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tamara_joy's review against another edition
sad
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.5
Content Warnings
Graphic: Toxic friendship
Moderate: Classism, Sexual assault, Bullying, and Alcoholism
Minor: Death of parent, Domestic abuse, Car accident, Injury/Injury detail, Abandonment, Infidelity, and Chronic illness
julesghouls27's review against another edition
medium-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Flaws of characters a main focus? Yes
3.0
Meche was a little shit who did not deserve her ending. This story spans from 1988 to 2009 and yet despite all that time, our main character barely grows as a person. I spent the entire time wondering when Meche was finally going to realize what a terror she had been back at 15 and genuinely apologize for her mistakes, but was left wanting. Despite my dislike for Meche, I really enjoyed the rest of this book. It was fun getting to slowly watching the friend group unravel while also dealing with the aftermath 2 decades later.
Content Warnings
Moderate: Alcoholism, Car accident, and Sexual assault
Minor: Homophobia
hanz's review against another edition
emotional
reflective
medium-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Flaws of characters a main focus? Yes
2.0
Didn't really enjoy this. The balance between the two time lines wasn't great and I was hoping for more of the adult time line. Meche is horrible and there's no evidence she's grown at all as an adult and I don't understand how her friends can forgive her when she shows very little remorse, even twenty years later.
Some nice writing (as always from Moreno Garcia!), but I didn't enjoy it as much as I've enjoyed her more recent work.
Some nice writing (as always from Moreno Garcia!), but I didn't enjoy it as much as I've enjoyed her more recent work.
Content Warnings
Graphic: Bullying, Car accident, Physical abuse, and Violence
Moderate: Sexual assault, Infidelity, and Medical content
emtees's review
emotional
reflective
sad
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Signal to Noise feels a bit like a Mexican take on The Craft, but with lowered stakes and more naturalistic characterization. It’s a story where magic is both central to the plot and beside the point, filled with difficult, often unlikeable, but very real characters who you want to root for anyway.
In 1988 Mexico City, Meche Vega is a unhappy, outcast teenager, getting through a life of dysfunctional parents and high school bullies thanks to her obsessive love of music and her two best friends, Sebastian and Daniela. After she accidentally uses music to cast a spell that injures one of her bullies, Meche goads her friends into studying magic, writing their own grimoire and amassing a collection of records that will allow them to cast spells. At first, the trio use their magic for the kinds of things fifteen-year olds might dream of: extra cash or a dance with the right boy at a party. But as their control over their magic grows, Meche begins to think magic has a different purpose - to get her revenge on all the people who are the target of her considerable anger. And once romantic drama and personal grudges are in the mix, the anger Meche has always directed at the outside world begins to turn on her friends.
Twenty years later, Meche returns to Mexico City for the first time since high school to attend funeral services for her father. Her goal is to pay the limited respect required, clean up her father’s apartment, and get back to her peaceful life in Norway. But being back in Mexico means encountering her old friends and the memories of how their last spells drove them apart, and wondering if there might be something there to salvage after all.
There was so much that I liked about this book. The handling of magic in it is very interesting. It felt like it sat on the line between fantasy and magical realism. The magic is absolutely real, but it feels very natural within the regular world of 1980’s Mexico City. There isn’t a lot of time spent defining the rules; instead, magic seems to be a natural force that different characters can access through the things they are passionate about. In the case of Meche and her friends, that means music, and the “spells” they cast while dancing to their favorite songs are some of the best scenes. The magical realism aspect fits in the way that magic seems to be mostly a teenage thing; though we see that other people can control magic, it is the teenagers who are powerful with it, and once they grow into adulthood, it doesn’t seem to fade so much as they move past it. Magic in this world seems to be part of the particular teenage period where emotions are heightened and even small things matter intensely.
The characters are the other big strength of this story. Meche is the POV character for the parts set in 2009, as well as the main POV for the 1980s scenes (Sebastian and Daniela also get POVs, as does Meche’s grandmother, Dolores, and her father, Vicente.) She is a great character because Moreno-Garcia doesn’t stint on showing us her unlikeable traits. As a teenager, Meche is sharp-tongued, angry, often rude and cruel, and deeply uncomfortable with expressing or receiving affection. As an adult she’s… honestly, kind of the same. She’s a prickly, difficult character to follow, but being in her head you see the ways that no one is harmed more by her anger than Meche herself, and root for her to fight her way past her instinct to lash out and instead make connections. The other characters are also complex and distinct. I appreciated that, unlike in some novels focused on teenagers, there is no glamorizing of teenage life here. Meche and her friends are outsiders, not in the cool, misunderstood way, but in the awkward, pimply, badly dressed and often embarrassing way. Their relationships are both intense and uncomfortable, full of stupid misunderstandings, overreactions and petty, intentional cruelties but also the unique bonds that maybe can only form at that age.
What worked less for me in this book was the balancing of some of the storylines and themes, and the pacing. A large part of the 2009-timeline plot focused on Meche cleaning out her late, estranged father’s apartment, trying to reconnect with a man she’d long ago cut out of her life. The importance of her father’s death and her mixed feelings about their relationship in this storyline felt like it should have been balanced by some kind of focus on their relationship in the 1980’s storyline, but that wasn’t really there. Vincente is a POV character in the 1980’s storyline, but his story is slight and feels disconnected from Meche’s. The emotional drive of her story as a teenager is much more focused on her relationships with her friends and with magic than it is on her father until very late in the book, and by then it felt like the author was suddenly trying to give weight to that relationship to justify it mattering so much in the future. Meanwhile, the whole book seemed to be building to a confrontation between Meche and her friend Sebastian in 1989 that was still reverberating twenty years later, but it took so long getting to that confrontation, and then kind of rushed through it, that I didn’t feel there was time to really weigh its importance to the story. The end then wrapped up pretty quickly.
Silvia Moreno-Garcia was a new author to me and I’m looking forward to reading more of her work.
In 1988 Mexico City, Meche Vega is a unhappy, outcast teenager, getting through a life of dysfunctional parents and high school bullies thanks to her obsessive love of music and her two best friends, Sebastian and Daniela. After she accidentally uses music to cast a spell that injures one of her bullies, Meche goads her friends into studying magic, writing their own grimoire and amassing a collection of records that will allow them to cast spells. At first, the trio use their magic for the kinds of things fifteen-year olds might dream of: extra cash or a dance with the right boy at a party. But as their control over their magic grows, Meche begins to think magic has a different purpose - to get her revenge on all the people who are the target of her considerable anger. And once romantic drama and personal grudges are in the mix, the anger Meche has always directed at the outside world begins to turn on her friends.
Twenty years later, Meche returns to Mexico City for the first time since high school to attend funeral services for her father. Her goal is to pay the limited respect required, clean up her father’s apartment, and get back to her peaceful life in Norway. But being back in Mexico means encountering her old friends and the memories of how their last spells drove them apart, and wondering if there might be something there to salvage after all.
There was so much that I liked about this book. The handling of magic in it is very interesting. It felt like it sat on the line between fantasy and magical realism. The magic is absolutely real, but it feels very natural within the regular world of 1980’s Mexico City. There isn’t a lot of time spent defining the rules; instead, magic seems to be a natural force that different characters can access through the things they are passionate about. In the case of Meche and her friends, that means music, and the “spells” they cast while dancing to their favorite songs are some of the best scenes. The magical realism aspect fits in the way that magic seems to be mostly a teenage thing; though we see that other people can control magic, it is the teenagers who are powerful with it, and once they grow into adulthood, it doesn’t seem to fade so much as they move past it. Magic in this world seems to be part of the particular teenage period where emotions are heightened and even small things matter intensely.
The characters are the other big strength of this story. Meche is the POV character for the parts set in 2009, as well as the main POV for the 1980s scenes (Sebastian and Daniela also get POVs, as does Meche’s grandmother, Dolores, and her father, Vicente.) She is a great character because Moreno-Garcia doesn’t stint on showing us her unlikeable traits. As a teenager, Meche is sharp-tongued, angry, often rude and cruel, and deeply uncomfortable with expressing or receiving affection. As an adult she’s… honestly, kind of the same. She’s a prickly, difficult character to follow, but being in her head you see the ways that no one is harmed more by her anger than Meche herself, and root for her to fight her way past her instinct to lash out and instead make connections. The other characters are also complex and distinct. I appreciated that, unlike in some novels focused on teenagers, there is no glamorizing of teenage life here. Meche and her friends are outsiders, not in the cool, misunderstood way, but in the awkward, pimply, badly dressed and often embarrassing way. Their relationships are both intense and uncomfortable, full of stupid misunderstandings, overreactions and petty, intentional cruelties but also the unique bonds that maybe can only form at that age.
What worked less for me in this book was the balancing of some of the storylines and themes, and the pacing. A large part of the 2009-timeline plot focused on Meche cleaning out her late, estranged father’s apartment, trying to reconnect with a man she’d long ago cut out of her life. The importance of her father’s death and her mixed feelings about their relationship in this storyline felt like it should have been balanced by some kind of focus on their relationship in the 1980’s storyline, but that wasn’t really there. Vincente is a POV character in the 1980’s storyline, but his story is slight and feels disconnected from Meche’s. The emotional drive of her story as a teenager is much more focused on her relationships with her friends and with magic than it is on her father until very late in the book, and by then it felt like the author was suddenly trying to give weight to that relationship to justify it mattering so much in the future. Meanwhile, the whole book seemed to be building to a confrontation between Meche and her friend Sebastian in 1989 that was still reverberating twenty years later, but it took so long getting to that confrontation, and then kind of rushed through it, that I didn’t feel there was time to really weigh its importance to the story. The end then wrapped up pretty quickly.
Silvia Moreno-Garcia was a new author to me and I’m looking forward to reading more of her work.
Content Warnings
Moderate: Gaslighting, Sexual assault, and Bullying
Minor: Alcoholism
There is an incident of pretty violent assault by bullies against a teenager. Another incident involves an adult attempting to sexually assault a teenager, who is then not believed by authorities when she reports it. There is a background storyline involving alcoholism.hermyknee19's review
adventurous
lighthearted
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Content Warnings
Graphic: Classism
Moderate: Violence
Minor: Sexual assault
lattenightreviews's review against another edition
adventurous
emotional
funny
mysterious
sad
slow-paced
- Plot- or character-driven? Character
5.0
Content Warnings
Graphic: Sexual assault
elizlizabeth's review
adventurous
emotional
tense
fast-paced
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
I usually like SMG's protagonists but I couldn't sympathize with this one at all. There's little to no character development for anyone else too.
It was a good premise but the plot took a very convoluted turn and the singer/song name dropping was exhausting. I don't wanna be too harsh because SMG did grow up as a writer overtime and there are much worse books in this genre but I wouldn't re-read unless I could drag someone along.
It was a good premise but the plot took a very convoluted turn and the singer/song name dropping was exhausting. I don't wanna be too harsh because SMG did grow up as a writer overtime and there are much worse books in this genre but I wouldn't re-read unless I could drag someone along.
Content Warnings
Graphic: Violence, Bullying, Sexual assault, and Pedophilia
Moderate: Alcoholism
anxiousnachos's review
emotional
3.5
3.5 stars? You can definitely tell it’s one of Silvia Moreno-Garcia’s earlier works, I thought the writing was a little wooden at times, particularly the dialogue. But it is also has an undercurrent of nostalgia and young love and the kind of friendship that makes the room sparkle with magic.
Content warnings: death of parent, grief, homophobia, f-slur, bullying, poverty, sexual assault (teacher attempts to assault student), alcoholism, brief mentions of physical child abuse
Content warnings: death of parent, grief, homophobia, f-slur, bullying, poverty, sexual assault (teacher attempts to assault student), alcoholism, brief mentions of physical child abuse
Content Warnings
Graphic: Bullying, Alcoholism, Death of parent, and Homophobia
Moderate: Sexual assault
Minor: Child abuse
wenwanzhao's review
emotional
mysterious
reflective
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.5
I love a female protagonist who makes horrible decisions. I love magical realism. I love two people with a fucked up relationship that works for them. Great book.
Content Warnings
Moderate: Medical content, Alcoholism, Homophobia, Infidelity, and Sexual assault
taratearex's review
hopeful
mysterious
reflective
relaxing
fast-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
I loved this so much! I love when Silvia Moreno Garcia writes about music, this really gave me High Fidelity vibes, but with magic.
Just like all of her work there is so much depth in the story, even in her debut, you really see the early markings of what makes her writing so great. The jumping back and forth in time was perfectly used in this book, I was so attached to the story in each timeline as more was revealed, truly compulsively readable. Magic, nostalgia, morally grey characters, teen angst, adults trying to come to terms with their past choices, so much love for music, and magic!
I definitely recommend picking this up, especially if you loved Velvet was the Night, but even as an entry to her work if you've never read anything by her before. It's truly a gem!
I'm so glad this debut novel got a re-release or I may not have picked it up right away. Thank you to the publisher and Net Galley for an e-ARC of this book. I can't wait to add the physical copy to my collection for re-reading.
Just like all of her work there is so much depth in the story, even in her debut, you really see the early markings of what makes her writing so great. The jumping back and forth in time was perfectly used in this book, I was so attached to the story in each timeline as more was revealed, truly compulsively readable. Magic, nostalgia, morally grey characters, teen angst, adults trying to come to terms with their past choices, so much love for music, and magic!
I definitely recommend picking this up, especially if you loved Velvet was the Night, but even as an entry to her work if you've never read anything by her before. It's truly a gem!
I'm so glad this debut novel got a re-release or I may not have picked it up right away. Thank you to the publisher and Net Galley for an e-ARC of this book. I can't wait to add the physical copy to my collection for re-reading.
Content Warnings
Graphic: Bullying
Moderate: Car accident, Homophobia, Body shaming, Death of parent, Fatphobia, and Sexual assault
Minor: Domestic abuse