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textpublishing's review against another edition
5.0
‘Readers hungry for every Ferrante sentence they can get will find many here in which she lowers her knife through the bread of life with the same startling force as she does in her novels.’
LA Times
‘In her own exceedingly quotable words, drawing on myth, theory, philosophy, and, of course, literature, the author reveals herself in her multitudes: she is kind and good-humored, self-deprecating and apologetic, flinty and unwavering…While this collection will be most enticing to those already reading Ferrante, it’s also a feast for writers, lovers of literature, and creators of all kinds.’
Booklist
‘The collection promises insightful observations from Ferrante on subjects such as feminism and politics, her literary aspirations, her decision to be published anonymously, and the role of the writer and publisher in today’s world.’
Books+Publishing
‘The material collected here further reveals Ferrante as a remarkable writer and deeply original thinker across a range of subjects but particularly on writing, the importance of fiction, feminism and motherhood. One hopes that the recent ‘unmasking’ of her identity will not eclipse the importance of this book; certainly, true fans will not be disappointed. She addresses her reasons for privacy within these pages intelligently and convincingly and cautions ‘I remain Ferrante or I no longer publish’. This extraordinary collection of frantumaglia gives us far greater insight into her novels than any speculation about her ‘real’ identity.’
Readings
‘This is a fascinating volume, as ever beautifully translated by Ann Goldstein. At times, it is as absorbing as Ferrante’s extraordinary fictions and touches on troubling unconscious matter with the same visceral intensity. For those who can’t wait for the next Ferrante fiction to sink into, it provides a stopgap.’
Guardian
‘The book exquisitely translated by Ann Goldstein of the New Yorker opens a window on to the life of one of the most mysterious writers at work in Italy today.’
Evening Standard
‘In Frantumaglia Ferrante asserts the most fundamental and important truth of who she is: that she is someone who will do only as she will and nothing else. That is what is at stake for all women. And the stakes as Ferrante knows have never been higher.’
New Republic
‘Over the decades of interviews in Frantumaglia a portrait emerges if not of the artist herself then of Elena Ferrante’s writing process and aim: to give order to the frantumaglia however provisional and arrive at a literary truth through story.’
Hazlitt
‘For admirers of Ferrante’s work who are not particularly interested in a biographical reading of her fiction, Frantumaglia offers something else: a chance to consider her strange, spectral presence in the world of letters.’
New York Times
‘What gives these novels their prominent place on the literary map at this moment is the intensity of Elena Ferrante’s writing: in and of itself a force of nature. With or without permission, the writing sucks the reader into its orbit, and there one remains to the end. It’s a remarkable performance, one that speaks directly to a moment in Western culture avid for naked, memoirish storytelling, and it has made her world-famous…Whoever she is, when she sits down to write she wholly inhabits the narrating persona she has chosen for the tale that she has come to tell.’
Vivian Gornick, The Nation
‘Frantumaglia is never less than compelling and we read with a similar desire to recognise a pattern…The letters are presented without introduction, and as we read we’re curious to know how they fit into the larger picture.’
Australian
‘Ferociously meticulous, exacting, and direct…It is precisely [Ferrante’s] capacity for cruelty, for helping us locate the violence inert in everyday life (particularly within the bourgeois social strata) that qualifies Ferrante for her readers’ devotion. Through her violence we, her readers, become vital and vigilant creatures.’
Lifted Brow
‘That this is a must have for fans of Ferrante goes without saying, but it will also be of interest to those with a curiosity about the art and act of writing. The collection reveals Ferrante’s thoughts on a multitude of topics from feminism, the importance of fiction, and motherhood. Allowing a glimpse into the mind of one of Italy’s most acclaimed writers in the process.’
AU Review
‘Rendering real women, with their fraught relationships and anger, joy, anxieties, disappointment and sadness, has always been where Ferrante is at her most authentic; where she is her most truthful. But in Frantumaglia, her first work of non-fiction, the reader finds one of Ferrante’s most convincing works of fiction: Elena Ferrante.’
The Muse
‘Cumulatively these fragments offer fascinating insights into Ferrante’s working methods and artistic purpose.’
Times Literary Supplement
‘We guarantee all the cool girls will be clutching Frantumaglia.’
Marie Claire
‘An absorbing explanation of why this writer insists on anonymity, and also reveals a lot about the inspiration for and thinking behind her remarkable novels.’
Australian
‘A fascinating companion piece, both to the remarkable novels Ferrante has written and to the ongoing discussion about the author’s real identity…Her fans should be grateful for this highly readable, insightful resource.’
Herald Sun
‘Ferrante writes well about writing, publishing and literature, and I recommend Frantumaglia to writers and those interested in her books…It was an unexpectedly helpful companion through the grief and fear of one hell of a month. Thank you, Elena, whoever you are.’
Zew Zealand Listener
‘An excellent accompaniment to the novels of Elena Ferrante and insight into this writer’s journey and process, in particular the inspiration behind her characters, settings and recurring themes.’
Word by Word
LA Times
‘In her own exceedingly quotable words, drawing on myth, theory, philosophy, and, of course, literature, the author reveals herself in her multitudes: she is kind and good-humored, self-deprecating and apologetic, flinty and unwavering…While this collection will be most enticing to those already reading Ferrante, it’s also a feast for writers, lovers of literature, and creators of all kinds.’
Booklist
‘The collection promises insightful observations from Ferrante on subjects such as feminism and politics, her literary aspirations, her decision to be published anonymously, and the role of the writer and publisher in today’s world.’
Books+Publishing
‘The material collected here further reveals Ferrante as a remarkable writer and deeply original thinker across a range of subjects but particularly on writing, the importance of fiction, feminism and motherhood. One hopes that the recent ‘unmasking’ of her identity will not eclipse the importance of this book; certainly, true fans will not be disappointed. She addresses her reasons for privacy within these pages intelligently and convincingly and cautions ‘I remain Ferrante or I no longer publish’. This extraordinary collection of frantumaglia gives us far greater insight into her novels than any speculation about her ‘real’ identity.’
Readings
‘This is a fascinating volume, as ever beautifully translated by Ann Goldstein. At times, it is as absorbing as Ferrante’s extraordinary fictions and touches on troubling unconscious matter with the same visceral intensity. For those who can’t wait for the next Ferrante fiction to sink into, it provides a stopgap.’
Guardian
‘The book exquisitely translated by Ann Goldstein of the New Yorker opens a window on to the life of one of the most mysterious writers at work in Italy today.’
Evening Standard
‘In Frantumaglia Ferrante asserts the most fundamental and important truth of who she is: that she is someone who will do only as she will and nothing else. That is what is at stake for all women. And the stakes as Ferrante knows have never been higher.’
New Republic
‘Over the decades of interviews in Frantumaglia a portrait emerges if not of the artist herself then of Elena Ferrante’s writing process and aim: to give order to the frantumaglia however provisional and arrive at a literary truth through story.’
Hazlitt
‘For admirers of Ferrante’s work who are not particularly interested in a biographical reading of her fiction, Frantumaglia offers something else: a chance to consider her strange, spectral presence in the world of letters.’
New York Times
‘What gives these novels their prominent place on the literary map at this moment is the intensity of Elena Ferrante’s writing: in and of itself a force of nature. With or without permission, the writing sucks the reader into its orbit, and there one remains to the end. It’s a remarkable performance, one that speaks directly to a moment in Western culture avid for naked, memoirish storytelling, and it has made her world-famous…Whoever she is, when she sits down to write she wholly inhabits the narrating persona she has chosen for the tale that she has come to tell.’
Vivian Gornick, The Nation
‘Frantumaglia is never less than compelling and we read with a similar desire to recognise a pattern…The letters are presented without introduction, and as we read we’re curious to know how they fit into the larger picture.’
Australian
‘Ferociously meticulous, exacting, and direct…It is precisely [Ferrante’s] capacity for cruelty, for helping us locate the violence inert in everyday life (particularly within the bourgeois social strata) that qualifies Ferrante for her readers’ devotion. Through her violence we, her readers, become vital and vigilant creatures.’
Lifted Brow
‘That this is a must have for fans of Ferrante goes without saying, but it will also be of interest to those with a curiosity about the art and act of writing. The collection reveals Ferrante’s thoughts on a multitude of topics from feminism, the importance of fiction, and motherhood. Allowing a glimpse into the mind of one of Italy’s most acclaimed writers in the process.’
AU Review
‘Rendering real women, with their fraught relationships and anger, joy, anxieties, disappointment and sadness, has always been where Ferrante is at her most authentic; where she is her most truthful. But in Frantumaglia, her first work of non-fiction, the reader finds one of Ferrante’s most convincing works of fiction: Elena Ferrante.’
The Muse
‘Cumulatively these fragments offer fascinating insights into Ferrante’s working methods and artistic purpose.’
Times Literary Supplement
‘We guarantee all the cool girls will be clutching Frantumaglia.’
Marie Claire
‘An absorbing explanation of why this writer insists on anonymity, and also reveals a lot about the inspiration for and thinking behind her remarkable novels.’
Australian
‘A fascinating companion piece, both to the remarkable novels Ferrante has written and to the ongoing discussion about the author’s real identity…Her fans should be grateful for this highly readable, insightful resource.’
Herald Sun
‘Ferrante writes well about writing, publishing and literature, and I recommend Frantumaglia to writers and those interested in her books…It was an unexpectedly helpful companion through the grief and fear of one hell of a month. Thank you, Elena, whoever you are.’
Zew Zealand Listener
‘An excellent accompaniment to the novels of Elena Ferrante and insight into this writer’s journey and process, in particular the inspiration behind her characters, settings and recurring themes.’
Word by Word
julierasmine's review against another edition
4.0
“En læseværdig bog er udkommet. Jeg tror også, at sande læsere er ligeglade med hvem der har skrevet den. Jeg tror at læserne af en god bog højst håber på at forfatteren vil fortsætte med at arbejde samvittighedsfuldt og skrive en god bog til. Jeg tror endelig at selv forfatterne af klassikere kun er en stak døde bogstaver i sammenligning med det liv der blusser op på deres sider så snart man begynder at læse dem. Kort sagt. Eller for at sige det på en anden måde: Selv Tolstoj er en ubetydelig skygge hvis han går en tur med Anna Karenina.”
Hvorfor er Elena Ferrante anonym? Hvad betyder Napoli for hende? Hvorfor står mor-datter forholdet så skarpt i alle hendes romaner? Hvilken bog er den mest vanskelige, hun har skrevet? Hvad forventer Ferrante af Francesco Piccolo og HBOs filmatisering af Napoli-romanerne? Hvorfor er Elena Ferrante så fascineret af Elsa Morrante? Hvem af Lenú og Lila identificerer Elena Ferrante sig mest med og hvorfor? Hvad synes Elena Ferrante om kvindelige forfattere og feministisk litteratur? Hvad mener Ferrante om Italien, Berlusconi og landets generelle tilstand? Hvorfor mener Ferrante, at Elsa Morrantes Løgn og trolddom er den vigtigste roman for hende? Fordi det er i den bog hun opdagede, at ren kvindehistorie, kunne være fængslende og stadig have stor litterær værdi. Præcis som Napoli-romanerne. Frantumaglia giver svar på alle de spørgsmål, du altid har haft lyst til at stille pseudonymet Elena Ferrante. Over tyve års breve, essays, overvejelser og interviews samler sig til et unikt billede af en forfatter, som elsker det skrevne ord og værner om sine værker og sin anonymitet.
Læs hele anmeldelsen her: https://litfix.dk/2018/09/01/anmeldelse-frantumaglia-af-elena-ferrante/
Hvorfor er Elena Ferrante anonym? Hvad betyder Napoli for hende? Hvorfor står mor-datter forholdet så skarpt i alle hendes romaner? Hvilken bog er den mest vanskelige, hun har skrevet? Hvad forventer Ferrante af Francesco Piccolo og HBOs filmatisering af Napoli-romanerne? Hvorfor er Elena Ferrante så fascineret af Elsa Morrante? Hvem af Lenú og Lila identificerer Elena Ferrante sig mest med og hvorfor? Hvad synes Elena Ferrante om kvindelige forfattere og feministisk litteratur? Hvad mener Ferrante om Italien, Berlusconi og landets generelle tilstand? Hvorfor mener Ferrante, at Elsa Morrantes Løgn og trolddom er den vigtigste roman for hende? Fordi det er i den bog hun opdagede, at ren kvindehistorie, kunne være fængslende og stadig have stor litterær værdi. Præcis som Napoli-romanerne. Frantumaglia giver svar på alle de spørgsmål, du altid har haft lyst til at stille pseudonymet Elena Ferrante. Over tyve års breve, essays, overvejelser og interviews samler sig til et unikt billede af en forfatter, som elsker det skrevne ord og værner om sine værker og sin anonymitet.
Læs hele anmeldelsen her: https://litfix.dk/2018/09/01/anmeldelse-frantumaglia-af-elena-ferrante/
so_pallares's review against another edition
challenging
informative
inspiring
reflective
5.0
En alguns moments màgics, quan llegeixo sento que una mà surt de les pàgines que tinc al davant i m'agafa per dins, apretant fort. No em deixa anar, acabo submergida en el món de ficció que desplega davant els meus ulls, sento amb intensitat i no vull tornar a la realitat fins que he arribat al final de la història, quan torno a la meva pell em costa trobar peu de nou, tornar a ser jo, només jo, sense aquelles veus que dins meu em transporten a altres realitats.
Quan visc aquestes sensacions devastadores (ben poques vegades, i com més gran em faig, més em costa que em passi...) i mentre estic en aquell impàs entre la ficció i la meva realitat, sento una crida dins meu que em diu: "tant de bo jo fos capaç de fer aquesta màgia" i començo a esboçar històries propies dins la meva ment, històries que mai aconsegueixo posar en paraules.
Amb l'Elena Ferrante em passa, les seves històries m'atrapen, m'ofeguen, m'obsessionen... Amb La frantumaglia he mirat darrere el teló, com escriu, quins temes l'influeixen i què s'amaga rere allò que, en aparença sembla tant senzill però que és el fruit d'anys de feina, de furgar en el subconscient traient suc a les pròpies experiències i donar-li forma amb valor literari. Per primera vegada, un llibre de no-ficció m'ha fet sentir com dins d'una novel·la: apassionada i inmersa. Només et recomanaria La frantumaglia si has llegit, com a mínim, les tres primeres novel·les que va publicar, "bonus points" si has llegit també la tetralogia de L'amiga genial ja que es desgranen un per un els temes i obsessions que construeixen l'eix sobre els que es fonamenten els seus relats. Parla de literatura, escriptura, feminisme, psicoanàlisi, imaginari personal, llegua / orígens... i un munt de temes més que m'apassionen i que em fan venir ganes de ser jo també capaç de copsar la realitat com ho fa ella, d'escriure amb tanta veritat i tanta força.
La frantumaglia m'ha fet estimar, encara més si era possible, a la meva adorada Elena Ferrante, sigui qui sigui la persona que s'amaga rere el sobrenom.
Quan visc aquestes sensacions devastadores (ben poques vegades, i com més gran em faig, més em costa que em passi...) i mentre estic en aquell impàs entre la ficció i la meva realitat, sento una crida dins meu que em diu: "tant de bo jo fos capaç de fer aquesta màgia" i començo a esboçar històries propies dins la meva ment, històries que mai aconsegueixo posar en paraules.
Amb l'Elena Ferrante em passa, les seves històries m'atrapen, m'ofeguen, m'obsessionen... Amb La frantumaglia he mirat darrere el teló, com escriu, quins temes l'influeixen i què s'amaga rere allò que, en aparença sembla tant senzill però que és el fruit d'anys de feina, de furgar en el subconscient traient suc a les pròpies experiències i donar-li forma amb valor literari. Per primera vegada, un llibre de no-ficció m'ha fet sentir com dins d'una novel·la: apassionada i inmersa. Només et recomanaria La frantumaglia si has llegit, com a mínim, les tres primeres novel·les que va publicar, "bonus points" si has llegit també la tetralogia de L'amiga genial ja que es desgranen un per un els temes i obsessions que construeixen l'eix sobre els que es fonamenten els seus relats. Parla de literatura, escriptura, feminisme, psicoanàlisi, imaginari personal, llegua / orígens... i un munt de temes més que m'apassionen i que em fan venir ganes de ser jo també capaç de copsar la realitat com ho fa ella, d'escriure amb tanta veritat i tanta força.
La frantumaglia m'ha fet estimar, encara més si era possible, a la meva adorada Elena Ferrante, sigui qui sigui la persona que s'amaga rere el sobrenom.