I'm not going to lie to you, I had tears in my eyes for most of this volume. The way Alice Oseman writes about Charlie's mental illness and not only the way it affects him but also everyone around him is just so real and raw and just hits so close to home. It's so beautiful to be able to read this unfiltered view into mental illness and I know a lot of people could learn from it. I also related so much to Nick and how lost you feel when someone you know is going through something like this, it was so well done.
Ef ég gæti gefið 6 stjörnur þá myndi Mandla fá þær. Prósinn er stórfenglegur eins og í hinum nóvellum Hildar, lýsingarnar eru nákvæmar og einfaldar en samt svo fallegar. Mér fannst rosalega athyglisvert að lesa um lækni sem sérhæfir sig í umönnun aldraðra og hvernig hún tekst á við dauðann, sérstaklega þar sem hún er sjálf með svo mikinn heilsukvíða. Ég elska líka hvernig Hildur nær að kommenta á kvenfyrirlitningu og hversu normalíseruð hún er, eins og með muninn á því hvernig Eva talar við aðstandendur vs hvernig Þorgrímur talar við þá. Hryllingurinn hérna var líka tvíþættur, annars vegar kötturinn Mandla og hins vegar eltihrellir Evu. Óttinn hennar Evu er svo vel fangaður á svo stuttum tíma og athygli beint á það hve illa kerfið er sett upp fyrir þolendur eltihrella.
(English below) Ohhh já þessi er dásamleg. Í fyrstu hélt ég að hún yrði 4 svipað og Urðarhvarf en það er bara eitthvað við hana sem náði mér enn meira. Ég fékk hroll þegar ég las um það sem kom fyrir Iðunni á næturnar og þó svo að mér hafi fundist lýsingarnar á köttunum ógeðslegar (og skil vel af hverju hún er fráhrindandi fyrir lesendur) fannst mér þær ekki eyðileggja söguna þar sem þær þjóna sínum tilgangi, að sýna fram á að allt í lífi Iðunnar sé eyðilagt. Mér fannst Iðunn mjög skemmtileg persóna og þó svo að hún eigi sér marga galla fannst mér samt gaman að fylgjast með henni og hvernig hún tókst á við vandamálin sín. Ég viðurkenni að mér fannst endirinn líka smá snubbóttur en því lengur sem ég sit með honum því ánægðari er ég með hann. Mér finnst líka flott að Hildur segir okkur aldrei almennilega hvað Iðunn gerði á nóttunni þar sem það sem lesandinn setur inn í eyðurnar er örugglega enn ógeðslegra en eitthvað sem væri hægt að skrifa, það gerir hryllinginn persónulegri.
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Ohhh yes this was wonderful. At first I thought it'd be a four like Urðarhvarf but there was just something about it that really got me. I got chills when I read about the horrible stuff that happened to Iðunn during the night and even though I found the scenes with the cats disturbing (and can totally understand why it would lead to people not liking the book) I do think it served it's purpose in showing readers how everything Iðunn loved was being destroyed. I thought Iðunn was a very fun character and though she has many flaws I really liked getting to read about her and how she dealt with her issues. I will admit that at first I thought the ending was a bit abrupt but the more I think about it the happier I am with it. I also like that Hildur Knúts doesn't directly tell readers what Iðunn was doing during the night but lets them fill in the gaps themselves, as whatever they think of is more personally horrific to them.
Vá hvað Hildur Knúts er góður penni. Lýsingarnar gripu mig svo föstu taki það var alveg erfitt að sleppa taki og hætta að lesa. Mér fannst ég virkilega ná að lifa mig inn í söguna og Hildur notar skilningarvitin svo vel að ég fann á mér þegar persónum var kalt eða þær hræddar eða svangar. Einnig fannst mér Eik skemmtileg persóna og tengdi mikið við að eiga erfitt með að hafa samband við fólk sem maður elskar. Mér fannst veran mjög áhugaverð og pældi mikið í því hvað hún gæti verið, hvort hún hafi í raun verið til eða hvort hún sé bara táknræn. Ég hlustaði líka á enda bókarinnar um miðnætti á Reykjanesbrautinni og fékk oft hroll á meðan ég keyrði. Ég er samt sammála öðrum lesendum að ég vildi að endirinn hefði verið aðeins lengri og meiri áhersla á veruna og hryllinginn, en ég elska samt góða nóvellu og kann að meta að höfundur leyfi lesendum að fylla í eyðurnar.
I flip-flopped a lot while reading this. First I absolutely loved it, though I was a bit confused by all the characters and their names and connections but I made a chart and kept on trucking. The writing was gorgeous and the banter between characters was great. The plot was expertly crafted and very engaging and the characters were interesting. But then I got to letter 96 and I felt physically ill reading about Valmont attacking Cécile. I knew Valmont and Merteuil were horrible people but that crossed the line for me. Still the characters are very well written for you to be able to feel so much for them, I felt so much hate and compassion for them. Cécile and Tourvel especially I felt so sorry for. Tourvel just wanted to give Valmont the benefit of the doubt and refused to believe the terrible things people had said about him and Cécile was just a child, she wasn't mature enough to know that someone would treat her like that.
I read this in one evening, on accident. I was just waiting for a friend to answer a message about playing some games, picked this up to read in the meantime and all of a sudden it's two hours later and the book is done. The writing was absolutely beautiful and I loved seeing Penelope's point of view and getting to hear her story. I was honestly more moved by the story of the twelve maids though and I found myself chocking up at their choruses. Still I didn't like how Penelope was written to hate Helen and Clytemnestra and the way that they were portrayed here, so it's a four.
Yeahhhh no this isn't really for me. Sure it was funny at some points and the way that everything could always get worse was as well, but I didn't super care what happened to Candide or anyone except Cunégonde because she deserved better. I didn't like how every time something bad happened it involved the sexual assault of women and the women were seemingly unphased by this. Cunégonde even said that her being assaulted by a regmient of Bulgarian soldiers was just "the way of war". No, absolutely not. Still I can see how this holds literary merit and why it's a classic, I just didn't like it. I think a quote by Count Pococurante sums up my feelings about this book: "Fools have a habit of believing that everything written by a famous author is admirable. For my part, I read only to please myself, and like only what suits my taste."
This was perfection, a warm hug wrapped in a spaceship and I never wanted to leave. It was the perfect, soft found family vibes I needed and some of these scenes genuinely felt so therapeutic to read. I wanted to be in the Fishbowl so badly, drinking boring tea with Dr. Chef and Sissix and Rosemary and chatting about the stars. I know some people criticize the lack of plot and the predictability and low stakes of the plot that is there but I feel like that's exactly what this book intends to be and exactly what I needed it to be. I already want to read it again.
3,75 hækkað upp í 4 Ok sko, ég fór ekki inn í þessa bók með neinar væntingar annað en að ég væri að fara að lesa um hræðilegt fólk að gera hræðilega hluti. Ég bjóst alls ekki við því að fyrri helmingur bókarinnar myndi fylgja barni á leikskóla aldri upp að unglingastigi. Ég bjóst heldur ekki við því að geta hatað lítið barn svona mikið. Vissulega finnur lesandi til með Veróniku á punktum og ég var meðvitaður um það að með betra uppeldi hefi hún af öllum líkindum verið betri manneskja en guð minn almáttugur hvað hún virkar siðblind, ég hefði ekki verið hissa ef að hún hefði drepið Bowie. Þrátt fyrir allt þetta var fyrri hluti bókarinnar rosalega grípandi og þó svo að einhverjar persónur hafi fallið inn í erkitýpur fannst mér samt gaman að lesa um þær. Seinni hluti hélt athygli minni ekki jafn vel, mér fannst persónurnar þar verða grynnri og mér var í raun frekar sama um þær. Einnig hefði ég viljað að bilið milli hlutanna hefði verið brúað betur, mér fannst ég missa alla tengingu við Veróniku í seinni hlutanum. Annars var þetta rosalega óhugnanleg lýsing á sértrúarsöfnuði og hversu auðvelt er að falla inn í þannig. Bergþóra er líka með rosalega fallegan frásagnarstíl og ég er spenntur að lesa meira eftir hana.
Second Riley Sager book done and I'm happy to say I liked it and am excited to read more of his books (which is great because I own three). Though I didn't end up liking this as much as The Only One Left I still absolutely devoured it. The concept of the closed off neighbourhood was really cool and gave me sort of locked-room-mystery vibes. Even though the vibes were great and plot interesting I just didn't find myself forming the emotional connection to the story that I had with The Only One Left. It just felt like it could've been a lot more than it was. The stakes never felt super high and I didn't really feel like anyone was in any danger at any point. While it toyed with a supernatural element it never fully commited to it which kind of left me wanting more. Still there were a couple of moments where I got the hibbie jibbies and I did enjoy my time reading.