Reviews with content warning for Sexism - The Lies of Locke Lamora

The Lies of Locke Lamora excels in every aspect that most modern fantasy novels strive to perfect. The setting is intricate and lived-in; there are details and systems in the setting that take time to fully understand, and the author doesn't inundate you with all the exposition you're going to need at the start of the book. Magic exists, but enough questions are answered that we don't have to ask: if so-and-so is possible, why haven't these societal problems been fixed by now? Lynch's plot is also one that is completely original. Our protagonist is one of the classic fantasy archetypes: the scoundrel, but beyond that the narrative is always shifting organically. There are no points where I'm aware of the plot structure; where the story is simply going through the motions. This is a fantastic entry in modern fantasy, and I can understand why it's so well renowned. 9.5/10.

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kaziaroo's review against another edition

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adventurous dark mysterious tense slow-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? No
Flaws of characters a main focus? Yes

3.5

This book was okay. I didn't love it, didn't hate it.

Things I liked:
- the characters and their relationships were likeable and interesting, and the side characters were fun
- it was entertaining to read and the ending was satisfying. It would be fine as a stand-alone read – I haven't yet decided whether to read the sequel
- the setting was very rich and felt like a real place – I loved the Falselight and the Elderglass structures. The religious and social settings were also interesting.

What I didn't like:
- Unfortunately my Kindle edition didn't come with a map but I think paper editions do. A map would have made the characters' movements easier to follow.
- There's a lot of swearing – obviously this is personal preference and I did get used to it after a while.
- a lot of the dialogue felt very modern (and American) and at odds with the historical, Italian-inspired setting. Hearing members of the nobility coming out with phrases like "surely you must be kidding" was jarring and took me right out of the story. Characters of different social backgrounds also all seemed to talk in the same way.
- the pacing was all over the place. One moment there's a flurry of action and the next there's thirty pages of trying to swindle some stuffy bankers out of their clothes. I found the first half pretty boring and the second half only just made up for it. The narrative style is very episodic, almost more suited to a magazine or TV show than a novel.
- the main villain is very mysterious, but actually so much so that I found it harder to take him seriously. When we do find out more about him, it's in an info-dump right near the end of the book.
- although I praised the setting, I did find the book a bit too descriptive. I didn't really care what specific food the characters were eating or what it looked like, or the precise sectors of the city the characters walked through from A to B. Maybe if I'd had a map... The narrator also name-drops a lot, and my edition didn't have a glossary either. There are a lot of names of gods, locations, months/days, etc and I ended up skimming over whole sentences that were just a string of unfamiliar names that had no bearing on the rest of the book.

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_fallinglight_'s review against another edition

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adventurous challenging dark funny mysterious slow-paced

Plot- or character-driven? A mix
Strong character development? No
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? It's complicated

2.75

This is a book you have to really want to be into to enjoy and that wasn't me. It's intolerably long and overly descriptive yet with unmoving writing. I mean, I love some good world building but this was too much. I hope I never see the word “interlude” again. And though I did eventually like Locke enough, for the most part the characters were underdeveloped to the point I was stone faced when serious things happened to them bc I couldn't connect with them at all. But I did like the Gray King's coup. It was violently ruthless and gory and one of the few moments here where things actually happened and you know what? The Gray King had some points. Also, I don't know about yall but I found this book so moralistic at points, like shut up. But I'll give credit to Mr. Lynch's writing in one regard. The way he writes prayers is actually so heartfelt and they're kinda beautiful. And I liked that there wasn't too much cynism in regards to religion here compared to other dark fantasy books that do that to show how gritty and irreverent the characters/world is and blah blah.

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triforception's review

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adventurous dark funny tense fast-paced

Plot- or character-driven? Plot
Strong character development? No
Loveable characters? Yes
Diverse cast of characters? No
Flaws of characters a main focus? Yes

4.0

This shit slaps. Locke Lamora starts out weirdly slowly - I didn’t break page 100 on my first attempt, but once you get over the prologue and first little bit, it absolutely grabs you and does not let go. It’s paced in some ways like a rollercoaster - the tension rachets up further and further and further until it explodes and you’re in free-fall, just for it to start ramping things up again even higher.
The writing is clever enough that it can be almost annoying in places, almost as though it were being written by the protagonist, who is a wonderfully arrogant and frustrating and loveable little shit. Speaking of these characters, they’re very effective at provoking the intended reaction from the reader. Locke Lamora is competent enough that his arrogance is justified, but vulnerable and susceptible to failure enough that he never comes off as invincible (and this boring). His companions are all likeable in their own way, and the book is excellent at making you attached to this (fairly morally dubious) gang of criminals, and very very good at making you hate and fear their enemies. The lack of diversity is a bit disappointing- while the book features formidable female characters, none of them are main protagonists and there are no LGBT characters to be found. That said, The Lies of Locke Lamora is a dryly funnny, often very dark, always extremely exciting fantasy novel and I look forward to picking up the sequel.

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grayscale08's review

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adventurous dark emotional funny reflective tense slow-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? No
Flaws of characters a main focus? It's complicated

4.5

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cynicalraven's review against another edition

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adventurous dark slow-paced

Flaws of characters a main focus? Yes

3.25

Un romanzo un po' lento a ingranare, prevedibile in certi punti, specie quando inizia a morire gente, facilissimo intuire chi saranno le vittime, dato che sono macchioline sullo sfondo con una personalità piatta come un foglio di carta

I Sanza e Cimice hanno la stessa personalità. Si capisce benissimo che muoiono dato che fra i Bastardi si distinguono solo Locke e Jean.

Avrei preferito più presenza femminile all'interno del romanzo, dato che le pochissime donne nominate o non sono presenti nella storia, o muoiono.

si salva giusto Sofia Salvara, dato che Donna Vorcenza passa giusto il testimone e decide di levarsi dai coglioni. Nazca invece era la mia preferita

L'ho trovato un po' ripetitivo e scontato, nonostante abbia molto apprezzato l'ingegno di Locke, la storia era sempre quella. Fa qualcosa di intelligente e finisce ne guai o viene pestato. Perché è di costituzione esile e gracile, cosa che viene enfatizzata all'estremo nel libro. Ho apprezzato che non fosse la stereotipata massa di muscoli di molti libri di simile genere, però dopo la decima volta che lo ripeti mi rompo le scatole.

in quanto alla prevedibilità era ovvio che il libro finisse con Raza e il falconiere morto.

Ciò che maggiormente ho apprezzato è l'amicizia che lega i ragazzi, specie Jean e Locke. Non si leggono spesso storie di amicizie maschili che non cadano nel nulla più assoluto o che non consistano nel rimorchiare ragazze.

In generale ho trovato la traduzione/scrittura un po' pesante. Ho tuttavia adorato il linguaggio scurrile usato dai personaggi, a volte se ne escono con insulti stupendi.

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