Reviews tagging 'Blood'

The Final Girl Support Group by Grady Hendrix

341 reviews

rancarox's review

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dark mysterious tense fast-paced
  • Plot- or character-driven? Plot
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

2.5

This book started out so strong, but the ending/reveal was disappointing (and honestly just kind of silly?) 

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pandorasaidoops's review

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adventurous dark funny tense fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0

Excellent choice if you like stories from unreliable narrators.

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romonko's review against another edition

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challenging dark mysterious tense fast-paced
  • Plot- or character-driven? Plot
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

1.0

In my own personal opinion, this book is garbage.  It is the most graphic, viscious and depraved book that I've ever read.  
The only reason that I read it was because it was a gift box book.  I am sure that there are fans of the horror genre that have read this and enjoyed it, and I am sorry to disagree with them. I read it to the end, even as difficult as it was, and am kind of glad that I did as the end was the only tiny flicker of light in the entire book.  The descriptions of the slayings are so horrendous that I am afraid I skipped through most of them.  The characters are a depraved and vicious lot.  At some primal level, I can understand how anyone that had gone through and seen the horrors that these girls have lived through would forever be scarred and unable to function normally.  It is the most extreme form of PTSD that there is.  That at least came through loud and clear in this book.  Each of the victims had their own coping mechanisms, and each relied on their group therapy to help them through it.  That all makes sense, but to have to live through what each of them saw and experienced was too much for me.  I know there are monsters in this world, but I don't have to get to know them as well as I came to know the monsters in this book.

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theemptynotebooks's review

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adventurous dark emotional sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.25


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tey_lynn's review against another edition

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adventurous dark emotional funny hopeful mysterious reflective tense fast-paced
  • Plot- or character-driven? Plot
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

4.0


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leahopkins's review against another edition

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dark tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? It's complicated

4.5

This is the second Gradx Hendrix book I've read (first one being my best friend's excorcism) and I am starting to become a fan (though mbfe was better). 
I thought the concept was very interesting and an entertaining twist of the genre, especially since the final girls' backstories/franchises actually take heavy inspiration from existing horror movies. I am not a very big slasher connoisseur (I have only watched the first scream movie), so I had a lot of fun using my very limited knowledge and the power of Google to figure out what movies the different characters were references to. The characters themselves were fun as well, although I wished they were fleshed out a little more. Lynette especially was a very interesting protagonist because of here intense paranoia, which made the reader question whether you could trust her or if all of this conspiracy was just happening inside her head.
I have to say though, it was a little unnecessary that Adrienne, the only black character, dies first. Yeah, I get that it's supposed to be humouring the slasher trope of "black dude dies first", but I would have really appreciated seeing more (/anything at all) of her, because based on what we got to know of her, she seemed like a very likable and caring character.

There were a lot of different twists, some more foreseeable than the others
(for example, Skye being the killer didn't shock me at all, but when it was revealed that Steph was also involved I was truly surprised)
and it was very fun trying to keep track of all the plot points and connections. However, in the middle part of the book, I thought it was slacking a bit and I had trouble staying engaged. The characters of Garrett and Chrissy felt a little out of place and at times even surreal
(the part where they visit Chrissy, her weird final girl museum and her homicidal boyfriend felt more like a bad dream than anything else. Same thing with the scene in which they leave a dead Michelle in a park with some old man.)

I really enjoyed the ending.
I liked that noone died, and the scene in which a heavily injured Lynette runs away from the killer to distract him from the others was very well written and almost moving. The last chapter itself also felt very touching, because it showed the characters healing, physically and mentally.
Overall, this was a very fun read and I am excited to put more of the author's work onto my TBR.

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melodyseestrees's review against another edition

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challenging dark mysterious tense fast-paced
  • Plot- or character-driven? Plot
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

2.75

I read this book after several people recommended it. This book kept pacing well but that is about where the positives stop for me. The writing style was not my taste. There were a lot of plot conveniences. The main character built herself a panic room and it just happens to fail once the group decides to disband? All these women shaped by their trauma to survive let their guards down at the same time, save our main character? Sure, Jan. The varied reactions to a traumatic event did show a realistic variety- some of the girls prepping, some ignoring, one losing her composure. The characters just weren't written in a very 'final girl' way. I did not like how the antagonists were just squished into the plot wherever and I especially did not like the identity of the main antagonist. If you love slashers you will probably find this to be an okay read. 

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flufficorn's review against another edition

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dark tense medium-paced
  • Plot- or character-driven? Plot
  • Strong character development? N/A
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.0

The first third of this book excited me, as I realized I had never read/listened to a book like this. But at some point near the half way mark, I found myself struggling to stay interested. I think it is because I eventually realized that there are a lot of reasons I lost interest in the Slasher sub-genre of films, and this story falls victim to those reasons and still expects me to think they are asking me to question the genre through their end-of-chapter quote blocks. That part of the story felt phoned-in. If the author really wanted the reader to question the concept the The Final Girl and the Slasher sub-genre, they would have had Lynette question herself and her actions more. Instead, Lynette found justification for all of her behavior. To that end, this book might have some kind of commentary about group therapy/trauma therapy, but it isn't a commentary that I picked up on. 

A lot of reviews mention that this story is very predictable. While I did not specifically predict any particular plot point, between my knowledge of Slasher genre tropes and the clue crumbs left by the author, nothing in the story was particularly shocking or unexpected. The characters felt flat and one-dimensional to me, but Lynette did some healing at the very end there. Femme characters written by cis-men always fall flat to me, and this story was no different in that department. 

This story positions itself as something questioning the inherent misogyny of the Slasher genre and our relationship to it as media consumers, but is really just a Slasher genre story that wants you to think it is smarter than it is. 

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chasingpages1's review

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adventurous dark emotional hopeful sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.5


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abmochapman's review

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adventurous dark tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.0

The Final Girl Support Group has such an interesting premise and didn’t necessarily disappoint, even though it was not exactly what I expected. It is, of course, mirrored after slasher movies and  it focuses more on those themes than the support group itself. There is only one session with the main cast of final girls before their world starts to fall apart, again. From there, the plot inches forward until about halfway when it picks up and the book feels almost impossible to put down. The number of incredible, almost ridiculous twists is dizzying. As compelling as the climax is, I found it difficult to suspend my disbelief. The resolution is gratifying, but still, I am left with so many questions and pieces that don’t seem to fit together.

As other reviewers have said, that may be because The Final Girl Support Group doesn’t quite know what it wants to be. Is it a parody of slasher movies, or is it meant to be taken seriously as a thriller? Is it an ode to the genre, or is it a satirical deconstruction? Reviews praise it as having accomplished both, but I am a bit more conflicted. To me, the novel does not subvert its tropes as much as it relies on them.
The main character, for example, is overly-cautious to recorrect the naivety that she blames for her final girl status. Yet, it is also her irrational and naïve choices that lead her once again into the arms of the monster. She should not have been able to survive but by some miracle, she does.
Like the movies, it’s compelling but unbelievable.

Perhaps the best function the novel serves is to highlight our society’s disgusting obsession with and gross exploitation of victims of violence. The novel explicitly asks readers, “what does it say about us that so much of the entertainment we consume is about killing women?”. The plot, too, confirms the harm that movies and media that glorify mass murder can cause. It’s a very necessary conversation, and one that I am glad the horror genre is having. It’s interesting, though, because the novel is so self-aware except about how it might also contribute to the problem. Doesn’t it also exploit the phenomenon of violence against women (and our morbid curiosity about it) for entertainment and profit? 


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