Reviews with content warning for Xenophobia - The Centre

Reviews tagging 'Xenophobia'

The Centre by Ayesha Manazir Siddiqi

19 reviews

gardens_and_dragons's review against another edition

dark mysterious tense medium-paced

Plot- or character-driven? A mix
Strong character development? No
Loveable characters? No
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

3.5

The definition of an unlikable main character: she is frustrating because she oscillates between hyper-analytical and appallingly narcissistic. She was fun to listen to in audiobook form, but it was also frustrating because I disagreed with some of the major choices she made.

I think this was fascinating look at (some kinds of) translation as a product of colonization and capitalism versus for love of other people. But also, I think that it was fairy predictable based on the themes and dialogue from one of the side characters. I enjoyed it mostly but did drop it down a bit because it meandered quite a bit and the story again, was a bit predictable once I thought about it more.

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beanith's review

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dark mysterious tense slow-paced

Plot- or character-driven? A mix
Strong character development? It's complicated
Loveable characters? No
Flaws of characters a main focus? It's complicated

4.25

To be clear, I don’t think I’d recommend this book to anyone. At least not lightly or casually. But I am giving it at least 4 stars (going back and forth between a 4 and 4.25). The themes, content, and characters of The Centre all require a willingness from the reader to just listen, even if they hate what they’re hearing.

Cannibalism. I knew it was coming - I spoiled it for myself when adding the book to my TBR, and again when I looked up the Jacques Derrida quote Shiba likes. But even knowing that there would be cannibalism didn’t desensitize me to the reveal - it was gross, made worse by how the founders of The Centre carry themselves with an air of enlightenment, sophistication, wisdom, elitism, etc.

I read Tender is the Flesh a couple of years ago and honestly, I don’t want to read another cannibalism book. I know as a theme and metaphor the girls are loving it (hello Ethel Caine, Bones and All, and Hannibal TV show) but I am not one of those girls.

Luckily, I think the cannibalism here is not a metaphor for an all consuming love (or whatever the girls are saying on Twitter). I think the characters delude themselves about their actions being justified or even morally superior because they obtained (dubious) consent. They convince themselves that they can live on forever this way. I think this is more or less an exercise in the extremes privelleged people go to not interact with the real problems of today (poverty, inequality, inaccessibility) in order to create a flimsy vision of the future. A future that seems to only benefit them and their circle.

Let’s talk characters

Anisa: if you need a main character to be likable

or redeemable

then do not pick up this book. She starts off pretty neutral, maybe a little lost in a general quarter life crisis way. But as the book goes on her anxieties, insecurities, preoccupations and judgements take center stage.

She is unwilling to confront her own class and wealth privilege despite being hyper critical of the world around her. She’s manipulative (especially to Adam, and later, heartbreakingly, to Naima) and she cares more about how people see her vs how she treats them. She seems more motivated by curiosity than goodness.

She’s interesting to read from but not exactly easy to empathize with (not that you always need to empathize with a character, anyway).

Naima: The realest one, ride or die, if Naima has 0 fans then I am dead. She is full of life and genuine emotion and reflection. Not academically fetishized enlightenment.

Adam:

Adam enters and leaves the narrative without much fanfare, but I was surprised to find myself rooting for him when he was fighting with Anisa. It’s easy to make fun of Adam , especially when Anisa picks him apart for most of their relationship. But he is the one to throw the first flag and tell her that she is selfish.

Shiba: Cool, mysterious, thoughtful. She seems representational of what Anisa feels like she lacks. But also, she has a life outside of Anisa.

Still fucked up. I’m sorry, joining your dad’s cannibalism cult is not the power move you think it is.

I think this book is messy and imperfect but I think that it gives a lot to ponder by the end. Not black and white moral ponderings (the things that are morally wrong in this book are self evident to me), but thoughts on class, race, gender, language, respect, dignity, consent and privilege.

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zarakoconnor's review against another edition

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dark informative reflective slow-paced

Plot- or character-driven? Plot
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.5

Amazing commentary on colonialism, language and racism. Very reflective about the value we hold in non western voices, especially in story telling. Would recommend to anyone wanting to diversify their reading.

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mcluster1's review against another edition

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dark informative mysterious fast-paced

Plot- or character-driven? A mix
Strong character development? No
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? It's complicated

4.75

This was such an interesting read. It is in a similar vein as bable, but modern and feminist sci-fi take. This was almost a 5 star for me, but I felt like the ending was a little unsatisfying.

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samanthaleereads's review

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dark emotional funny mysterious tense medium-paced

Plot- or character-driven? Plot
Strong character development? It's complicated
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

3.0

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albernikolauras's review against another edition

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dark emotional mysterious tense fast-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.75

This might end up being a favorite of the year. I just don't know.

The Centre follows Anisa as she finds out about a language school that allows you to master the language in 10 days (for quite a price) and how Anisa's life changes because of it. This book is rich in character study as you follow Anisa into her obsession of becoming a renowned translator. This book drips with discussions on colonialism and its affects on language, people, and their families. I think it handles this discussion on a level that I wished Babel had (disclaimer - I DNFed Babel 30% in so maybe it changed).

Such a fun book with such a complicated character.

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btaylorb's review against another edition

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dark emotional funny mysterious tense medium-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

5.0

I loved this, it's incredibly dark and has a leisurely, lush tone that contrasts well with the sense of high tension every time the main character goes to The Center. As always in a good horror novel, this story uses those glimpses at the monster behind the curtain to shed light on things that are truly horrific: racism (particularly through the supremacy of the Western canon and Western European language), classism, and sexism. Meanwhile the body horror, when it's revealed is more subdued. There's also a really good red herring early on that I would occasionally remember throughout the story and then gradually forget about. I loved how flawed and earnest the main character is: She is by turns introspective and aware of her privilege as she delves into why she's so unhappy, but also often blind and uncaring toward other characters.

I thought the use of different languages throughout, in particular Urdu, the MC's first language, was really well executed. I listened to the audio version where the Urdu dialogue is read by the narrator, but as far as I can tell they're not always translated for the listener. Apparently, these sections are also not delineated by italics in the physical or ebook editions. I think this is such a clever way to create a sense of intimacy with the characters and reinforce some of what the book is exploring around language and communication. I don't feel at all like I lost anything by not understanding those few sections. In the final section of the audiobook, the author gives an interview where she talks about the idea that if you don't understand something, it might just not be meant for you, and that's okay - and this is sometimes a central point of the story.

Also noteworthy: There's one passage toward the end where a racial slur gets bleeped in the narration of the audio. I'm going to glance at the physical copy at my library, because I'm curious if it's similarly censored in some way in the text. I would love to know if this was an authorial choice or an editorial one for the audio edition; I'm hopeful it's the former because, given the premise, I think that's an interesting and powerful detail.

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melanieripple's review against another edition

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dark mysterious reflective slow-paced

Loveable characters? It's complicated
Diverse cast of characters? Yes

4.5

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bcrowes11's review against another edition

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challenging dark mysterious tense fast-paced

Plot- or character-driven? Plot
Strong character development? No
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

3.75

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