of opportunities to dive into these themes more deeply rather than creating a fairly obvious and unsatisfying story. Ultimately, this read like a YA novel rather than something designed for older readers. 2.5 stars.
I admittedly was not in a good mental space reading this so it took me a while, but I enjoyed the plot for the most part. Tchaikovsky did an excellent job continuing the world building and characterization he did well on with the first book of the series, but he seems to suffer from padding, which makes the pacing a bit off-kilter; that's the primary reason I rated this a 3.5/5 instead of 4/5. Granted, my own attention span could have been the biggest part to blame in that, but I hold firm that this book probably could have been at least 50 pages shorter. Enjoyable, nonetheless.