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thehappylittleelf's review against another edition
adventurous
dark
sad
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
An entrancing adventure filled with unique lore and desperate internal struggles. If you like the enemies-to-lovers trope with a strong-willed female lead, you'll love this book.
Content Warnings
Graphic: Blood, Bullying, Genocide, Animal death, Death, Emotional abuse, Medical trauma, Murder, Body horror, Child abuse, Racism, Self harm, Violence, Xenophobia, Gore, Physical abuse, and Religious bigotry
Moderate: Sexual content, War, and Death of parent
delz's review against another edition
adventurous
dark
emotional
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
The Wolf and the Woodman is a fairytale revolving around Pagans, Patricians and Yehuli. Evike is a Wolf Girl with no powers, so she is chosen as her villiage’s sacrifice when the Woodsman comes. The Woodsmen are tasked with taking one of these girls to the king. The village doesn’t know what happens to the girls, only that the king needs their powers and that they never return. When Evike was a little girl her mother was taken and now it’s her turn. One of the Woodsmen, a one eyed Woodsmen, Gáspár is the prince and the weak link for Evike to manipulate. They travel through different lands meet many different people, until they return to the king. Where Gáspár’s illegitimate brother schemes to take the throne. There’s adventure and action and even a little romance.
Content Warnings
Graphic: Animal cruelty, Animal death, Antisemitism, Confinement, Death, Death of parent, Emotional abuse, Genocide, Gore, Hate crime, Kidnapping, Murder, Physical abuse, Religious bigotry, Self harm, Torture, and Violence
nightwing's review against another edition
adventurous
dark
tense
slow-paced
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.25
Received an ARC copy from NetGalley in exchange for an honest review.
"The Wolf and the Woodsman" follows Évike's treacherous journey with Gáspár, a Woodsman sent to capture her and bring her to the king she's never seen and in the process, we see their ideologies and ways of life clash with one another.
I really liked the first half of the story when it was just Évike & Gáspár but once they got to the city it got a bit dull. It's also a bit difficult to describe the book...dark fantasy/romance, I guess? It's not a typical book, to say the least.
The two major antagonists felt really flat and annoyed the heck out of me, the only thing missing from them was an evil mustache to twirl. I was also a bit uncomfortable with how the villagers constantly referred to Évike as "barren" for not having magic which just felt...weird.
Évike was a very entertaining protagonist, she's one you root for but you also want to yell at her for being ridiculous, ha.
Overall, a decent read, but it's not going to be for everyone. As many have said, it's similar to Naomi Novik's "Uprooted" and I also include the recent release "Serpent & Dove" by Shelby Mahuri as a similar read. Basically, dark fantasy, dark romance, dark everything! Not that it's bad, but if you're looking for a Hallmark romance, this ain't it.
"The Wolf and the Woodsman" follows Évike's treacherous journey with Gáspár, a Woodsman sent to capture her and bring her to the king she's never seen and in the process, we see their ideologies and ways of life clash with one another.
I really liked the first half of the story when it was just Évike & Gáspár but once they got to the city it got a bit dull. It's also a bit difficult to describe the book...dark fantasy/romance, I guess? It's not a typical book, to say the least.
The two major antagonists felt really flat and annoyed the heck out of me, the only thing missing from them was an evil mustache to twirl. I was also a bit uncomfortable with how the villagers constantly referred to Évike as "barren" for not having magic which just felt...weird.
Évike was a very entertaining protagonist, she's one you root for but you also want to yell at her for being ridiculous, ha.
Overall, a decent read, but it's not going to be for everyone. As many have said, it's similar to Naomi Novik's "Uprooted" and I also include the recent release "Serpent & Dove" by Shelby Mahuri as a similar read. Basically, dark fantasy, dark romance, dark everything! Not that it's bad, but if you're looking for a Hallmark romance, this ain't it.
Content Warnings
Graphic: Bullying, Death of parent, Emotional abuse, Infidelity, Murder, Physical abuse, Self harm, Violence, and Xenophobia
booksthatburn's review against another edition
adventurous
dark
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
THE WOLF AND THE WOODSMAN is an enemies-to-lovers tale filled with bickering and tender moments of wound-care. It luxuriates in tense conversation, short back-and-forth dialogues punctuated by stony silence and snow. The MC’s narrative ruminations on her traveling companion deftly show what she thinks of him while leaving room for something more in his body language that an interested reader might puzzle out. They fill the silence in a way that ensures the reader is never left alone, even while the MC is trapped in her head, relentlessly pondering the meaning of every word, silence, and gesture from the Woodsman. They are drawn together by a strangely aligned goals that have, at minimum, a destination in common for both of them. Once at this destination, the narrative opens somewhat while still keeping focus on the weight of words and the way they can twist in an instant from toying to cruel, from mild interest to genuine warmth. Its slowly widening scope introduces the political tightrope the MC must traverse. Here it becomes apparent that amid all that travel, banter, and attempts to not fall in love was a lot of very important information about the power structure and current state of the kingdom and its leader. I really like political structures in fantasy, and therefore was very interested in this one, but it isn’t a politically dense book. It conveyed really well essential social information in a seemingly inconsequential manner before the MC arrived in locations where she needed to use that knowledge, and I appreciate how well it was worked in.
One of the strengths of this as an enemies-to-lovers story was that the MC and the eventual love interest had pretty good reasons to dislike each other as kinds of people, but not to already hate each other specifically, which made the transformation from ire to romance feel believable but not rushed. A lot of really excellent emotional groundwork and world-building was laid in the first half of the book, which meant that the second half could carefully subvert some (but not all) of those expectations and play with their implications in some really great ways. I feel a little as though that’s just how good books work, but the first and second half feel so distinct to me. Each had their own unique flavor which made the whole book sing. The world building is really good. I like the way that there were canonically several paths to magic, all of which are different in their particulars but involve some combination of access, mastery, and sacrifice. The MC begins the book thinking that she is unable to use the path that everyone has been expecting her to have. she finds her way into the path that’s good for her; not wholly new ground, something recognizable to those around her even if her specific blend is a bit strange.
One of the strengths of this as an enemies-to-lovers story was that the MC and the eventual love interest had pretty good reasons to dislike each other as kinds of people, but not to already hate each other specifically, which made the transformation from ire to romance feel believable but not rushed. A lot of really excellent emotional groundwork and world-building was laid in the first half of the book, which meant that the second half could carefully subvert some (but not all) of those expectations and play with their implications in some really great ways. I feel a little as though that’s just how good books work, but the first and second half feel so distinct to me. Each had their own unique flavor which made the whole book sing. The world building is really good. I like the way that there were canonically several paths to magic, all of which are different in their particulars but involve some combination of access, mastery, and sacrifice. The MC begins the book thinking that she is unable to use the path that everyone has been expecting her to have. she finds her way into the path that’s good for her; not wholly new ground, something recognizable to those around her even if her specific blend is a bit strange.
Content Warnings
Graphic: Blood, Gore, Murder, Death, and Death of parent
Moderate: Bullying, Kidnapping, Racism, Antisemitism, Religious bigotry, Vomit, Sexual content, Physical abuse, Emotional abuse, Self harm, Torture, Animal death, and Child death
Minor: Ableism, Homophobia, Domestic abuse, and Cannibalism
CW for ableism (minor), bullying, kidnapping, homophobia (minor), racism, antisemitism, religious bigotry, blood, gore, vomit, sexual content, physical abuse, domestic abuse (backstory), emotional abuse, self harm, murder, torture, cannibalism (not depicted), animal death, parental death, child death, death (graphic).
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